Zacuto's DSLR Baseplate Kits are said to be the new standard for DSLR cinematography.
Available now, the new Zacuto DSLR kits are universal and will work with all cameras and accessories. Zacuto kits allow users to make DSLR's work much like camcorders. All kits are balanced, which is critical for smooth movement and less user fatigue in both tripod and handheld use. Zacuto's trademarked Z-Release (quickrelease) allows for fast installation of components like an articulating
arm, matte box, follow focus, wireless mic, on-board monitor, an audioadapter, and more. Zacuto kits give you all the components you need for your camera package right out of the box. With various price points, no confusion, and the ability to be used with a tripod, steadicam, dolly, handheld and shoulder mount; you can purchase the kit that is perfect for you and your type of shooting. All Zacuto products are made in the USA and come with a lifetime warranty.
DSLR camera's typically have low lens mounts, making it not possible tomount a matte box without raising the camera very high. The combination of Zacuto's height adjustable Universal Baseplate and their new Z-Spacer allows you to mount any matte box or follow focus, like the Z-Focus to any DSLR.
In response to strong user demand, Zenfolio photo hosting and fulfillment company is announcing expansion outside the US, making it the most complete service of its kind available globally. Professional photographers and photo enthusiasts worldwide can now easily publish their work online with Zenfolio’s highly-acclaimed presentation engine, and sell their photos with a streamlined Web storefront in multiple currencies.
When this old pebble balanced there by the Ice Age thousands of years ago in the Garden of the Gods Park near Colorado Springs, Colorado, tumbles from its perch, it could be the end of the world. I used a slow shutter speed to get this shot as the old boulder wasn’t shaking at the time. But who knows?
Our Picture This! assignment this month was “Art Filters,” those in-camera special effects processing scripts that seem to be all the rage in cameras these days. Rather than have users spend time with computer software these days, camera makers are incorporating some interesting tricks into their imageware. You can think of them as subsets of Scene modes, as shortcuts, as fun filters, or as preprogrammed image processing effects that go right from camera to memory card. Readers responded with a host of images that display many of the “art” options and special effects available today.
August, 8:45pm. The sun just set and the mercury is still hovering above 95. Not even a whisper of a breeze. It’s hot. It’s too hot to sleep, too hot to work—too hot to think. My only hope sits out back, parked on a pad covered with pavers. I simply need to turn the key, press the start button, and my ride will roar to life with only a single thought—escape the heat! I head west on State Route 412, a lonely deserted road that goes nowhere but has lovely sweeping curves and hard level straightaways where my baby can cut loose. With my feet on the pegs, the wind blows my hair back and sweat evaporates from my skin. Blessed relief!
Hiking through the mountains in the Poudre Canyon above Fort Collins, Colorado, I happened upon a small clearing. Up against a mountain and surrounded by a grove of aspen trees, I found this very old abandoned cabin. The sight of this stopped me in my tracks. I immediately felt chills and a sense that I was stepping back in time. I took very slow steps as I listened to the wind move through the cracks of this home from the past. I felt as though I was trespassing on a family from long ago. I stayed long enough to capture this image with the sun setting the front aglow.
As frequent visitors to the Gettysburg National Military Park researching the participation of my wife’s family in many different regiments during the battle, my wife and I had a strange occurrence one morning. We always arrive at our chosen point on the battlefield well before sunrise each visit. This particular morning we were set up on Cemetery Hill facing Culp’s Hill and the soon to be arriving sunrise. The morning had good promise as there was some ground fog in place already. Suddenly, from the lower part of the valley, a thick fog began rolling in. It didn’t appear from the ground up as normally happens, but was a dense mass pushing into the valley. It covered the ground up to a knoll to our right and just left parts of the treetops visible. From then on it was just scrambling around with the camera on the tripod, hitting the infrared remote and then moving again.
The January rainstorms had come to the Utah high desert mountains, making it a perfect day to capture the storm clouds and rainbows that moved across the various mountain ranges. As I was driving on the outskirts of the small town of Gunlock, Utah, I came around a large mountain cliff ledge. To my surprise under the ledge were at least a dozen donkeys trying to escape the cold, freezing drizzle and get the warmth coming off the rock face. There were two donkeys in particular that caught my eye because of their noisy insistence on being in the same place.
Marketing Essentials International Inc. (MEI) (www.mei500.com) announces “Skip’s Summer School ‘09”, the first photography education program of its kind to feature 14 renowned speakers during the course of 2-1/2 intensive days of workshop training.