“Doing Well by Doing Good” is how you might describe the subject of this column. It’s one of my favorite topics—photographers working for nonprofit organizations and Non-Government Organizations (NGOs) and finding a way to both make a living and make a change in their community. Whether it is local or global, photography has always been used to advocate for social change. There are many local and international communities and organizations you can serve.
Yes, there are staff jobs for photographers! Not as talked about as those who earn their living working freelance, this career path proves to be still viable today. The seven photographers interviewed for this column have a variety of job titles and work for a broad range of companies, including newspapers, big corporations, educational institutions, and hotels/resorts. Though they work in very different environments, it was interesting to me how much they have in common. As I learned, you will find that just being a technically competent photographer is not enough for a staff photography job. Also, make note of their employers’ use of freelancers. You’ll find that freelancing (working as a stringer) is one path to a staff job.
Advertising photography could be thought of as simply making images designed to sell a product or service. Traditionally, this meant a company hired an advertising agency to create ads to sell their products and services, so the ad agency hired a photographer to do the shoot or sought stock or other image sources to fulfill their image needs.
Clients buying location photography can include those from the travel, fashion, editorial, corporate, and even architectural fields. You might well ask—why don’t they just use stock? With so many sites and so many agencies and photographers offering images from every imaginable corner of the globe, hasn’t stock killed this market? Stock photography for this market is a topic for another day—this is about companies that need location photography because they need their people or property photographed and they know that stock will simply not fit the bill. As a related sidebar, we’ll also cover how you can rise above the iReporter-type shooter who often degrades the market by offering travel and lifestyle images for a “dime a dozen.”
“With any marketing campaign you need to excite potential clients so they will want to contact you, and you need to keep current clients interested and be sure they think of you first.”
There are so many choices today for online and social marketing. Here’s a partial list: Facebook, LinkedIn, Blogs, Online Groups, Twitter, Tumblr, Myspace, Digg, StumbleUpon, and of course your website. How effective are these new marketing scenarios in helping you sell photography services? We asked four photographers using social media to share their experiences. Thanks to Jeff Colburn, Karen I. Hirsch, Gail Mooney-Kelly, and Ian L. Sitren for their helpful opinions and advice. Please see their web addresses and visit their websites to see their work.
Finding clients for your professional wedding photography work can be a challenge. In this article we talk with seven wedding photography pros about their business today and how they find clients, what portfolio formats work best, and where they think the wedding business is heading in the next five years. We interviewed photographers from across the US; their styles range from beautifully posed portraits to wonderfully natural candids.
We have been concentrating on copyright issues in this column of late because of its importance to photographers. (See July, 2011, available at www.shutterbug.com, search Business Trends.) One topic we felt needed coverage was access to and use of images available on the Internet, including some background on the Digital Millennium Copyright Act and some updated Internet educational resources that you might want to explore. We also wanted to touch on issues of public domain and image theft, and protection. Though many copyright infringements are non-malicious or unintentional, it remains an issue to be studied in order to defend and protect your images on the web.
For the New Year, I talked with a handful of working photographers willing to share their tips and techniques on building a photography business. We discussed portfolios, new media marketing tools, how often they market to their clients, and their recommendations for starting (or restarting!) your photography business in today’s marketplace. As you read their responses, please note that though they are in different fields of photography—consumer and commercial—there are remarkable similarities in their business building techniques. Also, check out the online references section at the end of this column. Online marketing is already big and will be even bigger in 2012! In the interest of form and continuity, all online marketing references for each photographer are listed in this reference section.
Editorial photography has always been a glamorous and sought-after career with many dreaming of National Geographic-type assignments. The reality of selling editorial work today is the focus of this month’s column, and as you’ll see it’s not all glamour and glitz. Finding and keeping editorial clients is hard work, requiring marketing expertise as well as good people skills.
How do you define photographic success—by making money or by creating works of art? If both appeal to you then there is a way to reconcile what might seem by some as polar opposites: doing both by selling your work as fine art images.
Everywhere you turn—from assignments, self-assignments and from personal work—you can create opportunities for fine art images. Creating fine art photography can add a revenue stream to your commercial photography business. While the goal of selling images as fine art might be seen as unreachable, in fact the marketing and self-promotion methods and techniques for commercial work and fine art are very similar.