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Now that independent lens makers like Tamron and Sigma have announced “shake-free” lenses it seems that vibration reduction lenses are becoming more common and available for all. Does the addition of image stabilization add value to a lens for your work?
Please briefly comment on the addition of image stabilization.
1) Yes, the ability to have more exposure leeway in low light and with long lenses is certainly worth any extra expense.
96% (583 votes)
2) No, I’d rather work with a faster lens and don’t find noise objectionable if I raise my ISO to a reasonable speed.
2% (14 votes)
3) I don’t need these lenses because my camera body has vibration reduction built in.
2% (11 votes)
Total votes: 608
Some schools are beginning to close their chemical darkrooms in favor of digital processes and printing. Some objections have been raised based on the opinion that learning film photography is a prerequisite to any type of photographic learning. Do you think:
Please briefly comment on this trend in photo departments in schools, and why you voted the way you did.
You should learn about film photography first
66% (42 votes)
Teach only digital -- it's the future
6% (4 votes)
It doesn't matter -- photography is photography, film or digital
28% (18 votes)
Total votes: 64
Photography and so-called "social networking" are becoming intertwined. Have you, or how have you gotten involved with these networks?
Please briefly comment on your engagement with social networks and photography.
I have yet to get involved.
35% (25 votes)
I interface with numerous networks and use it as a way to share my images.
42% (30 votes)
I have no interest in that.
23% (16 votes)
Total votes: 71
With so many "art filters" built into cameras these days, and a host of image processing programs that offer special effects, some photographers no longer carry glass, screw-on filters in their kit. The ND and polarizer are two filters some still recommend. Do you work with any screw-on filters for your digital SLR?
Please briefly comment on your experience with polarizer and ND filters for your DSLR photography.
Yes, I still work with glass filters and always carry NDs and a polarizer.
77% (115 votes)
No, I get all the special effects I need from software.
19% (29 votes)
I am not sure what advantage ND or polarizer filters offer.
3% (5 votes)
Total votes: 149
Do you think that smaller, compact system cameras can match DSLRs with the APS C chip in features and functionality? This new class of cameras generally comes with a full range of lenses, but only with electronic viewfinder and/or LCD viewing.
Please briefly comment on your thoughts about this new breed of digital cameras.
Yes, the chip size is the same and I appreciate the smaller size.
32% (40 votes)
No, the electronic finder is less functional than "mirror" finders.
50% (63 votes)
Not sure as I have not worked with one yet.
18% (23 votes)
Total votes: 126
With the advent of software plug-ins and image processing filters now built into cameras, do you still see a need for add-on filters for your lenses?
Please briefly describe what filter (s) you use and why.
Yes, there are still good reasons to use lens filters.
62% (187 votes)
No, I don't use any filters over my lenses.
36% (108 votes)
I am not sure what use filters are these days so haven't made up my mind.
2% (5 votes)
Total votes: 300
There are numerous programs now that allow you to catalog, edit and manipulate images. Digital allows us to shoot lots of images--the issue is getting to them later, and keeping them safe. In your work, how have you managed to manage all those images?
Please briefly describe what programs you use and how they have done the job for you.
I have settled on one program that I use consistently to handle all my work, cataloging and editing.
30% (16 votes)
I use one software programs to catalog my work, and then open them in separate software for manipulation.
54% (29 votes)
I am still seeking the best solution.
17% (9 votes)
Total votes: 54
As summer approaches you might be considering taking your digital camera on the road. And, with camera producing ever-larger file sizes, the need for downloading and reformatting your memory card probably becomes greater. Please indicate your backup solutions, if any.
Please briefly describe your
I just carry extra memory cards, and edit to save space on each one as I go.
20% (25 votes)
I download to my laptop, burn a CD or DVD and then reformat my card.
35% (44 votes)
I use a portable download device.
36% (45 votes)
I have yet to develop a solution for this.
9% (11 votes)
Total votes: 125
More and more digital cameras have a “monochrome” mode for making digital images in black and white, in camera. But you can also “convert” images later easily enough in Raw converter or from JPEGs. If you do use digital for black and white photography, how do you prefer to do it?
Please briefly describe your black and white digital workflow.
I use the Monochrome mode so I can see the results in black and white in the field.
64% (191 votes)
I shoot in Raw and make the conversion later using my Raw converter.
10% (31 votes)
I shoot in either Raw or JPEG and convert to black and white in my main image editing software.
26% (77 votes)
Total votes: 299
With Nikon's recent announcement of a "full frame" DSLR, do you think that we are beginning to see a break between advanaced amateur and "pro" DSLRs based upon sensor size? If so, how does this affect your purchasing decision when shopping for a DSLR?
Please briefly describe your purchasing decision when shopping for a DSLR?
No, it makes no difference--as long as I have enough resolution (megapixels) to get the images I want.
71% (291 votes)
Yes, I will look forward to getting a "full frame" sensor DSLRs.
6% (26 votes)
I would prefer working with a full frame DSLR, but only if prices come way down.
23% (93 votes)
Total votes: 410
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