Earlier today we posted a tutorial with a foolproof in-camera method for shooting photos with perfect exposure. But what if you want to improve photos you shot in the past that don't quite hit the mark? The lesson below from the FJR YouTube channel demonstrates how easy this is to do with Lightroom's powerful Dodge and Burn tools.
Object removal is one of the staples of editing images for simplicity and maximum impact. Maybe you want to eliminate the proverbial fence post emanating from a subject's head, or get rid of other equally distracting elements that detract from a shot.
Something magical tends to happen once the sun drops below the horizon: scenes that were dull and unimpressive during the day are often transformed into sparkling tableaus full of interesting light, vivid colors, and captivating reflections—while all the boring stuff disappears into the shadows.
Cropping images to refine composition is a no brainer, right? Well not exactly, because Photoshop's easy-to-use Crop tool provides more creative capabilities than you likely realize. You probably use this tool almost every time you process an image, so it's important to understand everything it can do.
Many photographers shy away from portraiture for a couple reasons: Either they lack an understanding of on-camera flash, or they don't own more complicated (and expensive) lighting gear. Today you'll learn an alternative approach that delivers beautiful people pictures without supplemental illumination.
Lightroom's recently updated Tone Curve is a powerful component of what Adobe enables you to achieve when processing photos. Unfortunately, this versatile tool is frequently avoided because some users find it rather intimidating.
Wouldn't it be nice to monetize the love of photography without quitting your day job? Even if you don't cash in big, a few easy sales here and there will help you afford upgrading your gear while receiving some well-earned recognition in the process.
Too many photographers make the mistake of restricting their workflow by employing global adjustments to edit their photos. The problem is that these enhancements affect the image as a whole—thereby greatly limiting the results they achieve. That's because certain areas within the frame often require one approach while others call for totally different enhancements to create photos with balanced exposures and realistic colors.
We've all had the misfortune of failing to capture a dynamic fleeting moment when shooting in the field. Sometimes that's because of poor reflexes, a lack of anticipation, ineffective planning, or incorrect camera settings. Whatever the cause, the tutorial below from one of our favorite instructors will greatly increase your chances of success.
One of the biggest challenges when shooting indoors is dealing with unusual light that imparts ugly color casts to the images you shoot. This can even happen when photographing outdoors in ambient light when nearby or overhead objects may bias tones and make them appear unrealistic.