LATEST ADDITIONS

Staff  |  Nov 01, 2008  |  0 comments

I return to Ireland each year, since my parents were born there and most of my family reside there. I try to capture the essence of this beautiful island year after year, mostly through landscape photos of Ireland’s emerald green patchwork fields, majestic mountains, and glorious scenery. One day, this window caught my eye, and to me, captured everything that Ireland appears to be: a nation...

C.A. Boylan  |  Nov 01, 2008  |  0 comments

Convertible Photo Sling Bag From Tenba
Tenba announced a lightweight and versatile Photo Sling that can be easily converted from a quick-draw configuration to a long lens bag, making it highly useful for sports and wildlife photographers. The bag features a WeatherWrap rain cover, phone/audio pouch, auxiliary security strap, and a wide range of accessory pockets and...

Jack Neubart  |  Nov 01, 2008  |  0 comments

“You need to establish a connection with the food in front of the camera,” observes New York-based food photographer Francesco Tonelli (www.francescotonelli.com). “I can do a better job photographing a dish when I can picture myself eating it. That’s the frame of mind I need to be in so that I can capture the...

Jon Sienkiewicz  |  Nov 01, 2008  |  0 comments

The man at the discount store carefully examined every item on the rack, pulling each forward while scrutinizing it with squinted eyes. “It’s harder than finding the right watch battery,” he said under his breath. “There are plenty to choose between, but which is the right one?”

I found out later he was looking for a high-capacity SDHC card for his...

Peter K. Burian  |  Nov 01, 2008  |  0 comments

Until recently, 10 megapixels was the norm among the enthusiast-level D-SLRs but that changed with the introduction of Nikon’s 12-megapixel D300. Pentax was the first to move to even higher resolution with their 14.6-megapixel model, the K20D, followed by Sony with their 14.2-megapixel Alpha A350. Aside from a 4.6 million increase in effective pixels, the Pentax K20D boasts some other...

Peter K. Burian  |  Nov 01, 2008  |  0 comments

The Olympus D-SLR system always included a series of pro-caliber lenses targeting serious photographers working with the E-1 pro camera. Since the introduction of the newer E-3, Olympus has also unveiled three high-grade zooms, the first in the Zuiko Digital line with Supersonic Wave Drive (SWD) autofocus. Designed to provide the ultimate in AF performance, this trio offers wide apertures...

Jack Neubart  |  Nov 01, 2008  |  1 comments

The original Nikon Capture NX could be compared to a four-cylinder vehicle: it would take you where you wanted to go when it came to raw conversion of Nikon NEF files, but it wasn’t the best ride for image editing. Compared to that, the newly released Capture NX 2 can be described as a six-cylinder roadster—sleek, yet powerful enough for a long drive. The additions and changes add...

Jon Sienkiewicz  |  Nov 01, 2008  |  0 comments

Someday an innovative manufacturer will market a memory card that changes color as it fills with images, then changes back again when it’s downloaded. Such a feature would make it easier to determine which cards are ready for formatting. That wouldn’t stop us from accidentally deleting a keeper now and again, but it might help us steer clear of total calamity. However, until...

Roger W. Hicks & Frances E. Schultz  |  Nov 01, 2008  |  0 comments

If you own and use an M-series Leica, a Zeiss Ikon, or a bayonet-mount Voigtländer Bessa, Leica’s 16-18-21mm Tri-Elmar is so staggeringly desirable that it is almost easier to list the reasons for not buying one than to list its advantages—though these are easy enough to list, too. It is compact, sweet handling, sharp, contrasty, rangefinder-coupled, unbelievably convenient, and...

Robert E. Mayer  |  Nov 01, 2008  |  0 comments

Here Is A Quick Tip List On Letters For The HELP! Desk:
Please confine yourself to only one question per letter. Both postal letters and e-mails are fine, although we prefer e-mail as the most efficient form of communication. Send your e-mail queries to editorial@shutterbug.com with Help in the subject header and your return...

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