The Killer is Jerry Lee Lewis—if you want the origin story of his nickname, it’s searchable—and on that night in 1975 he was past his rockabilly and rock-and-roll days and into his country music career. Photographer Henry Horenstein was at the Ramada Inn in East Boston on assignment for Country Music magazine to photograph Lewis between sets.
Even though his first smartphone camera wasn’t very good by his standards—he is a professional photographer, after all—he liked being able to take quick, casual, spur-of-the-moment pictures when his DSLR wasn’t at hand, or when he didn’t feel like hauling it out.
Some years ago Steve Simon took a leave from his job as a newspaper photographer in his native Canada and headed south across the border on a self-assigned project. “I’d loved photography since I was a kid in Montreal, roaming the streets, inspired by Cartier-Bresson,” Simon says, “but I’d been working 10 years at the newspaper, doing the same things again and again. I was looking for a way to get the inspiration back, to explore the power of what photography can be.”
On a Sunday morning not long ago I turned on the radio and by chance heard the legendary, Pulitzer Prize-winning photojournalist David Hume Kennerly say that his iPhone had made him a better photographer.
A little bit of luck and a few snap decisions went into Robert J. Gowdie capturing in a still photo all the exuberance, energy, and playful nature of Alonzo, the 3-month-old Havanese puppy who had just come home to Gowdie’s family.
When the rain stopped, Shawn Clover was on the pedestrian bridge over the street at the Embarcadero Center in San Francisco, waiting for someone interesting to come by. He ended up photographing 14 interesting people, one frame for each. This is the image he chose to post to Flickr.
Who: Robert Beck, staff photographer for Sports Illustrated.
What: Infrared (IR) photography.
When: “The editors give me some leeway,” Robert says, “but I’m not going to be using it for a decisive putt.”
Where: Golf courses all over the world.
Why: Although the job calls for capture of the peak moment, the turning point, the key play, the tense concentration, the moment when the athlete’s body language gives it all away, there’s always the professional and personal challenge to do something different.
How: With a Nikon D700 modified for infrared photography.
"I came to photography initially as a black and white large format landscape photographer," Lin says. "Ansel Adams was my primary inspiration, as he was for a lot of...
The phrase "the art of observation" appears at Tony Sweet's web site (www.tonysweetphotography.com), but Sweet's photography depends on more than merely observing. "We all see the same things,"...
Because her intent is to get the absolute best image in-camera, Lindsey Thorne is “pretty exact when it comes to lighting and posing.” When she describes her studio, the scene of almost all her boudoir sessions, as “modest and simple,” she’s citing an advantage. “I love shooting in a smaller room because I have so much control over the light.”