Equipment Reviews

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Robert Harrington Posted: Oct 22, 2013 Published: Sep 01, 2013 0 comments
Whether you are new to Off-Camera Flash (OCF) or not, you might want to check out one of the most versatile systems on the market for OCF, Rogue FlashBenders, manufactured by ExpoImaging. The Rogue system is based on a pliable flat panel reflector that you bend as needed to modify your light when used in conjunction with speedlights. It is versatile, stores flat in your camera bag, and has a diffusion panel that installs over the modifier to turn it into a portable softbox.
Steve Bedell Posted: Oct 11, 2013 Published: Sep 01, 2013 0 comments
“Look Ma, no cords!” That’s right; the Priolite does not have a power cord. It is run strictly off battery power. Each unit has its own interchangeable and removable battery, plus a built-in receiver to work with a Priolite transmitter. And, unlike most monolights, it has a usable modeling light even on battery power.
George Schaub Posted: Oct 01, 2013 Published: Sep 01, 2013 0 comments
Way back in 2006, Innova Art brought out their FibaPrint White Gloss 300 gsm, and while not what I’d call a big brand name here in the US, digital printmaking aficionados who had come from the fiber-paper darkroom tradition took note. Here was an inkjet paper that emulated, and some say matched, the look and feel of traditional bromide silver printing paper. Other surfaces have since been introduced in this line, including the new FibaPrint Warm Cotton Gloss 335gsm that’s the subject of this report. Of course, this is not the only paper that claims the “fine art” pedigree, but due to its weight, its ability to reproduce a wide range of tones with clarity, and its acid- and lignin-free constitution it has all the required specs.
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Edited by George Schaub Posted: Sep 13, 2013 Published: Aug 01, 2013 0 comments
Every year member magazines from the Technical Image Press Association (TIPA) gather to consider and vote on the top products of the year in 40 categories, ranging from cameras to tripods to software and printers. This year’s selections represent technological sophistication along with features and functionality that make them leaders in their respective categories.
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Jack Neubart Posted: Sep 03, 2013 Published: Aug 01, 2013 1 comments
While the Sigma 150mm f/2.8 lens has been out for a good while we decided to take a closer look at one of the most interesting pro-oriented products in their lineup. One of the key selling points in this lens is built-in optical image stabilization (“OS” in Sigma-speak) to aid in achieving camera-shake-free, handheld exposures. Granted, image stabilization in a macro lens is not the be-all and end-all of successful close-ups, though it sure gives added insurance. And because the Sigma 150mm OS macro is optimized for full-frame D-SLRs, it allows for use at the stated focal length with such cameras and provides even greater effective focal length with APS-C-type SLRs.
Jack Neubart Posted: Sep 27, 2013 Published: Aug 01, 2013 0 comments
The Phottix Odin is a radio frequency-controlled system, or simply radio remote. The basic package includes two units: a transmitter and a receiver. Additional receivers are optional. You only need one transmitter to sit in the camera’s hot shoe and trigger compatible i-TTL strobes, but you need a receiver for each off-camera flash. And recently, Phottix introduced a new combo pack that includes one additional receiver—perfect for my two-speedlight setups. The unit tested here is for Nikon and I worked with my Nikon SB-900 speedlights.
Edited by George Schaub Posted: Sep 17, 2013 Published: Aug 01, 2013 3 comments
The Nikon D7100 is the newest of Nikon’s D-SLRs with a DX sensor (APS-C size). This is a new sensor without a low-pass filter, a very unique feature in this class because nearly all compact and SLR cameras use low-pass filter systems to avoid moiré and aliasing effects. The sensor has a resolution of 24MP (6000x4000 pixels). We did our tests with the kit version of the D7100, using the AF-S DX NIKKOR 18-105mm f/3.5-5.6G ED VR, said to be optimized for DX cameras.
Jack Neubart Posted: Sep 06, 2013 Published: Aug 01, 2013 0 comments
In this update on new bags and cases, with information gathered by reporter Jack Neubart at the CES/PMA show, we’re seeing even more innovative styles and practical solutions for carrying our gear. Backpacks, sling bags, and messenger bags garnered most of his attention, along with a sampling of hard cases.–Editor
Joe Farace Posted: Sep 20, 2013 Published: Aug 01, 2013 1 comments
LEDs may represent the future of studio lighting but a number of the currently available options come with a caveat or two for the new professional or aspiring pro. Some LED solutions are affordable but may be too physically small for efficient use in a studio, or they may be large enough but too expensive for the shooter who just wants to dip their toes into the LED waters. Measuring 14x7.5x2.75” and costing less than $200, Flashpoint’s 500C LED Light appears to be a good solution for the LED newbie who wants to see what all the fuss is about.
Jack Neubart Posted: Sep 10, 2013 Published: Aug 01, 2013 5 comments
Capture One Pro stands as the Raw converter and digital asset manager of choice among many pro photographers, notably those using Phase One backs. But this software also supports many, many other cameras, with profiles for over 250 models plus a wide range of lenses. Version 7 (V7) has some new features of note, so I checked it out to see if an upgrade from 6 is advisable, and if it might tempt users of Adobe Lightroom/ACR. For this test I ran Capture One Pro 7 on a 27” iMac under OS X 10.8 Mountain Lion, with 8GB of RAM.
Jack Neubart Posted: Aug 30, 2013 Published: Jul 01, 2013 0 comments
The Nissin MF18 fully supports Nikon’s i-TTL autoexposure as well as Canon’s E-TTL system. I tested with the Nikon 60mm Micro, but also had success with a zoom, namely the Tamron 70-300mm with a Marumi DHG Achromat Macro (plus-diopter) lens attached, both on my Nikon D300. Much of my close-up work with the MF18 involved Manual shooting mode set on the camera for tighter exposure control, and manual focus.
Edited by George Schaub Posted: Aug 20, 2013 Published: Jul 01, 2013 32 comments
The X-E1 is the second mirrorless system camera made by Fujifilm. In contrast to the X-Pro1, it has an electronic viewfinder with ultrahigh resolution (2.3 million RGB dots) instead of the X-Pro1’s hybrid viewfinder (combination of optical viewfinder and electronic viewfinder).
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Jack Neubart Posted: Aug 06, 2013 Published: Jul 01, 2013 7 comments
There are a number of new lenses, including those for “full-frame,” Micro Four Thirds, and “mirrorless” compact system cameras debuting this year, listed in alphabetical order. Here’s a sampler, with a sprinkling of filters thrown in for good measure. We’ve shown prices when available at press time—if not, check the websites of the companies for updates.
Edited by George Schaub Posted: Aug 23, 2013 Published: Jul 01, 2013 14 comments
The D5200 follows Nikon’s D5100 and offers a new sensor with higher resolution (24MP instead of 16MP in the D5100). The new camera has an APS-C-sized CMOS sensor and uses a fast and reliable AF system with 39 focus sensors, including nine cross-type sensors. The photographer can toggle between different AF modes with nine, 21, or 39 points with dynamic-area mode and use predictive focus tracking for moving subjects.
C.A. Boylan Posted: Aug 09, 2013 Published: Jul 01, 2013 2 comments
Hoodman Custom Finder Kit
Hoodman’s Custom Finder Kit for up to 3.2” viewfinders includes a H32 HoodLoupe with German glass optics, a +/- 3 diopter adjustment, and a 1/4”-20 mount. Designed to fit all D-SLR cameras, the milled black anodized aluminum base plate is made in the U.S.A. (by Custom Brackets) and allows you to mount the HoodLoupe to your camera for video capture and live view. The base plate also features anti-twist bars, two 1/4”-20 tripod mount holes, a hand strap slot, and a camera sling strap attachment point. Hoodman’s Custom Finder Kit has a retail value of $199.99; the base plate may be purchased separately for $99.99.

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