Personal Projects

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Jeff Howe Posted: Jul 18, 2014 Published: Jun 01, 2014 0 comments
Last year, I decided to take on a challenge focusing on the unique natural beauty associated with wildfires in a Florida scrub ecosystem, one of the most rare ecosystems in the state. Florida is no stranger to wildfires. Nationwide, Florida has the second highest number of wildfires annually. In 2011, it was estimated that 300,000 acres of land was burned due to over 4800 wildfires. My project was centered at Indrio Savannahs Preserve, where a 120-acre wildfire was ignited by lightning in March of 2013.
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Lorin R. Robinson Posted: Jul 01, 2014 Published: May 01, 2014 0 comments
Twenty-year-old Josh Friedman spends a lot of time underwater “playing” with sharks. It’s his belief that sharks are badly in need of better public relations to improve their image and active advocacy for their conservation.
Barry Tanenbaum Posted: Jun 05, 2014 Published: Apr 01, 2014 0 comments
The camera Michael carries might be his Leica M6, loaded with either Ilford XP-2 or Kodak BW400CN chromogenic film and fitted with either a 35mm f/2 or 50mm f/2 Summicron lens; or his Fuji X10 point-and-shoot with its zoom lens set for the equivalent of 50mm; or his Nikon D200 or D700 with the manual 50mm f/1.4 Nikkor lens he got with his F3 back when he was in college.
Jay McCabe Posted: Jun 12, 2014 Published: Apr 01, 2014 0 comments
To photograph the wild horses of the Outer Banks of North Carolina you have to deal with the fact that they are indeed wild and thus not particularly welcoming of a photographer’s attention.
But first you have to deal with the Outer Banks, a 200-mile stretch of barrier islands off the coast of North Carolina. “It’s important to have an awareness of time, tide, and weather,” Lisa Cueman says of the location. “You can get into your photography, but not so much that you lose a sense of your surroundings.”
Lorin R. Robinson Posted: May 02, 2014 Published: Mar 01, 2014 0 comments
Caving,” “spelunking,” “potholing.” Whatever you call it, this subterranean activity is not for everyone. There’s even a phobia that keeps some out of caves—speluncaphobia. Then, of course, there’s fear of darkness (achluophobia) and the rather more common claustrophobia—fear of no escape from small or enclosed spaces.
Suzanne Driscoll Posted: Apr 04, 2014 Published: Feb 01, 2014 0 comments
Vincent van Gogh once said, “Stars are the souls of dead poets, but to become a star you have to die.” Vivian Maier (1926 - 2009) was an amateur photographer who had no desire to share her work with anyone during her life, and kept a treasure trove of over 100,000 prints, negatives, and films in five storage lockers in Chicago. By several twists of fate, they ended up in the hands of a few collectors who recognized their unique quality, and are now shown in books, documentaries, museums, and galleries throughout the world.
Jim Corbran Posted: Apr 07, 2014 Published: Feb 01, 2014 0 comments
The idea for Phil Pantano’s photographic series, “The American Worker,” walked into his office at a local steel mill in Lackawanna, New York, where Pantano holds a day job as a computer analyst. The man who came through the door was Jay “Elvis” Borzillieri, a fourth-generation steelworker whose father died in the mill. It doesn’t matter to the story what Elvis stopped in for that day, but when Pantano looked into his face a flash went off in his mind.
Lorin R. Robinson Posted: Apr 11, 2014 Published: Feb 01, 2014 0 comments
It is probably true that a photographer, through almost single-minded devotion to a place, can help make it known, understood, and appreciated. But the converse is also true. A place can make a photographer. Its beauty, its landscape, its human dimensions, its impact on the creative spirit can mold or shape a photographer—both as artist and person. That’s been the experience of fine art photographer William Davis in his 45-year symbiotic relationship with Northern New Mexico and the small town of Taos.
Susan K. Johnston Posted: Dec 04, 2013 Published: Oct 01, 2013 0 comments
A few years ago I was reorganizing a closet and discovered cardboard boxes tucked into a dark corner. Much to my surprise, I found dress boxes and shoeboxes filled with photographs from the 1940s and early ’50s. I had forgotten that when my father died I inherited his personal photographs. That afternoon and long into the night, I sat on the hallway floor looking at the pictures and reliving some of those moments. It was like discovering buried treasure, a forgotten family heirloom.
Lou Jacobs Jr. Posted: Nov 26, 2013 Published: Oct 01, 2013 0 comments
Gerald Hill has been involved in photography for over 37 years and often explored creative work while employed in the aerospace industry in Wichita, Kansas. In 2003 he began to exhibit in several galleries that sold his landscape images, many shot in western states. Hill recognized that a grounding in art is essential to making effective photographs, and he made time to take classes with artist Charles H. Sanderson, who encouraged him to consider photography as his means of self-expression, and to learn the basics of visualization so he could capture his subjects with greater impact. As Hill went deeper into his studies he saw results: his compositions became both more dynamic and more personal.
Lorin R. Robinson Posted: Oct 25, 2013 Published: Sep 01, 2013 0 comments
He stands in about 3 feet of roiling surf, wetsuit jersey glistening from repeated dunkings. The sky above Oahu’s North Shore is deep blue. Undertow currents grasp his legs—eroding sand beneath his swim fins—as water rushes seaward to build the next huge wave. He holds his bulky waterproof camera housing tightly, faces west toward the setting sun and checks the long tether attached to his wrist. He turns his head to watch the wave rise ever higher—a towering blue-green monster that’s starting to curl, white spume blowing off its top. He braces himself as best he can against the forces raging around him, points the camera toward the golden Hawaiian sunset, and waits as tons of water begins to curl over him, forming a tube. At what he hopes is the right instant, he fires off several shots and prepares to be pounded and rag-dolled by the massive wave.
Barry Tanenbaum Posted: Jul 26, 2013 Published: Jun 01, 2013 1 comments
There are stories we tell to explain ourselves, to clarify who we are, and to account for why we are who we are. And no matter what the apparent subject of these stories, what they are always really about is the past. “The past is never dead,” William Faulkner said. “It’s not even past.”
Jeff Howe Posted: Jul 02, 2013 Published: May 01, 2013 1 comments
Several years ago I decided to take on a challenge of focusing on macro photography right in my own backyard. No, I do not reside in the Sierra mountains or adjacent to a national wildlife refuge or conservation area. I live in a typical South Florida suburban subdivision surrounded by homes and asphalt. South Florida doesn’t even offer much in the way of seasons. Yet, I am amazed at how many unique images I have captured over the past several years.
Suzanne Driscoll Posted: May 14, 2013 Published: Apr 01, 2013 1 comments
Actor Richard Gere is best known for his roles in over 40 films, but few may be aware he is also an avid photographer and collector. Taking pictures on his many trips to India was always more of a personal project, until photography book and exhibition designer Elizabeth Avedon happened to notice a 3-foot stack of beautiful 8x10 photos in his loft. “A lot of these photographs I didn’t show anyone because it was such a private experience for me,” Gere recalls. “I had no interest in sharing them.” Fortunately, Avedon was able to convince him they needed to be seen, and these and other photos have been exhibited around the world and published in his book, Pilgrim.
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Russell R. Caron Posted: Mar 07, 2013 Published: Feb 01, 2013 0 comments
As a busy and successful wedding photographer, opportunities to make inspirational photographs outside of that genre were somewhat limited. Having recently attended a professional workshop, the WPPI Road Tour in Boston during the summer of 2011, I learned from presenter Dawn Shields about the personal project she embarked on that led to her winning the prestigious WPPI 2010 Album of the Year Award. I was inspired; I saw the need to keep the love and passion of all photography alive within me by finding a personal project of my own.

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