LG Electronics is one of world’s two largest producers of LCD screen products, and supplies many of the computer displays that brandish all different kinds of brand names. You can get a picture of their wide range of products, including numerous models of computer displays at www.lge.com/html/gate.html. On that globals site there is one fairly new model professional 24 inch RGB LED LCD display with exceedingly robust specifications, the W2420R model. It is apparently available in Europe, but you will not find this display included on the LGE web site for the United States.

Almost every paper and web photo publication has reported on Canon’s newest G-11 model high performance P&S camera. Some have noted that this new model has a lower megapixel count of 10 MPX, compared to the 14.7 megapixel G-10, that is still featured for sale on the Canon web site. One pundit even quoted without naming his source at Canon “They have also changed up the sensor, keeping it the same size, but making the pixels bigger. The result is a lower 10-megapixel resolution, but they claim the trade-off is better image-quality, especially in low-light situations. A Canon rep mentioned that it's because the G-11 is focused on providing the best quality in the form of a still image.”

In my last post I mentioned that I had just purchased a Sigma DP1s that has just been released to the market. Don Ellis informed me that Version 5.6 of Adobe Camera Raw, I had not yet installed, had support for this odd camera with a Foveon 3 sensor chip - that’s fast and indicates Sigma’s use of the Foveon is catching on even in a camera design that is not the usual but with a fixed focal length lens. I tried using Adobe Camera Raw with some DP1s files and had to agree with Don Ellis, that like most 3rd party convertors, it falls short of the camera manufacturer’s software.. But that does not fully satisfy me so I went to Lasersoft and they were interested in providing support for the camera with their SilverFast DC and HDR, so I did what I could to help them with the project.

No this is not an article about politics, the Progressives against the party of NO!, both confronted by those apparently drinking something stronger than “tea” that want to blow up, destroy, or whatever to everything governmental. The computer world is beginning to also be a tangle of conflicting paths going in different directions with a mystery goal no one is talking about.

Today was the first one that the Apple iPad was delivered to customers. That was interesting considering there were long lines at every Apple store of people who had pre-ordered an iPad. They could just as well stayed home and their new iPad would have been delivered to them. So why stand in-line? There were also reams of commentary in my news gathering this morning, mostly vacant observations of course. But there was one telling insight of the fact unlike computers which are used to work and create stuff, the iPad is designed as a consumer of stuff. My computers are used mostly to do research, process and edit images and write articles and blogs. But I must admit I just bought another iMac, this time to replace my cable box to download entertainment, and that is consumption.

In the old days of computer digital imaging those big heavy CRT monitors at least matched printers and printer paper in brightness, so no too dark prints. With today’s LCD displays most are now made as cheap as possible for home/office computing and are two to four times as bright as those old CRT monitors, which for most computing is is an advantage, but not for digital photographers who want to color anD brightness match screen and print.

There are some things worth repeating. For serious digital photographers who edit their images with a computer until recently you could only see a little more than 2/3rd’s of the color in the original on-screen image displayed, and if you can’t see it you cannot control and adjust it accurately. What I am talking about is that a dSLR set to record in raw format or a scan of a color transparency produces a range of different colors about what the Adobe RGB (1998) profile will support, but until just a short while ago all but some very special and expensive LCD displays only reproduce sRGB color that is a colorspace that has about 30% fewer colors. In other words most of us have been working with photographs that contained many fewer colors on-screen than the original.