If you need some inspiration to get your creative juices flowing, look no further than these top entries in the 2016 National Geographic Nature Photographer of the Year contest. The deadline for entries was last Friday, and the Editors at National Geographic have shared their favorites.
Yousef Al Habshi is an award-winning photographer based in Abu Dabi. He specializes in macro photography, and the spectacular images of insects you see here are part of his Little Monsters project.
The frost is on the pumpkin, folks, and that means it’s time to get ready for fall. Here are five things to have in mind as we slip from Daylight Saving Time into the long nights and short days of winter.
While Shutterbug reader Robert Dunham dreams of shooting the vast landscapes in Montana, he has found “great wonder and satisfaction in shooting macro” at his North Carolina home. He combines his two favorite pastimes, gardening and photography, by “taking a bunch of gear to the garden and splitting time between the spade and the camera.”
Astrophotography is really popular these days, and this Lightroom tutorial from Rob & Jonas’ Filmmaking Tips will get you up to speed on how to capture amazing images of the night sky.
Photographing fireflies is a “thing” in Japan, where every summer photographers venture out in the early evening to capture these winged insects painting the landscape fantastic. These “lightnin’ bugs” also do their illuminating dance in the Southern United States, so you may want to try photographing their bioluminescence yourself.
In real-world shoots, both camera and subject are often moving. Six generations of photographers have fought this problem in their quest for images as sharp as a zoot suit. And nowhere is this fact of photographic life more obvious than when you’re trying to freeze the movement of wildlife. Whether you’re bagging African megafauna or trying to capture backyard beetles, stopping the motion is part of the assignment. So how do you do it?
Shutterbug reader Bill Tiepelman captured this profile of a beautiful red-bellied woodpecker in his backyard in Wentzville, Missouri. An avid bird watcher, Tiepelman has on old swing set in his backyard that he repurposed into a bird sanctuary in an effort to “attract as many species as possible.”
When it comes to bird photography, no species is more majestic and more sought after than the bald eagle. Its status as America’s national bird wasn’t always a sure bet (Benjamin Franklin wanted the turkey). Bald eagles also nearly went extinct during the 20th century from their eggshells thinning due to the proliferation of DDT. But today as a result of aggressive protections under the Endangered Species Act, as well as the banning of DDT, these beautiful birds have made a dramatic recovery.
For this month’s column, we look at how to turn your love for wildlife photography into a serious business. I interviewed the husband-and-wife team of David and Jennifer Hemmings who have been particularly successful in the wildlife photography field.
One of the first bits of advice offered to less-experienced photographers is to “get closer to your subject.” More advanced shooters know that moving in tight tends to avoid background clutter and emphasize the primary subject. Macro (or close-up) photography takes this tenet to the extreme and makes possible some very unique imagery as long as one owns the required equipment and employs proper techniques.
Jim Graham captured this adorable image of a sleeping sled dog in front of a majestic backdrop during a trip this past summer to Greenland. The image was shot in Ilulissat, which is in western Greenland, approximately 220 miles north of the Arctic Circle.
While everyone’s definition of “extreme” is a little different, the one thing that can be said of extreme outdoor photography is it involves leaving the car far behind and dealing with whatever difficulties present themselves without running for cover. To help get you ready for your next extreme shoot, here are my seven most important tools for working in the wild under tough conditions.
In terms of extreme locations, you can’t pick a place much more remote than the Falkland Islands. Located 300 miles off the tip of Argentina in the South Atlantic Ocean, the Falkland Islands consists of two main isles—East and West Falkland Islands, plus 776 smaller islets, covering 4,700 square miles.