One of the first choices you come across when setting up a new camera is the Color Space setting where you can select either sRGB or AdobeRGB, and both have their purposes. If you want to know what’s the best option for you, and when to change it, read on.
Photographers of all skill levels are using Instagram these days to showcase their work, and some pros even use this platform as an online portfolio. If you want to jump on the bandwagon, there are few things you need to know.
Commercial photographer Joel Grimes has been making outstanding images for over 30 years, so when he says there’s one simple Photoshop tool he “can’t live without, we stop and pay attention. And while this “essential” tool isn’t exactly a secret, Grime’s uses it in a unique way.
Photoshop has a bunch of powerful hidden tools, and there’s one that image-editing expert Colin Smith calls a “Magic Button” that will instantly fix colors in an image. If your guess is we’re speaking of the Auto Color Tool, think again!
Back when we all used film, the proper way to meter a scene had a lot to do with whether we were shooting slides or prints. The general rule of thumb was to expose for highlights with transparency film, and expose for shadows with negative film. But what’s the best approach when using digital cameras?
Blue hour, that magical time just before sunrise or sunset, is usually a great time to shoot. With the sun just below the horizon, beautiful blue tones bathe the landscape and create a dreamy soft glow.
Adobe is constantly updating Photoshop and Lightroom, and usually that’s a good thing—with helpful new features and streamlined performance. Every so often, however, something gets screwed up, and familiar tools no longer work as they should.
Summer means stormy weather, with threatening thunderstorms that offer great opportunities for dramatic landscape imagery—especially when lightning is involved. The challenge to coming up with dramatic photographs is dealing with the complex lighting conditions that electrical storms present.
This is a great time of year to make macro magic, as there are flowers, insects, and other small creatures just about everywhere you look. All you really need is a close-focusing lens and the following tips from Swedish pro Micael Widell.
One of the first things photographers do when editing images is reduce noise and sharpen soft photos. And while there’s a bunch of helpful apps that address these tasks, the video below describes what one expert says is the “quintessential” method of accomplishing both jobs in Lightroom.
Handheld photography under low-light conditions often involves extremely high ISO settings that you’d never use under any other conditions. But taking this approach typically results in those ugly artifacts we call “noise.”
Most photographers would rather be out shooting than sitting behind a computer editing dozens of images. One way to dramatically reduce processing time and get back out in the field is to “batch process” your photos.
Every so often we come upon a simple-and-effective processing technique that will make a big difference in outdoor photographs. And that’s exactly what you’ll find in the seven-minute tutorial below.
Whether you prefer portraiture, macro, or tabletop photography, it’s nice to have a choice of backdrops to make your images stand out. Unfortunately, many of us shoot against a plain wall because we can’t afford to invest in backdrops of various colors.
What if you arrive at a location, only to encounter atmospheric that obscures important objects in the background, reduces details throughout the scene, and basically ruins your shot? You can either return on a better day, or take a few photos and fixed them in Photoshop with the simple technique below.