Barry Tanenbaum

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Barry Tanenbaum  |  Mar 01, 2008  |  0 comments

Anyone who's watched Mark Steines co-anchor Entertainment Tonight knows he's remarkably at ease in front of the camera. Thing is, he may be even more comfortable behind it, especially if that camera is his digital SLR.

Not only that, he may be happier back there.

It is, after all, where he began. "Photography's...

Barry Tanenbaum  |  Jul 01, 2009  |  13 comments

Ladies and gentlemen, I am proud to present to you the noted nature and wildlife photographer Kevin Schafer, a man who may well serve as a role model for the pack rats among us; a man who faced his demons and trashed them.

Here we salute Kevin not for his outstanding photography—he is a recipient of the North American Nature Photography Association’s Outstanding Nature...

Barry Tanenbaum  |  Jul 01, 2003  |  0 comments

The Blend

Why do it? Why join the technologies, film and digital, and go to work in the digital darkroom by scanning your 4x5 negatives into your computer?

Because you can. And because it's fun to...

Barry Tanenbaum  |  Jun 10, 2014  |  First Published: Apr 01, 2014  |  0 comments
He didn’t set out to capture an icon in an image that’s instantly classic, but that’s pretty much what happened. “It was a walkabout on a foggy day,” Chris Ford says. “I sometimes like to shoot on foggy days in Manhattan, and I live on the Lower East Side, so getting down to the Brooklyn Bridge was relatively easy.”
Barry Tanenbaum  |  Jan 01, 1998  |  0 comments

We're tempted to start
off with, "This man is a professional, don't try this at
home," but we won't. First because, strictly speaking, Dave
Frieder isn't a professional--photographyis...

Barry Tanenbaum  |  Jul 01, 2004  |  0 comments

It's a safe bet that Daryl Hawk won't be looking for an assistant any time soon. When he leaves family, friends, and the commercial, portrait, and advertising photography business he runs out of his Connecticut studio in order to pursue images...

Barry Tanenbaum  |  Jan 15, 2016  |  0 comments

Less than a month after Acme marketed what they unofficially considered their finest camera ever, I was having lunch with a particularly accomplished professional photographer. “I just got the camera,” he said. “I love it! It’s amazing! I can’t wait to see what Acme’ll do next!”

Barry Tanenbaum  |  Feb 01, 2007  |  1 comments

I went into this determined not to portray fine art photographer Chris Faust as some sort of oddity because, lo and behold, he still goes into the darkroom. And as a photography teacher, he encourages others to do it, too.

But when I said, "I'm not going to approach this story as if you were an oddity in the age of digital," he stopped me with...

Barry Tanenbaum  |  Mar 11, 2017  |  0 comments

So while many wedding photographers react to a situation to capture the beauty they might see, Scott Robert, as he’s known in the industry, feels that as a photographer who’s charging $10,000 or more, he’s got to knock it out of the park every single time, no matter what. So he became a director of brides, grooms, and situations.

Barry Tanenbaum  |  Jun 02, 2015  |  0 comments

We assumed the first thing Jim Graham does in order to create his elegant landscape images is decide how to isolate his subjects from distracting backgrounds to achieve the always-desired single subject, clearly defined.

We were wrong. The first thing he does is ask himself: What do I see? Then he asks: How do I use the camera to communicate the feeling I have about what I see?

 

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