Equipment Reviews
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Edited by Georg... Mar 07, 2014 Published: Jan 01, 2014 0 comments
The Olympus E-P5 has a classic viewfinder camera design but doesn’t have an optical or electronic viewfinder. It does have a swivel monitor which can be folded up- and downward and offers very high resolution (1,037,000 RGB dots). Its 3:2 aspect ratio shows additional information on both sides of the viewfinder image, which has an aspect ratio of 4:3 when taking images in the highest image resolution setting. By pressing the “OK” button in the center of the control field additional parameters are shown as overlays on the right-hand side of the live view image.
Joe Farace Mar 11, 2014 Published: Jan 01, 2014 0 comments
These days it seems that using LED lighting systems for studio portraiture is like puppies and kittens—everybody loves them, and why not? All you need to do is turn on an LED light panel and shoot, right? While there’s obviously more to it than that, the WYSIWYG nature of LED lighting is especially helpful for new or aspiring pros who want to get up and running quickly or in applications where the lighting needs to be consistent so lots of portraits can be made in a short amount of time, something event photographers will take to heart. With that in mind I recently tested Bowens’ Mosaic LED light panels (#1). Originally developed for film and video use, they are available in models designed for mounting on traditional light stands for portraiture, so I put them to work in my home studio.
Joe Farace Jan 14, 2014 Published: Dec 01, 2013 0 comments
The Pentax MX was a 35mm Single Lens Reflex (SLR) camera produced from 1976 to 1985 and, for a time, was the company’s flagship SLR. It was solidly built featuring all-mechanical construction, including the shutter, and only the metering system was battery dependent. The new all-digital, all-electronic Pentax MX-1 couldn’t be more different. For openers, the MX-1 is not an SLR but an advanced digital compact camera with the kind of retro styling that’s all the rage these days with camera designers and, apparently, camera buyers, too. So, how does the MX-1 stack up?
David B. Brooks Jan 21, 2014 Published: Dec 01, 2013 0 comments
“Over the last few years seeking monitor/display units that serve to perform with adjustment and color management to resolve the problems of too bright LCD displays causing too dark prints, my reaction has usually been mixed. I have to report that this was less so with this display than with even more sophisticated and expensive displays.”
Edited by Georg... Jan 24, 2014 Published: Dec 01, 2013 0 comments
The robust and relatively heavy body of the Canon SX50 HS has a metal-based chassis and is designed like a small SLR system. A large handle on the right-hand side of the body gives a stable grip and allows for comfortable handling when shooting. The motorized zoom lens is controlled via an easy-to-use zoom switch; focal length selection is quite sensitive to the touch.
Edited by Georg... Jan 28, 2014 Published: Dec 01, 2013 0 comments
As a member of the G Series, the G6 is styled like an SLR system, in contrast to the GF models, which are styled like compact cameras. The G6 offers a high-resolution viewfinder system with an OLED screen that has 1.4 million RGB dots. In addition, it has a swivel LCD screen with 1.04 million RGB dots, which allows for comfortable shooting, especially in video mode. The LCD screen is touch sensitive and is very helpful for handling and making settings.
Edited by Georg... Jan 31, 2014 Published: Dec 01, 2013 1 comments
The NX300 follows the company’s NX210 and updates many features. Its new WLAN system, for example, now supports 2.4GHz and 5GHz systems for better data transfer. (Note: 5GHz systems eliminate interference better than the older 2.4GHz standard.) The free Wi-Fi connection can be used with remote control software on Android or Apple iOS smartphones, for auto backup on the PC, and for various mobile link functions, like sharing images by e-mail or in social networks.
Joe Farace Feb 04, 2014 Published: Dec 01, 2013 0 comments
Lester A. Dine invented the ringlight for making dental photos in 1952 but today people use them for all kinds of photography. A ringlight is a circular light source that surrounds the optical axis of a lens causing light to hit the subject from different angles, producing soft shadows in much the same manner as a light bank. When photographing people, the unique way that a ring flash renders light also produces a shadowy halo around the subject that’s much beloved by fashion photographers. I use a small ring flash to photograph butterflies, but if you want to photograph people, to paraphrase Jaws Chief Brody, “You’re gonna need a bigger light.”
Steve Bedell Feb 04, 2014 Published: Dec 01, 2013 0 comments
GamiLight has been in the business of making light-shaping accessories for small, dedicated flash units like the ones from Nikon, Canon, Metz, etc., and has recently broadened their lineup. I had heard about their products and thought I’d give them a try, so they responded by sending me just about every modifier they make. I received their Square 43 with the Soft Plus 43 adapter, the Box 60, the Spot 2, the Event Pro, and a few mounts. As we go through this review I’ll let you know what these are all about, but my tests were aimed at determining how effectively the units work, how well they are made, how convenient they prove out in the field, and, most importantly, whether I should consider buying them to solve some of my lighting issues.
Equipment Reviews
George Schaub Nov 27, 2013 0 comments
The Galaxy S4 Zoom is what you might call a “multi-personality” device. Phone, camera, Browser, game device, gateway to all the Android apps, GPS, mapper, email connector--it’s all of that and more.
I say “multiple” because while the initial face of the unit looks like half point and shoot camera/half phone, one pasted atop the other, there is a lot more going on under the hood. That includes all the current connections one could imagine and access to the entire Android set of apps,from camera functions to finding where you can get a decent latte in any city or state or country you might find yourself. One can listen to music; watchvideos; browse the Internet, get email, tap compatible phones (literally) to share content; and send and receive via any social media you could imagine.
Equipment Reviews
Joe Farace Dec 06, 2013 Published: Nov 01, 2013 1 comments
Shortly after I moved into my former home, there was a knock at the door. Standing in front of me was an 8-year-old girl who lived down the street. “I’m selling note cards,” she told me, “I made the pictures.” A second look showed subjects a kid might shoot but others demonstrated that she was thinking about the photographs before making them. I bought several note cards and asked about her camera, which turned out to be borrowed. With her grandmother’s permission I gave her an old, unused digital point-and-shoot. The girl loved the camera and was inspired to keep making photographs and we talked from time to time about her aspirations. Today she’s a young woman with professional ambitions.
Equipment Reviews
C.A. Boylan Dec 10, 2013 Published: Nov 01, 2013 0 comments
Rokinon recently introduced their 16mm T2.2 Cine lens, a wide-angle lens for D-SLR and mirrorless cameras in both APS-C and Micro Four Thirds formats. With its fast maximum aperture, the lens allows for an impressive range of depth of field and with its smooth operating manual focus, it offers high sharpness and clarity. It features de-clicked apertures and follow focus compatibility that is ideal for video. It uses 13 optical elements in 11 groups with two aspherical lenses. Rokinon provides a wide range of mounts for Canon, Canon M, Fujifilm X, Nikon, Pentax, Samsung NX, Sony, Sony E, and Micro Four Thirds cameras.
Jack Neubart Dec 13, 2013 Published: Nov 01, 2013 1 comments
The conventional camera strap does the job, but with some gear can put considerable strain on the neck, tempting you to hang your camera from the shoulder, where it may slip off or invite thieves. Like a good backpack, today’s ergonomically designed camera-carrying systems largely relieve that stress and throw in some extras in the bargain. New age straps feature a more comfortable neck/shoulder pad than found on conventional neck straps, so you’ll still be comfortable hours later, and often with a quick-release mechanism to rapidly detach the camera when the need arises. Many are of a sling design aimed at the “quick shooters” among you, and some are so innovative as to almost defy description. A few even let you comfortably and safely carry two cameras at the same time.
Equipment Reviews, Lenses
George Schaub Dec 17, 2013 Published: Nov 01, 2013 1 comments
The 70-200mm focal length has been the standard tele-zoom choice for many years, offering near normal to a good tele range that suits many practical purposes. Yet, quite a few stock-in-trade 70-200mm lenses had been slow or lost significant aperture as soon as you left the shortest zoom setting, making them a real challenge for handheld, low-light, or even max focal length shooting. Certainly, improvements in sensors and processors in terms of the high ISO/image quality ratio have helped. If you’re too slow on shutter speed with a variable aperture zoom you can always jack up the sensitivity. But that’s not always a great choice and it seems to force you to compromise image quality just to make up for the lens losing “speed” just when you need it most.
George Schaub Dec 24, 2013 Published: Nov 01, 2013 0 comments
The Vanguard ABEO Pro Kit starts out as a solid carbon-fiber tripod but then adds features and functions like a removable and rotatable (vertical or horizontal) center column, a pistol grip with built-in trigger release with cable attachments for many cameras, bubble levels, 80-degree leg spread, three “feet” supports (pads, spikes, and rubber), a quick-release base plate and mechanism, and etched degree settings on the center column for those who want to do precise panoramas.