In just a few days after the November Shutterbug hit the streets, I have received 3 questions reacting to the following comment I made in Digital Help, "That you are working with Microsoft Vista, considering it does not support using a color managed display, is also curious." This is not the first time I have said as much about Microsoft Windows Vista since I first reported on the operating system in 2007.

When I am not doing something for a column, article or testing equipment and software, I relax at night watching movies and some occasional TV dramas. The most recent I found fascinating because it was about photographs, but thankfully there was not a badly cast photographer role in the piece. Nothing like the famous Michelangelo Antonioni blow-up with David Hemmings, Sarah Miles and Vanessa Redgrave, which I am sure inspired many to become photographers, sadly. This is another British drama that is about photographs, not people who make photographs or who model for photographs. It is a 3 part BBC Masterpiece Drama called Shooting The Past. And it s really about a huge collection of photographs whose future is in doubt and the mystery of the story.

For too long there have been few LCD displays available that fully support a digital photographic color managed workflow. Now LaCie has added another, their 324i with desirable specifications in a P-IPS 10-bit 24 inch LCD display. The screen image should be sharp and detailed too with a 1920x1200 pixel resolution. Most important of course is its color range that is specified at 98% of Adobe RGB. But these days with ultra-lite and flimsy un-adjustable home-office LCD displays in the box stores, the LaCie 324i has a solid, full-featured stand and supports portrait orientation. Like any good, current LCD display the LaCie has a wide range of input connector options like Display Port, DVI and HDMI.,BR.

Usually I do not write about things I read in others writing I receive in RSS feeds. But a blooming new creativity interest using flatbed scanners is something I could not resist. It is called scanography, using a flatbed scanner as if it were a digital camera to take digital pictures of 3D objects. So considering a lot of photographers have flatbed scanners these days, how about getting more use out of it to create photographs when it is too cold and nasty to go and shoot your camera outdoors? You can easily take a look at what others are doing with their scanners by visiting a web site all about it at: http://www.scannography.org. In this new web site you will find there is a Scannography.org .PDF file you can download that provides a detailed look at the work of many people using scanners as cameras with lots of fascinating examples of their images.

Most of the dream cameras I have read about concentrate on mechanical attributes of the camera itself. Actually in that vein, I want something very practical, not dreamy.These days of course digital and with a large image sensor, but not quite fill-frame. A 3:4 aspect ratio would suite me better. As for a lens, I would be happy with a modest, fixed (not interchangeable) modest speed zoom with a focal length range equivalent to a 35mm camera a 24 to 150mm range, but with a true macro focus capability at about the equivalence of 80mm. Auto-focus is now quite reliable, so my desire would be to have an efficient and comfortable zoom, optical viewfinder. And even an LCD viewer on the back of the camera I find is not needed if it is replaced with a plug in 7 inch tablet screen. Of course this plug-in screen should be made with a built in folding shade, and has its own separate battery power.

The holiday season this time provided me with some time to concentrate on personal photographs that have been on my mind, but only as ideas. This year I have not had any article projects pending or new products to investigate, so once in a very long time I am doing my own thing. And that has been digging out old film images and making new scans. The goal is to approach the image in ways that correct for weaknesses and frustrations in what the photo was as a film image. Primarily it is much more than just physically scanning the film, but rethinking the image, applying a different sensitivity to what it is, and hopefully producing something both different and the same, but better than the picture I first saw in the viewfinder, and then as an image on film. The final step in this process is to make a test print to see if my on-screen editing actually results in a print that matches my expectations.

I posted a Blog on December 16, 2010 titled What Is Display Calibration & Profiling? There were a number of comments posted and several were questions. So I asked our blog expert if there was any practical way for me to obtain copies of the comments and the address of the comment source. The answer was no.