Photo How To

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Scott Kelby  |  Aug 09, 2016  |  0 comments

Got Questions About Photography? Professional Photographer and Photoshop Expert Scott Kelby Has Got Answers.

Barry Tanenbaum  |  Aug 02, 2016  |  0 comments

About four years ago, Alvanas, a photographer, filmmaker, educator, digital artist, and postproduction retoucher, was attending a week-long advanced printing workshop at John Paul Caponigro’s studio. “The first day of portfolio review featured lots of prints of grand vistas from big film cameras—4x5s and 8x10s,” Alvanas says. “I showed on the second day, but I digitally projected my images.”

Blaine Harrington  |  Jul 15, 2016  |  0 comments

On Monday evening, February 8th, I got an e-mail okaying my request for press credentials to cover the Denver Broncos’ Super Bowl victory parade. It was triple good news: I’m a Broncos fan, I’d get images for stock, and I wouldn’t have to travel far (I live about 10 miles from Denver).

Seth Shostak  |  Jul 01, 2016  |  0 comments

We’ve all seen them: night shots of some wind-weathered rock formation in the American Southwest, backed by a dramatic, star-spangled sky. Earth, the universe, and everything.
Your first thought: “What sort of unaffordable equipment does it take to make a photo like that?” Your second thought: “You know, a 16x20 nighttime pic would sure look good above the pool table.”

Jon Sienkiewicz  |  Jun 30, 2016  |  0 comments

As a Shutterbug reader, you know how to shoot fireworks. But what do you say to your friends and kinfolk when they ask you for advice? Simple—just send them the link to this article. It’s a nice, relatively short list of 10 tips for photographing aerial pyrotechnics. Because after all, there’s more to fireworks than what meets the sky. 

Barry Tanenbaum  |  Jun 24, 2016  |  0 comments

I got the idea for this how-to story from something the Pulitzer Prize-winning photojournalist David Hume Kennerly said to me: “Believe me, the challenge of photography is not going to France for the first time and photographing the Eiffel Tower. The challenge is really seeing and then photographing the stuff that’s familiar and ordinary, stuff we see all the time but never really observe or give much attention.”

Barry Tanenbaum  |  Jun 21, 2016  |  0 comments

David X. Tejada’s assignment was a lighting demo for a how-to video and end-use images. The location was a private home where he was asked to create the effect of artificial sunlight. The weather cooperated by providing rain.

Ron Leach  |  Jun 10, 2016  |  0 comments

Nothing beats the versatile wide-angle lens for street shooting, travel, and landscape photography. Whether you’re capturing mountain vistas or bustling street scenes, the wide-angle lens offers an ideal combination of features for quick, candid shooting.

Ron Leach  |  May 18, 2016  |  0 comments

Shutterbug featured the unique work of expert light painter Jason Page back in 2014, and he has a fascinating new tutorial that will help you learn this popular technique. In this video, Page uses the Light Painting Brushes system to create some imaginative effects.

Jon Sienkiewicz  |  May 12, 2016  |  1 comments

Even photographers who usually shoot in Manual Mode should take a closer look at Program AE Mode. Why? Because in the right hands, the two modes are more similar than they are different. 

Jordan Matter  |  May 03, 2016  |  0 comments

A good friend once told me, “When you’re doing something, you’re not doing something else.” This Yogi Berra-ism is actually great advice. When considering a photo project, think about its commercial potential. You can spend a year photographing the slime left by snails at night, but does anyone want to see that? More importantly in this increasingly web-focused world, will they share it in their social media feeds?

Ron Leach  |  May 02, 2016  |  0 comments

Have you ever been on location with a beautiful model and great scenery, only to be foiled by a drab, overcast sky? In this two–minute video, celebrity/sports photographer David Bergman explains how to combine creative color-balance control with off–camera flash to get some stunning results on a gray day in Belize.

Jon Sienkiewicz  |  Apr 29, 2016  |  First Published: Apr 28, 2016  |  0 comments

Many, many years ago, in a silver halide universe far, far away, amateur photographers were divided into two camps. Their differences were not based on political orientation. And they had nothing to do with the Cold War, nationality, ideology or anything else so trivial. What was the division that separated otherwise rational people? Read on…

Barry Tanenbaum  |  Apr 29, 2016  |  0 comments

BMX rider Daniel Coriz comes in at speed from the right side, launches himself up 10 feet, touches both tires, pulls the handlebars to pop a wheelie off the wall, then turns the bike for a clean exit. He lands a foot in front of adventure sports photographer Michael Clark, who’s been hand-holding his camera, tracking and firing to capture every turn and twist of the trick.

Scott Kelby  |  Apr 26, 2016  |  0 comments

Scott Kelby is a photographer, Photoshop Guy, award-winning author of more than 50 books, and CEO of KelbyOne, an online education community dedicated to helping photographers take the kinds of images they’ve always dreamed of.

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