Lens News

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Frances E. Schultz  |  Jan 01, 2006  |  0 comments

If a picture is really brilliant, you don't have to worry about grain or sharpness or anything else: to quote Mike Gristwood, late of Ilford, "How much good would it do you to know the technical details of any one of Henri Cartier-Bresson's pictures?"

By the same token, if a picture is really bad, no amount of technical brilliance is going...

David B. Brooks  |  Jan 01, 2006  |  0 comments

There's one lens that's part of my 35mm/digital SLR system that I have used longest, continuously now for about 40 years. It is a homemade single-element soft-focus lens inspired by the Rodenstock Imagon lens for large format cameras. There are more images in my library of photographs made with this lens than any other. But why in this modern, high-tech world of...

Jack Neubart  |  Dec 01, 2005  |  0 comments

The Canon EF-S 10-22mm f/3.5-4.5 USM (16-35mm equivalent in 35mm parlance) was designed to cover the APS-C format, specifically the EOS 20D and both EOS Digital Rebels (plus future APS-C models). Canon's EF-S lenses (S = Short Back Focus) are physically matched to these cameras. This design also results in a smaller and lighter lens (3.5" long and less than 14 oz).

Joe Farace  |  Nov 01, 2005  |  0 comments

Tamron's AF18-200mm F/3.5-6.3 lens is part of their digitally integrated (Di II) lens series that's designed for digital SLRs and is not recommended for use with cameras having image sensors larger than 24x16mm, or 35mm film cameras. The lens is available in Canon EF, Konica Minolta AF-D, Nikon AF-D, and Pentax AF mounts and is maximized for smaller-sized imaging...

Roger W. Hicks  |  Oct 01, 2005  |  0 comments

What do you want from a 75mm f/2 lens? Whatever it is, the new APO-Summicron-M Aspheric almost certainly delivers it--except, it must be said, low cost. Perfection, or as close as modern lens design can come to it, doesn't come cheap.

For reportage, it is superb: fast, compact, and convenient. Of course, you don't normally need or expect ultimate...

Text and photography by Mike Stensvold  |  Jun 01, 2005  |  First Published: Jan 01, 2005  |  0 comments

Long lenses are wonderful photographic tools. Their longer-than-"normal" focal lengths magnify everything, allowing you to get "close-ups" of subjects you can't (or don't want to) approach closely. The shorter long lenses (those in the 85--120mm range, for 35mm cameras) are ideal for portraits, because they produce a good head size at a...

Mike Stensvold  |  Feb 01, 2004  |  1 comments

 

 

 

 

 

 

Next to your camera body, the lenses you use with it are your most important photographic purchases. While physically, a lens is just a collection of glass or plastic elements held precisely in position in a light-tight tube, with a camera mount on one end and some means of focusing, creatively it's your...

The Editors  |  Aug 01, 2003  |  1 comments

Sun & Games Fun with the sun...and more

1. Sun Stars
Your wide-angle lens at its smallest aperture can turn the sun into a star in your photos—fitting, since the sun actually is a star. The effect occurs because the tiny aperture diffracts the incoming light rays a lot. This diffraction causes the star effect. You can include the sun as a compositional. Photo by...

Mike Stensvold  |  Jun 01, 2002  |  0 comments

 

 

 

 

 

 

 

 

A great tool for creative photographers

You can't beat the 35mm SLR for its combination of features, price and performance. And one its best features is its ability to accept a wide range of interchangeable lenses. From superwide fisheye to supertelephoto, macro...

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