Equipment Reviews

Sort By: Post Date | Title | Publish Date
Tom Harms Posted: May 27, 2014 Published: Apr 01, 2014 0 comments
As image resolution keeps getting bigger and better, photographers are challenged storing their images. One cost-effective solution that’s gaining in popularity and offers good protection is a Network-Attached Storage (NAS) server. However, they are a relatively unfamiliar option for most photographers who aren’t IT-oriented, so we thought it would be a good idea to get guidance on them from an expert.—Editor
Edited by George Schaub Posted: May 15, 2014 Published: Apr 01, 2014 0 comments
The GX7 is the latest model of Panasonic’s GX series and replaces the GX1. This Micro Four Thirds (MFT) camera has a new sensor with 16MP resolution and a lot of modern features, such as the WLAN system. The camera design has a stylish, somewhat retro look and design.
Filed under
George Schaub Posted: Mar 12, 2014 1 comments
The hybridization of cameras and phones has produced various manifestations of late, one being the Samsung Galaxy S4 Zoom, reviewed here a few months back, which looks like a smartphone with a camera/lens grafted onto it’s front. The Galaxy NX comes at this combination from the other direction, a decidedly camera-like design with built-in Android functionality, sans phone capability, but with all the other amenities and accouterments included. And there’s no confusing this with a smartphone, what with it being 3x5.5x2.25 inches in size, the benefit being a very large back display, 4.77” on the diagonal and width to height ratio of 2.5 x 4 inches.
Joe Farace Posted: Apr 11, 2014 Published: Mar 01, 2014 1 comments
First impressions: the D-Lite RX ONE To Go Kit includes a pair of Elinchrom monolights so you know it’s going to contain quality products. Then you discover that the maximum output of each light is 100 watt seconds and you start to think you’ll need more power. That’s until you’re reminded that this fully loaded two-monolight Elinchrom kit sells for less than $700. Interested now?
Jack Neubart Posted: Apr 25, 2014 Published: Mar 01, 2014 1 comments
For the studio photographer on location or shooting environmental portraits, connecting a studio strobe to a battery pack, battery-driven power pack, or pure sine wave inverter frees one of the constraints of plugging into an AC outlet and worrying about tripping circuit breakers or blowing a fuse, and it removes wires that could prove hazardous (combined with wireless syncing of the flash, I might add). And wedding and event photographers who rely on portable strobes that run entirely on external battery power are well familiar with the benefits—power that lasts and keeps pace with the event. There are countless choices, whether you’re just starting out or looking to upgrade or expand your lighting system.
Filed under
Joe Farace Posted: Apr 15, 2014 Published: Mar 01, 2014 0 comments
Sigma’s 18-35mm f/1.8 DC HSM is part of their DC series of lenses designed for APS-C-sized sensors so the imaging circle is matched to the size of the sensor. For this assignment, I used a Canon EOS 60D with a 22.3x14.9mm sensor, producing an equivalent angle of view of a 28-56mm lens. Shooters of Nikon, Pentax, Sigma, and Sony cameras, the other mounts for which the lens is available, will achieve an angle of view equivalent to 27-52mm. Unlike other lens manufacturers, Sigma priced the different mounts the same ($799) so don’t feel you’re going to be paying a premium for your camera choice. Bucking a trend with camera manufacturers’ lenses, the Sigma 18-35mm f/1.8 DC HSM includes a lens hood at no extra charge.
Jack Neubart Posted: Apr 29, 2014 Published: Mar 01, 2014 0 comments
A handheld meter is not just for studio work. Tricky lighting situations, high contrast, and unusual subject tonalities can often pose problems for camera metering systems, as advanced as they are. Beyond that, the camera meter can’t help with studio flash.
The first step toward taking tighter control with a broader range of lighting situations is to use a handheld meter. Enter the new Sekonic LiteMaster Pro L-478DR (PocketWizard version). Out of the box, it measures incident light. This exposure meter will also prove valuable when working with studio (or any manual) flash or a mix of ambient light and flash.
Edited by George Schaub Posted: Apr 18, 2014 Published: Mar 01, 2014 2 comments
The Fujifilm X-M1 is an extremely compact system camera that uses Fujifilm’s 16MP X-Trans CMOS sensor. The camera offers very high image quality due to its special RGB filter array which differs from the standard Bayer RGB pattern. The pattern on the APS-C-sized X-Trans sensor resembles the random pattern of grain of analog film and reduces image noise. The interpretation of this RGB pattern isn’t very easy, but the most current versions of Adobe’s Photoshop Camera Raw plug-in and Adobe’s Lightroom are able to convert this pattern correctly.
Joe Farace Posted: Apr 07, 2014 Published: Mar 01, 2014 1 comments
New & Updated Photoshop Actions
Remember the ASCII-art dot-matrix photos that were popular in the 1980s? PanosFX’s free ASCII-art action recreates the effect by producing images pieced together from ASCII characters. The set contains five actions that let you produce not only the classic ASCII-art effect but four modern variations as well, including Gray, Color, Color tiles, and Color tubes. The free Paperworks actions were created by Pit Hermann and let you make papercraft projects. His Pencil Stand actions let you produce (surprise) pencil stands with your photos printed on them. There’s also a set of Advent Calendar actions and Panos Efstathiadis has bundled his Paper Cube actions that let you make paper cubes with images printed on them. Mac OS and Windows versions work with Photoshop CS4 and later as well as Photoshop Elements 11 or later.
Joe Farace Posted: May 02, 2014 Published: Mar 01, 2014 0 comments
There is something quietly satisfying about working with finely crafted tools. It’s a feeling I remember having back in the film days when making photographs with my first Hasselblad 500C/M camera and one I had again while shooting with Broncolor’s Move 1200 L Outdoor Kit 2. It made creating all of the images that you see here easier and fun to shoot, and it’s in this spirit of play where creativity lives, inspiring a photographer to try new ways to make better photographs. Broncolor’s Move Kit is just that kind of lighting system.
Edited by George Schaub Posted: Apr 21, 2014 Published: Mar 01, 2014 1 comments
The new Olympus OM-D E-M1 is the follower of the first OM-D, the proper and full name having been the “OM-D E-M5.” The E-M1 incorporates many of the E-M5 advantages, the famous five-axis image stabilizer being one of them. This image stabilizer is based on sensor-shift technology and allows the user to shoot a stabilized image with every lens system mounted to the camera.
Steve Bedell Posted: Apr 01, 2014 Published: Feb 01, 2014 0 comments
The digital camera revolution has brought about many changes, not the least being the ability to photograph in low-light levels that were only wishful thinking a few years ago. That ability has also spawned significant changes in lighting equipment. In many cases, high-powered flash equipment is no longer needed when you can simply turn the ISO dial on your camera to achieve the desired f/stop. And with small product photography, it makes more sense for many of us to use inexpensive constant light sources rather than high-powered strobe setups. There’s no doubt that the trend to more constant light options in both daylight and tungsten color balance will continue.
Edited by George Schaub Posted: Mar 25, 2014 Published: Feb 01, 2014 0 comments
The Canon EOS 70D is a 20MP APS-C-sized sensor camera that has a massive body with a large grip on its right-hand side that makes for very comfortable handling. It has a classic SLR design with an optical viewfinder with numerous function buttons, and a fully articulated large, touch-sensitive LCD screen on its back (it can be flipped up- and downward and turned to the side) that is very handy, especially in video recording mode.
Filed under
C.A. Boylan Posted: Apr 04, 2014 Published: Feb 01, 2014 0 comments
Hoya PROND Neutral Density Filters
Created with still photography and HD-SLR video in mind, the new line of Hoya PROND filters (2 to 6, 6 2/3, 7 2/3, 9, and 10 stops) use ACCU-ND technology to provide a true neutral color balance that does not add any noticeable color cast to your images while effectively reducing the amount of light entering the lens. The filters feature a low-profile one-piece aluminum frame and clear optical glass with a metallic ACCU-ND coating on the front and back. The filter rests securely over the lens, parallel to the sensor, and can also be used with super-wide-angle lenses.
Filed under
Jack Neubart Posted: Mar 17, 2014 Published: Feb 01, 2014 1 comments
When my fascination with macro began all my work was done by available light. Getting sharp images at life-size magnification took all the resolve I could muster, especially when dealing with heat and humidity or frigid conditions. It’s tough to hold a camera steady in those situations. What I wouldn’t have given for image stabilization!

Pages

X
Enter your Shutterbug username.
Enter the password that accompanies your username.
Loading