Medium & Large Format Systems

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Roger W. Hicks Posted: Sep 01, 2005 0 comments

The Chinese-built, American-designed Fotoman 617 justifies itself as soon as you see the first transparencies on the light table. The huge format is a knockout. It's gorgeous. That vast slab of film is 21/4x62/3". That's 56x168mm, or over 11 times the area of 35mm.

It's ideal for scanning, too. Even a very modest flat-bed film scanner giving...

Joseph A. Dickerson Posted: Jul 01, 2004 0 comments

Many years ago, still fresh out of college, I worked with a 21/4x31/4" Century Graphic. I bought it used with three lenses and it was so cool. Pebble-grained gray leather covering, bright red bellows, and a coupled rangefinder. Wow, I naively...

Joseph A. Dickerson Posted: Jan 01, 2004 0 comments

I don't recall just how many times I've gone through this, but it's more than a few. After much soul-searching, speculation, and fretting I decide I'm going to give up large format photography forever. It always seems like such a...

Uwe Steinmueller Posted: Jan 01, 2004 0 comments

With high-end 35mm digital SLRs currently sporting 11 to 14-megapixel resolution, some photographers ask the question: Is there still an advantage to medium format if you work only in digital?

The Hasselblad H1 answers that question. The H1 is both a film and a...

Dave Howard Posted: May 01, 2003 0 comments

Roundshot 28/220

The Roundshot line of professional, full-rotation (360Þ horizontally) panoramic cameras is easily the most extensive and best known in this decidedly small niche of the special-purpose camera market. The...

Jay Abend Posted: Jan 01, 2003 0 comments

The Hasselblad 203FE Revisited

While the whole photo world is buzzing about Hasselblad's styling new H1 645 system, Hasselblad quietly announced some stunning price reductions on some of its landmark camera...

George Schaub Posted: Nov 01, 2002 0 comments

The trend toward lighter and durable materials for photo gear was, some say, started by the introduction of carbon-fiber materials for a usually cumbersome piece of equipment--a tripod. Make the tripod as strong and lighter and those who really know what a tripod is for, and why it's...

Tom Fuller Posted: Jan 01, 2002 1 comments

Our project this month is a procedure for turning a 4x5, 5x7, or 8x10 view camera into a panoramic model that makes two or three images on a single sheet of film. Specialty cameras that produce these expansive views are available...

Tom Fuller Posted: Jan 01, 2002 0 comments

If you've been wondering about which medium format cameras would be a good choice for students and other struggling photographers, the answer today would indeed be one of the Seagull twin lens reflex models imported by Phoenix Corporation.

Joseph A. Dickerson Posted: Jun 01, 2000 0 comments

Last summer I had the opportunity to spend some time with the recently introduced Hoffman Lightweight Field Camera, and I'd like to share my impressions of this little gem with you.

The Hoffman Camera Corporation has been around since 1953 and is best known for the...

David B. Brooks Posted: May 01, 2000 1 comments

The Horseman DigiWide

Professional digital photography with single shot backs for medium format SLRs has had an inherent limitation. Because the area size of the digital CCD chip is smaller than that of the camera's film...

Jay Abend Posted: Mar 01, 2000 0 comments

This month we close the book on our three part Kiev camera series. If you read Parts 1 and 2, you know that Kiev cameras are made in the Arsenal Factory in Ukraine in the former Soviet Union. Rough-edged cameras reminiscent of old Hasselblad and Pentacon...

Jay Abend Posted: Feb 01, 2000 0 comments

Last month we took a look at the anachronistic Kiev 88 medium format camera. A contemporary camera like the ancient Hasselblad 1000f, the Kiev 88 mostly is thought of as "cheap." If ultimate quality is your goal, look somewhere else. If the...

Robert E. Mayer Posted: Jul 01, 1999 Published: Aug 01, 1999 0 comments

Evolution is inevitable in all camera formats. The past two or three decades have witnessed a vast degree in sophistication, automation, and electronicization of all types of photo equipment. The Pentax 645N was the first medium format SLR to incorporate...

Tom Fuller Posted: Jul 01, 1999 0 comments

After 34 years in the large format arena, I've learned that there are really only two kinds of view cameras. The first, made of elegant hardwood and fitted with fine brass hardware, is the kind we carefully polish and prop up in the office as a conversation piece. The other, made of...

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