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Posted: Jan 26, 2010 0 comments

How I Photograph Women

Using The Least Amount Of Equipment

by Joe Farace

It may come as a surprise to some of you but I didn’t start out to be a people photographer. When Mary and I opened our studio in 1982, we divided the workload based on the type of images that clients wanted. It turned out to be a simpledivisio...

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Posted: Jun 01, 2006 0 comments

June
2006

On the
Cover


This month's issue is dedicated to our coverage of the PMA Show, the largest
photo trade show in the US. We hope you'll enjoy this inside look at the
latest gear and...

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Ron Leach Posted: May 29, 2007 0 comments

Technology Paves the Path

by Ron Leach

A decade ago pundits were describing the business of photography as a "sunset
industry," suggesting that the "smart money" should look elsewhere
for innovation and profits. Then came the digital revolution which not only
changed the manner in which we capture, share...

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Posted: Oct 28, 2008 0 comments
Pictures displayed are bright and readable from a fairly wide angle from center, and having a 4 inch LCD means editing and perusing is easy on planes, trains and, when not driving,au...
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Posted: May 25, 2010 0 comments

Low Light Photography

The Night Time Is The Right Time

by Fredrik Froman

Light is light. It doesn’t matter if it comes from the sun, the moon, street lights, or even a flash. In very low light you can still get a photo; it might just take some time since you might have to expose the scene for minutes instead offract...

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Ron Leach Posted: Mar 28, 2006 0 comments

Breaking the Four-Minute Mile



By Ron Leach, Publisher

We recently returned from the 2006 PMA Convention and Trade Show in Orlando,
FL--the largest annual international trade show in our industry. With over
600 exhibitors, 20,000 attendees, and more than 200 educational sessions, this
four-day event is pretty much a "must...

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Posted: Aug 28, 2007 0 comments

Kubota Image Tools Announces Spring 2008 Digital Photography Bootcamp
Workshop

Kubota Image Tools is pleased to announce its 15th Digital Photography Bootcamp
workshop April 20-25, 2008. Bootcamp, taught by renowned photographer Kevin
Kubota, is a 5-day workshop for professional photographers designed to supply
all of the technical know-how...

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Posted: Feb 24, 2009 0 comments

March 2009

On The Cover
This month our focus is on the creative aspects of image processing. With that in mind, we’ve tested a range of software and plug-ins, so you’ll be equipped for whatever your imagination has in store. We also have an insider’s report oni...

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Posted: Sep 28, 2010 0 comments

Telling A Story With Your Pictures

Taking Your Audience Along

by Jim Zuckerman

There are many reasons why people travel. Some like the spirit of adventure and discovery, and others enjoy intermingling with people from other cultures and seeing the world from a different point of view. There are people who travel to sellt...

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George Schaub Posted: Aug 29, 2006 0 comments

Black and White Imaging: Ilford's Perspective

by George Schaub

Given that we all have seen a shrinking in silver-based materials in general
in the last year, and in light of Kodak exiting the black and white paper business,
and Agfa leaving the black and white (and all photo) business altogether, we
were all leftwo...

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Posted: Oct 30, 2007 0 comments

November
2007

On
the Cover


This month take your images to the next level with a multitude of hot pro tips
and new pro gear reviews. Our special report on the pros and cons of pixel packing
answerswhet...

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Posted: Jul 01, 2009 0 comments

July 2009

On The Cover
Welcome to our mid-year photo gear roundup, featuring the newest products from the top US photo trade show, PMA (Photo Marketing Association). We assembled a team of reporters to cover the show to bring you the latest and greatest gear coming your way in 2009. You’ll notice the theme of our coverage isaccessor...

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Posted: Dec 28, 2010 0 comments

In-Camera Monochrome Contrast Control

Get Film & Filter Looks With Your Digital Camera

by George Schaub

Although the images you create are in color (RGB) you also have the ability to create black and white images in your digital camera using the Monochrome “creative” or “picture style”setting.

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Howard Millard Posted: Sep 27, 2005 0 comments


To
achieve the eerie, glowing effect of infrared black and
white film, I applied several techniques in Adobe Photoshop.

Photos © 2001, Howard Millard, All Rights Reserved

Are you attracted to the
mysterious, otherworldly glow of black and white infrared film? But
you've heard that it's a bit of a hassle to shoot and print.
Well, here's how to emulate that exotic infrared (IR) look digitally
starting with any color original.



Why not shoot IR film to begin with? Kodak High Speed Infrared film
is a challenge. First, to avoid fogging, it should be stored in the
refrigerator and must be loaded and unloaded in the darkroom or a changing
bag. Then, for the best effect, you must shoot with a deep red or opaque
filter over your lens. Once you've focused, you must re-focus
the lens manually to the infrared focus point. Since your camera meter
doesn't measure IR light, it's advisable to bracket exposures
widely. In the field, you must load and reload your camera in a light-tight
changing bag. After the film has been processed, the negatives are extremely
contrasty and often require extensive dodging and burning to get a good
print.



I
started with this original color 35mm slide shot on Fuji Sensia
II and scanned it on a Polaroid Sprintscan 35 Plus scanner
at 2700dpi for a 26MB file.

...

Filed under
Ron Eggers Posted: Dec 26, 2006 0 comments


The Topaz A2, which powers the Ringflash, is a full-size power pack
with 1600 ws output that features symmetrical/asymmetricalp...

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