Jack Neubart

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Jack Neubart  |  Nov 01, 2010  |  0 comments

Every manufacturer has a slightly different take on how to do it and David Honl has come up with his own original solutions in the form of some nifty and very portable light shapers that fit practically any shoe-mount flash without recourse to special adapters.

Jack Neubart  |  Apr 01, 2008  |  0 comments

Collapsible light tents of various sizes and configurations have been all the rage of late. The precursor to many of these designs is the sweep table. Now, JTL has brought back this stalwart still life/small product shooting table in high style, adding portability and fairly easy setup.

Conventional sweep tables are usually set up and left in a corner of your studio...

Jack Neubart  |  Oct 01, 2005  |  0 comments

I 'm always looking for new solutions to light small things. Change that. I'm always looking for easier and faster solutions to light small things. Let's face it: lighting tabletops is never easy, although you'd think it should be. And sometimes, formulaic lighting is exactly what's needed. Then along comes the Gem eBox, from MK Digital Direct.

Jack Neubart  |  Oct 01, 2009  |  0 comments


Guide Number (Standard Illumination Pattern, ISO 100) At 35/200mm Zoom...

Jack Neubart  |  Oct 01, 2009  |  0 comments

Nikon’s Speedlight SB-900 takes over the reins from the SB-800 as the company’s flagship dedicated shoe-mount strobe.

Jack Neubart  |  Oct 01, 2008  |  0 comments

I've had many opportunities to work with battery-operated studio strobe systems. My problem with them was that they were heavy and bulky, not powerful enough, or simply too costly. Then I came upon the Opus Pro OPL-L300 location kit. I immediately noted that the 300 ws monolights were compact. Then I hefted the battery pack. Hmm, not bad, I thought. I could actually carry...

Jack Neubart  |  Jul 09, 2013  |  First Published: Jun 01, 2013  |  0 comments

“Whether the client is advertising a travel destination or a product, such as clothing or sports apparel, I strive to set up the shoot with talent that’s the best fit for the ad,” lifestyle photographer Dennis Welsh proclaims. “That’s what makes the shot and the client’s message believable. That’s what sells it to potential customers. For instance, if I’m shooting for a ski company or a ski resort, I want to find skiers who can easily do what I want them to do. That conveys a sense of truth and honesty. If you start with skiers who are not convincing, you start with a deficit. In that case, you have to do the best you can with what you’ve got. If I’ve got great talent and a great location, a lot of things are already working in my favor.”

Jack Neubart  |  Jan 12, 2018  |  0 comments

One might say that Ben Cooper rocketed to stardom in high school. Back then he knew nothing about space launches, except for the fact that he wanted to shoot them. While not a sci-fi fan, he found himself captivated by the entire concept of going into space.

Jack Neubart  |  Jul 08, 2016  |  0 comments

Anuar Patjane Floriuk, popularly known as Anuar Patjane, has been scuba diving for 17 years. Much of his photography in the past has been focused on travel around the globe, but lately he’s been giving in more and more to his fascination with the sea. He’s been shooting underwater for five of those 17 years and finds the camera a natural extension of his inner being, helping him explore and fathom pelagic life, especially whales, and himself in the process.

Jack Neubart  |  Aug 14, 2015  |  0 comments

It’s one thing to sit in the safety of a Jeep or Land Rover while photographing the wildlife of the Serengeti. It’s quite another to be one with nature, coming face to face with wild creatures on their level, and even to establish a certain rapport with the animals. Then add yet another ingredient: enduring harsh Arctic conditions for hours, if not days, on end, just to get that one great shot. Welcome to the world of wildlife and nature photographer John Hyde.<

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