LATEST STORIES

Steve Bedell  |  Dec 01, 2006  |  0 comments

While searching for a new portrait lens I saw Sigma's APO MACRO 150mm f/2.8 on their website. But wait, you say, this is a macro lens, not a portrait lens! Here's my thinking: Any portrait photographer out there worth his light meter will gladly extol the virtues of a long, fast lens for portraiture. The reasons are simple--limited angle of view to get rid of...

C.A. Boylan  |  Dec 01, 2006  |  0 comments

Paper Trimmer From Purple Cows, Inc.
Purple Cows, Inc., distributed by the Brandess-Kalt-Aetna Group, recently introduced the model 1040 paper trimmer. Designed with the digital photographer and scrapbook crafter in mind, this trimmer features a 12" rotary cutter, 12" guillotine blade, a metal cutting surface, ergonomic handles, and two special...

David B. Brooks  |  Dec 01, 2006  |  0 comments

This article is for those of you who color correct and adjust your image files to attain what looks like an ideal photograph on screen, but whose prints don't match that perfect screen image. Of all the challenges and disappointments digital photographers express to me in e-mails I receive almost daily, matching screen to print is the most common. It is also the most...

Shutterbug Staff  |  Dec 01, 2006  |  0 comments

If there was ever any question that photos keep memories alive it was answered by the wonderful pictures we received for this month's Picture This! assignment. Readers sent us a treasure trove of their family pictures, many accompanied by stories of those family and friends depicted. As we looked at each one and read the accompanying text we couldn't but help think...

Joe Farace  |  Dec 01, 2006  |  0 comments

Each new version of Adobe's Photoshop Elements gets better than the previous one. That's the case with this inexpensive ($99) program that has evolved from Adobe's stepchild to a darn good imaging program for the money. The interface of the latest version for Microsoft Windows even contains hints of Adobe's as-yet-released Lightroom in its design...

Ron Eggers  |  Dec 01, 2006  |  0 comments

One of the difficulties of getting involved in studio work is trying to figure out where to begin. There are so many different lighting systems and so many equipment options available that it's not easy to figure out what's essential, what might be nice to have, and what really isn't necessary, at least when you first begin. Just what type of lighting do you need...

Jack Hollingsworth  |  Dec 01, 2006  |  0 comments

If you travel and take pictures you know that photographs like the ones you see here don't just happen. At least, not for me. It's more likely that you'll be able to capture found moments that approximate some of these images, but since I most often set out to fulfill an assignment of one sort or another--stock shots for specific markets or a client's...

Jon Canfield  |  Dec 01, 2006  |  0 comments

In my last column I covered using Unsharp Mask to sharpen your images for output, whether print or screen. This time, we'll go a step further and talk about selective sharpening. Why would you want to use selective sharpening? It's the ideal choice when working on portraits, where you want to keep the skin smooth but have good detail and focus on the eyes. You'll...

George Schaub  |  Dec 01, 2006  |  0 comments

Is it possible that one day we might be able to bypass basic, global in computer editing for our digital images, and rely instead on the powerful on-board microprocessors in future digital SLRs? That's the implication of some of the new features in Nikon's latest enthusiast-aimed camera, the D80. Priced at $999 (body only) list, with a kit including an 18-135mm...

Shutterbug Staff  |  Dec 01, 2006  |  0 comments

We welcome your comments on articles, photo and digital events, feedback on how we're doing, constructive criticism, and friendly advice. We reserve the right to edit for brevity and to paraphrase longer comments if necessary. You can send us letters by US mail at Editor, News & Notes, Shutterbug Magazine, 1419 Chaffee Dr., Suite #1, Titusville, FL 32780, or by e-mail...

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