Edited by George Schaub
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Edited by Georg... Jul 11, 2012 5 comments
The D3200 is Nikon’s new entry level SLR with an outstanding nominal resolution of 24MP. The camera uses an APS-C sized CMOS sensor 23.2 x 15.4mm in size, Nikon’s DX format.

The camera offers a lot of help to beginners; just like the forerunner D3100, the D3200 offers a special “Guide” mode. When using this mode and starting the D3200, it will ask the user whether he or she wants to shoot, to review or to setup the camera menu. If the choice is to shoot the camera“asks” whether the user is an absolute beginner and needs “easy operation” or an advanced user who wants “advanced operation.” If an absolute beginner, the D3200 presents short descriptions of some typical photographic situations and sets up all parameters accroding to how the photographer responds.

Edited by Georg... Aug 10, 2012 Published: Jul 01, 2012 15 comments
Like a standard compact camera, the Pentax Q system uses a very small sensor system, 1x2.33”. It offers an interchangeable lens system with the new Q mount. Pentax offers three lenses: a standard zoom (5-15mm f/2.8-4.5, equivalent to 27.5-83mm), a fisheye lens (3.2mm f/5.6, equivalent to 17.5mm), and a third, with which we did our tests, a fixed focal length of 8.5mm, equivalent to 47mm. Pentax brands this lens as the “Standard PRIME 8.5mm f/1.9 AL [IF].” Pentax also offers two additional “Toy” lenses with a fixed aperture size: the Toy Lens Wide 6.3mm f/7.1 and the Toy Lens Tele 18mm f/8.
Edited by Georg... Aug 20, 2012 Published: Jul 01, 2012 12 comments
The Nikon 36MP D800 has a “full-format” sensor with a resolution normally associated with digital backs, making it a competitor with medium format cameras made by companies such as Hasselblad or Phase One. The camera will be available in two versions: a standard version, which was used for this test, and an additional version dubbed the D800E, which does not have a low-pass filter. The conventional thinking on use of a low-pass filter is that it avoids color moiré, although inclusion of the filter can create a certain amount of softening of image details. To avoid this soft look many medium format cameras or digital backs do not use it. In those cameras with the filter the effect is reduced via digital filtering in their Raw converter software. (We will do another resolution test on the D800E when it becomes available.)
Edited by Georg... Jun 28, 2012 17 comments
The Panasonic GF5 is an extremely compact camera with interchangeable lenses and a large image sensor (Micro Four Thirds format). The sensor offers 12 MP resolution and is able to record Full HD videos. It also allows taking images with high ISO speed settings of 6400 (additional hi-mode up to ISO 12,800).
Edited by Georg... Jun 12, 2012 2 comments
The Nikon D800E contains a 36MP full-format FX sensor, a resolution normally associated with digital backs. This makes the D800E a competitor with medium format cameras made by Hasselblad or Phase One. The “E” version of this camera is contsructed without a low pass filter, used in many digital cameras to avoid color moiré but that can create a certain softening of image details. To avoid this soft look, many medium format cameras or digital backs do not utilize this filter. In cameras that use the filter, moiré effects are filtered in their raw converter software.
Edited by Georg... Jul 09, 2012 Published: Jun 01, 2012 3 comments
The Nikon V1 camera is designed and sized like a compact camera. It offers a new lens mount system for the new Nikon 1 lenses and offers two viewfinder systems—an EVF (electronic viewfinder) with very high resolution (1.44 million RGB dots), which delivers a very brilliant and crisp image. Alternatively, users can work via a large and bright LCD on the back, which also offers high resolution (921,000 RGB dots). The sensor will switch automatically between viewfinder systems when the photographer looks through the ocular. This differs from the camera’s sibling, the J1, which offers LCD viewing only.
Edited by Georg... Jul 20, 2012 Published: Jun 01, 2012 23 comments
The Panasonic FZ150 is a super-zoom bridge camera with a 12MP sensor and an integral 24x zoom lens. The design of the body is similar to classic SLR systems, but the camera has no interchangeable lens system. It offers a zoom lens that ranges from a wide-angle setting (25mm) to an extreme tele setting (600mm, 35mm film equivalent). The FZ150 utilizes Panasonic’s newest version of the O.I.S. (Optical Image Stabilizer), dubbed “Power O.I.S.” It works very well and allows users to shoot images with long shutter speed settings as slow as 1/20 sec when using the maximum tele setting of 600mm.
Edited by Georg... May 01, 2012 0 comments
The X-S1 is Fujifilm’s newest bridge camera based on the same large EXR sensor (2/3 in) used in the company’s X-10 camera. The camera offers an extreme zoom lens (26x) for a (35mm equivalent) range of 24mm-624mm. An optical image stabilizer aids in preventing motion blur when using the extreme tele setting or shooting under low light conditions.
Edited by Georg... Jun 13, 2012 Published: May 01, 2012 14 comments
The Fuji X10 offers a 4x zoom lens with manual zoom control. The zoom lens ring is also used as the On/Off switch. The photographer has to turn the zoom ring to unlock the lens and to start the camera, which we found to be a very handy feature. We also feel that manual zoom control allows for a more precise and fast adjustment of the focal length compared to the servo zooms of some other compact cameras.
Edited by Georg... Jun 22, 2012 Published: May 01, 2012 13 comments
The Sony A65 is a feature-reduced version of the company’s A77 model. It offers a nominal resolution of 24MP (just like the A77). The A65 uses Sony’s SLT system, which combines a semi-translucent mirror system and an electronic viewfinder. The semi-translucent mirror reflects a part of the light to the Phase Detection AF sensor, which is located in the penta-prism bulge on the top of the body and allows for very fast focusing. At the same time, the image sensor is able to generate a digital live preview for the LCD on the back or on the mini LCD screen of the ELV. Both monitor systems use high-resolution LCDs. The large monitor on the back offers 921,600 RGB dots; the AMOLED ELV offers 2.3 million dots for a brilliant and crisp image.