Howard Millard

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Howard Millard Posted: Sep 27, 2005 0 comments


1

Photos © 2003, Howard Millard, All Rights Reserved

Adding a reflection of your
subject can double the impact of your digital photo, transforming an
ordinary shot into something memorable and striking. Using tools in
Adobe Photoshop, Elements, and other image-editing programs, it's
not too difficult to double your pixel power. Just follow these nine
steps. I used Photoshop, and the procedure is similar in Elements or
other programs.



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Howard Millard Posted: Sep 01, 2005 0 comments

They're both round and have a hole in the center. But are CDs and DVDs really digital life preservers? How long will they last? What are the safest and most reliable brands? What about hard drives--how safe are they? What can you do to best preserve your digital images and data? What are the best media to buy, how should you store them, and how do you archive and...

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Howard Millard Posted: Jul 26, 2005 0 comments


The
original photo, shot in the studio with Paul C. Buff electronic
flash on Fujichrome Sensia slide film, is sharp throughout.
Model: Heidi McAllister.

Photos 2002, Howard Millard, All Rights Reserved

In ads, book covers and magazines,
you've seen pictures where part of the subject jumps out at you
because it's sharp, but most of the image is way out of focus. The
technique really directs your attention to the part of the subject that's
sharp, and it adds a contemporary flair and sense of style. Traditionally,
this effect was achieved by using extremely shallow depth of field with
a medium format or large view camera. Today, however, you can create it
digitally in a few minutes and apply it to any existing photo made with
any camera, or to any print that you can scan into your computer.



I
selected the area I want to keep sharp with the Elliptical
Marquee selection tool.

Remember, once you've drawn the selection, you can
reposition it by dragging inside the selected area. Next,
feather the selection.

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Filed under
Howard Millard Posted: Jul 26, 2005 0 comments

1.

It was the swinging `60s,
I was in college, and many wore a rainbow of tie-dyed colors. What had
been "normal" was being challenged on every front, and that
included photography. The bulging, startling perspective of the fisheye
lens added an otherworldly look to album covers for rock musicians like
Jimi Hendrix and Cream. Now, decades later, just as bell bottom pants
recently returned for yet another cycle, fisheye images have again reared
their heads in both print and television ads. A fisheye lens, of course,
is one that takes in an extremely wide angle of view, often 180º,
and appears as a circle within the black image frame. Yes, there are rectilinear
full frame fisheyes (which give a rectangular, not round image), but to
my mind, they're merely ultra-wide angle lenses. A true fisheye,
on the other hand, is a unique special effects tool which renders a unique
circular perspective of the world.



When I was a student, fisheye lenses cost a small fortune (some still
do). What to do? I drilled a hole in the center of a lens cap and glued
a brass door peephole from a hardware store to it. Snapping the lens cap/fisheye
lens over a 50mm or wider angle standard lens, I got a small 180º
circular fisheye image in the center of the black frame. Quality was not
great, but the effect was spectacular.

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Howard Millard Posted: Jun 07, 2005 0 comments


#1. Starting with an original single image photo shot
in the studio, I selected the subject with the Magic Wand
tool. (Model: Tanya Perez.)

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Howard Millard Posted: May 10, 2005 0 comments

Want to take one of your photos into the future? In a few steps, you can add
a cutting edge high tech look to your images with the Mosaic filter in Adobe
Photoshop or Elements. Whether you want to add this futuristic dynamism and
drama to a portrait or an object, simply follow the steps outlined here. I've
chosen to add it to a profile portrait of a young woman, but the technique can
be equally effective with objects such as a cell phone or even a shot of your
digital camera. The steps shown here are those I used in Photoshop CS, but Elements
has the same filter, as may some other image editors, perhaps with a different
name.

...

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Howard Millard Posted: Apr 01, 2005 0 comments

The PhotoshopWorld Dream Team Book, Volume 1, edited by Steve Weiss, 9x9", softcover, 308 pages, $29.99, New Riders/Peachpit Press, www.peachpit.com.
Once a year, Adobe Photoshop gurus and would-be gurus from around the globe gather at the PhotoshopWorld conference to trade...

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Howard Millard Posted: Mar 01, 2005 0 comments

Sometimes all it takes to lift your photo from the ordinary to the extraordinary is a striking edge or border. Would a soft-edged vignette or a unique pattern border take your image to the next level of dramatic impact? While there are myriad software programs and plug-ins designed to add special effect edges, borders and frames, you probably already have quite an array of...

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Howard Millard Posted: Feb 01, 2005 0 comments

Want to add a new dimension to your photography? Try shooting panoramic pictures--shoot a series of two or more frames and then combine them digitally. The wide sweep of the panoramic format captures attention, adds impact, and compels viewers to...

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Howard Millard Posted: Feb 01, 2005 0 comments

Does it seem that your hard drive is filling up with digital image files faster than the speed of light? Where in the world is that shot you took last summer of Steve water-skiing, and whatever happened to those great photos from the trip to Death Valley that you want to e-mail to a friend? Whether your digital pictures are from a digital camera, scans from prints, negatives, or...

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