George Schaub

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George Schaub Posted: Apr 05, 2010 0 comments

The Leica X1 looks like an analog camera. It has a compact body with a high quality finish and offers two setup dials on the top. If both dials are set to A-mode the camera will set aperture and shutter speed value automatically. If the photographer changes the aperture setting manually to a value between f2,8 and f16 the camera will work in aperture priority mode and set up shutter speed automatically. Similarly, a change of the shutter speed dial and setting the aperture-dial to A will switch the Leica X1 into “shutter speed priority mode. It’s a very efficient and easy system. The camera doesn’t offer any scene modes.

The X1 is Leica’s newest compact camera. It is based on an APS-C-sized image sensor and a lens system with fixed focal length with 36mm (35mm film equivalent). The camera has a small and compact body, offers easy handling and creates very crisp images.

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George Schaub Posted: Jun 27, 2006 0 comments

Photokina's New Look

by George Schaub

Professional and avid photographers looking to travel to Cologne, Germany will
notice some changes when they prepare for their trip to photokina 2006, Sept.
26 -- Oct. 1, 2006 in Cologne, Germany. Photokina veterans should quickly
forget about the previous hall numbersystem...

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George Schaub Posted: May 08, 2007 0 comments

The versatility of the Tamron 18-250mm lens is evident in both close
focusing and when gathering in distant subjects. The crisp edges...
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George Schaub Posted: Sep 28, 2004 0 comments

Lexar Media, Inc. has introduced two new Professional CompactFlash Readers
designed to address professional photographers' need for almost instantaneous
data transfer and an improved project workflow. Built with material similar
to a digital camera, with a unique industrial design of hardened plastic and
rubber over mold, the new card readers can be easily stacked and daisy-chained
together for concurrent download of images. In addition, the new card readers
support Lexar's ActiveMemory System for improved photography workflow.


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George Schaub Posted: Dec 07, 2004 0 comments

Every month in Shutterbug we publish photographs from readers based on an assignment
published in a previous month's issue. We get hundreds of photographs
from readers all around the world and unfortunately we are limited to publishing
just a small fraction of the work we receive. We've had topics including
"Black and White in Color", "Silhouettes" and "Historical
Reenactments." Our purpose in creating this section in the magazine is
to create a visual forum for readers and to challenge them to fulfill assignments.
It's always a delight to open the packages we receive. I know the thrill
I got when my fist photo was published, and my hope is that the same excitement
is shared by those whose images we select to publish each month.

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George Schaub Posted: Apr 06, 2009 0 comments

There was time when those seeking super-wide lenses for APS-C size sensor cameras didn’t have much choice, but new light gathering systems that distribute light evenly from lens to sensor, as well as new optical formulas from camera makers and independent lens manufacturers, have changed that point of view. The latest in this welcome new class of glass is from Tamron, with their 10-24mm f/3.5-4.5 offering. Priced at around $500 (street) and weighing in at about 14 oz., the Tamron 10-24mm is useable for cameras that require “motor in the lens” operation, such as the Nikon D40X, on which this lens was tested.  The DiII designation tells you that this lens is for digital SLRs with APS-C sensors.

 

 

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George Schaub Posted: Dec 27, 2005 0 comments

Commentary

A Look Back: Big Changes, but Some Things Have Remained the Same

by George Schaub

Thinking about the past is natural at this time of year, when part of what
we do is recognize change as being part of the natural cycle of life. In photography,
massive changes have taken place that affectedus...

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George Schaub Posted: Apr 24, 2007 1 comments

All Photos © 2006, George Schaub, All Rights Reserved

Here's at...

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George Schaub Posted: Apr 19, 2005 0 comments

When shooting film, especially slide film, color rendition is a matter of
matching the film's "personality" with the subject at hand.
You can choose films with high or "normal" color saturation, contrast
and color response. These two photos of a colorful Christmas toy soldier in
New York's Rockefeller Center show the differences between saturation
renditions. With a digital camera you can program in color saturation, "warmth"
and even color contrast, making every frame you shoot like an individual selection
of film.


Color Low Saturation

 


Color High Saturation Warm

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George Schaub Posted: Mar 29, 2005 0 comments

One of the reasons that many people are getting into making prints at home
these days is that inkjet prints are simpler to make and more permanent than,
in many cases, photographic prints (dye based projection, that is.) With recent
advances in ink and paper technology from companies such as Epson and HP we
now see the potential, given proper storage, of digital prints lasting more
than 100 years. Even snapshot size prints, according to Wilhelm Research, from
portable printers like the popular and relatively diminutive PictureMate from
Epson can last three generations or more. And most of the newer printers don't
even require the intermediary of the computer to make very good looking prints.

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