Steve Bedell

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Steve Bedell Posted: Nov 12, 2013 Published: Oct 01, 2013 0 comments
Photographing families and large groups can strike fear into the hearts of many photographers. As for me, there’s nothing I’d rather do. I not only get to meet a lot of great people, but family groups are the most profitable portraits that I take. Everyone wants a copy of a good shot, and many of my family group photos result in the sale of a wall portrait or grouping with frames, plus several smaller prints.
Steve Bedell Posted: Oct 11, 2013 Published: Sep 01, 2013 0 comments
“Look Ma, no cords!” That’s right; the Priolite does not have a power cord. It is run strictly off battery power. Each unit has its own interchangeable and removable battery, plus a built-in receiver to work with a Priolite transmitter. And, unlike most monolights, it has a usable modeling light even on battery power.
Steve Bedell Posted: Jun 21, 2013 Published: May 01, 2013 3 comments
The job of auto-retouching software is to retouch faces quickly, easily, and with as little human intervention as possible. Most require you to either set or confirm where the major points of the face are, like the eyes, ears, and lips. After you’ve identified those areas, the software then goes about its business of transforming little Pamela into little Princess.
Steve Bedell Posted: Jun 18, 2013 Published: May 01, 2013 2 comments
As more photos are made on more types of devices, there’s a need for resultant images that aren’t just “OK” but as good as they can be. And part of the need, it would seem, is that some folks don’t want to spend a lot of time learning complex programs to get the image results they want. Companies like Athentech Imaging aim to make it a one-click affair.
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Steve Bedell Posted: Apr 19, 2013 Published: Mar 01, 2013 1 comments
Like most photographers, I’m always trying to see just how versatile I can make my dedicated speedlights. In my case that would be Nikon SB-800 Speedlights. And when I really want to create a unique look I’ll sometimes use off-camera flash so I can vary the exposure on my subject in relation to the overall scene. That usually involves me adding light to my subject to either match or overpower the ambient light. When I do that I like to have a little more control over the quantity and quality of the light than what I’d have if I just aimed my flash at my subject with no modification.
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Steve Bedell Posted: Apr 02, 2013 Published: Mar 01, 2013 0 comments
I am a dyed-in-the-wool natural light shooter. Outdoor portraits are my specialty and 95 percent of my outdoor portraits are taken with nothing but daylight. Yet, unlike other photographers I know, I actually prefer shooting on sunny days, and my studio schedules all day, so there is no waiting for the “golden hour” to get soft, directional light.
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Steve Bedell Posted: Jan 25, 2013 Published: Dec 01, 2012 18 comments
Fresnel lenses are used to focus light. Many of the Hollywood glamour photographers of the 1930s and ’40s used them, most notably George Hurrell for his portraits of many of the screen legends of that era. Hurrell used 8x10 cameras, uncoated lenses, and bulky Mole-Richardson hot lights. You don’t have to go that route, but you can now replicate some of the lighting effects with this new offering from Photogenic.
Steve Bedell Posted: Jan 14, 2013 Published: Dec 01, 2012 0 comments
We all know what softboxes look like. They’re big, small, square, rectangular, sometimes round or shaped like octagons—we’ve seen them all. But there is nothing quite like the 16x60 Light Bender from Larson. It is long (48”), narrow (12”), and looks like a strip light that someone grabbed by the ends and yanked toward the middle. In this test I’ll take a look at just what this oddly-shaped light can do and why a photographer may consider adding it to his or her arsenal of light modifiers.

The Light Bender was designed by well-known photographer Larry Peters from Ohio and is produced and sold by Larson Enterprises.

After unpacking, I mounted the box to the backplate, a really snug fit, and then added the speed ring that allows me to mount and swivel the box on my light. After assembly, I mounted it on my Paul C. Buff Einstein unit. The light mounts dead center and the “wings” fly out to the side. There is no interior baffle in the design so the light is much stronger in the center and drops off rather dramatically as you move toward the edges.

Steve Bedell Posted: Oct 18, 2012 Published: Sep 01, 2012 3 comments
Recently I had an opportunity to test Profoto’s D1 monolight and their HR Softbox 1.5x3. To check out the combo the company sent along a Profoto D1 Air Kit that includes two D1 monolights, stands, umbrellas, and a case. I did not have the Air Remote to control the units from camera position.
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Steve Bedell Posted: Sep 14, 2012 0 comments
One of the first workshops I ever attended when I began my career over 30 years ago was with the legendary Don “Big Daddy’” Blair. One of the things Don was known for was his almost fanatical obsession with posing, especially hands. Things have changed a great deal since then and posing as a rule has become much more relaxed, but there are still some basic “rules” that can serve as guidelines that can be incorporated into your own style.

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