Classic & Historical Cameras

Sort By: Post Date | Title | Publish Date
John Wade Posted: Sep 05, 2014 1 comments
In the days before digital it wasn’t uncommon for photographers to go out shooting with two or more types of film at the same time. For some, it was to give a choice between color or black and white. For others, it was the need for different film speeds. Short of rewinding a film midway through a roll, removing it and reloading, there were two options: carry more than one camera; or, if your camera took interchangeable lenses, carry a single range of lenses with two or more compatible bodies.
Dan Havlik Posted: Aug 18, 2014 0 comments

Photographers who like shooting in black-and-white have a newly styled option to choose from. A silver chrome version of the black-and-white-only Leica M Monochrom rangefinder camera has finally gone on sale.

John Wade Posted: Jul 08, 2014 Published: Jun 01, 2014 0 comments
In the days before the 35mm Single Lens Reflex (SLR) rose to prominence, the 35mm viewfinder camera reigned supreme. Unlike the reflex viewing system of the SLR, this camera type used a separate optical viewfinder with a slightly different view to that of the lens. Some featured built-in coupled rangefinders to aid accurate focusing, and many stood at the center of versatile systems of lenses and accessories.
John Wade Posted: Feb 07, 2014 Published: Jan 01, 2014 0 comments
America did not invent photography—that honor must go to the French—but US camera manufacturers can take credit for introducing simple ways of taking pictures and bringing photography to the masses. Along the way, many also came up with often strange and sometimes ugly designs.
Fritz Takeda Posted: Jan 28, 2014 Published: Dec 01, 2013 0 comments
The 35th Tokyo Used Camera Show was held from February 20-25, 2013, in the Matsuya Department Store in Tokyo. Nearly 100 camera fans began a queue at 6pm the night before the opening at 10am, and it was a chilly evening indeed. Upon opening, these were the first people who ran up the escalators or jammed elevators to the 8th floor, the large exhibition hall where the show was held. Their quest? Perhaps to be the lucky man who would grab a rarity like the Leica KE-7A Civilian with an Elcan 50mm f/2, priced at $12,000.
Spencer Grant and Lou Jacobs Jr. Posted: Jan 28, 2014 Published: Dec 01, 2013 0 comments
On the shelf in my home office I have a collection of press cameras I’ve never used to take a picture. That’s not what they’re there for. They’re a tribute to a generation of bygone news photographers whose professionalism and skill set a standard to which I’ve aspired for over 40 years.
John Wade Posted: Nov 15, 2013 Published: Oct 01, 2013 0 comments
Cameras with built-in meters were not rare in the 1960s, but the problem with camera meters before the Topcon RE Super was that the cell took in a different view than that of the lens. Using a standard lens that was mostly okay, but if a wide-angle or telephoto lens were fitted, changing the field of view and the part of the subject needing to be accurately metered, it was a different matter.
John Wade Posted: Aug 27, 2013 Published: Jul 01, 2013 2 comments
The Twin Lens Reflex (TLR) design involved two lenses, one to record its image on film, the other to reflect its image to a focusing screen. The style dates back to the days of plate cameras, but came to the fore with the launch of the Rolleiflex in 1928.
John Wade Posted: Mar 07, 2013 Published: Feb 01, 2013 19 comments
The Voigtländer Prominent was one of the most sophisticated cameras of the 1950s—also among the most complicated, and just a bit eccentric. It was launched in 1951, a time when 35mm rangefinder cameras were at their peak. Yet it anticipated the approaching popularity of single lens reflexes by offering devices that converted it from rangefinder to reflex use and surrounding itself with interchangeable lenses, viewfinders, close-up attachments, filters, and other accessories that made it a true system camera.
John Wade Posted: Jan 15, 2013 Published: Dec 01, 2012 29 comments
Making panoramic pictures in the digital age is easy. But it’s a lot more fun to use classic panoramic cameras, many of which can still be bought and used today.

The first panoramic camera was the Megaskop, made in 1844 to produce daguerreotypes on silver-plated copper plates, 4.7x17.5” wide. Later, there were Cirkut cameras, made first by the Rochester Panoramic Camera Company in 1904 and later by Kodak. These cameras were, and still are, used to produce super-wide school or sports club pictures. As the exposure was made, a clockwork motor rotated the camera on its tripod while inside the film traveled from one spool to another, past a slit at the focal plane.

Fritz Takeda Posted: Nov 13, 2012 Published: Oct 01, 2012 5 comments
Once upon a time a camera wasn’t just a consumer electronic mediocrity but a gem in a show window reflecting brilliant illumination from its matte chromium skin. Such were the products on display at the 34th annual Tokyo Used Camera Show, which ran in the exhibition hall of Matsuya department store late this winter. Unlike many department stores in the US, Japanese department stores are premium boutiques of selected goods, usually with a big exhibition space as a traffic generator.
Roger W. Hicks Posted: Nov 08, 2012 Published: Oct 01, 2012 2 comments
Limited production, exquisite fit and finish, and usability, too: how much more does it take to qualify a camera as a classic, or a collectible? Maybe a good dash of eccentricity; and the NPC 195 qualifies on all counts.

The fortunes of NPC (Newton Plastics Corporation) rose and fell with those of Polaroid. They were probably best known to most photographers for their Polaroid proofing backs using the late Marty Forscher’s patents for optical-fiber transfer of the image, though they also made a superb tripod head of unique design (the Pro-Head), a microscope camera, and more. They did a lot of government work, including for NASA, but a few years ago, after decades of success, they closed their doors.

John Wade Posted: Jun 25, 2012 Published: May 01, 2012 4 comments
Polaroid was not the first company to try instant photography. Back in the daguerreotype and wet plate days, patents were granted for cameras in which the plate could be developed inside the body. But it wasn’t until 1864 that the first commercially successful instant picture camera came to the market.
John Wade Posted: Mar 22, 2012 Published: Feb 01, 2012 3 comments
When Leitz launched the Leica in 1925, they did more than start the 35mm revolution. They also influenced the way some rollfilm manufacturers began to consider smaller formats. One result was small rollfilm cameras that took their own unique sizes of extra-small film. The Ensign Midget was one of the best.

Pages

X
Enter your Shutterbug username.
Enter the password that accompanies your username.
Loading