Lighting Equipment

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Joe Farace Posted: Nov 15, 2012 Published: Oct 01, 2012 1 comments
One of the first lighting kits I ever owned was a set of Smith-Victor Adapta-Lights that had screw-base sockets for photoflood lamps. Son of a gun, the company still offers Adapta-Lights as an entry-level solution for beginning portrait photographers who want to work with hot lights. On the other hand, if you prefer making portraits using electronic flash, Smith-Victor’s three-light FL700K Strobe Light Kit may be just what you’re looking for.

The FL700K Strobe Light Kit that I tested is designed for amateur photographers and aspiring pros and contains two FLC300 (320 ws) FlashLite and one 110i (110 ws) FlashLite monolights. The FLC300 monolights offer continuously variable flash power settings, a test button, a ready light, and an optical slave for wireless triggering and have an umbrella stand adapter that’s compatible with 3/8” through 5/8” light stand posts. To expand the kit’s capabilities, Smith-Victor offers more than 100 accessories and light modifiers for the FLC300 monolights, including softboxes, reflectors, snoots, grids, and barn doors. The 110i monolight has a full- or half-power setting, optical slave, small built-in reflector, and umbrella mount. When used together, all three lights give you lots of flexibility for lighting studio or on-location portraits.

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Joe Farace Posted: Oct 25, 2012 Published: Sep 01, 2012 8 comments
Studio lighting equipment is available in either continuous or electronic flash configurations. Continuous lighting is “on” continuously, much like a light bulb or the sun for that matter, enabling you to use your in camera light meter to measure and see how the light falls on your subject. Continuous lighting sources use photoflood, quartz, or HMI (Hydrargyrum Medium-Arc Iodide) bulbs, which can be hot, leading to the use of the term “hot lights.” An increasing number of continuous lighting tools use Compact Fluorescent Lamps (CFL) or LEDs, producing what are, in effect, “cool” hot lights.
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Joe Farace Posted: Oct 15, 2012 Published: Sep 01, 2012 2 comments
One trend much in evidence for lighting these days is the use of LED as a light source. Rotolight, distributed in the US by R.T.S. Inc. (www.rtsphoto.com), has several new products in this space, beginning with their RL48-B RingLight. As a continuous light source, the Rotolight is useful for video or still photography. The basic RL48-B includes a filter holder and a Lee Filters Calibration Filter Kit (CTO: 205, 223, and 285; ND/Diffusion: 298, 209, and 216).
Steve Bedell Posted: Oct 18, 2012 Published: Sep 01, 2012 3 comments
Recently I had an opportunity to test Profoto’s D1 monolight and their HR Softbox 1.5x3. To check out the combo the company sent along a Profoto D1 Air Kit that includes two D1 monolights, stands, umbrellas, and a case. I did not have the Air Remote to control the units from camera position.
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Joe Farace Posted: Oct 24, 2012 Published: Sep 01, 2012 21 comments
If you’re looking for European build quality at a reasonable price, Multiblitz’s series of Profilux monolights are a good place to start. Built in Germany, the two Profilux models—250 and 500 watt second versions—are the perfect tool for the serious amateur or established professional and feature fast recycling times, short flash durations, and consistent color temperatures. The Profilux 250 has a five-stop power range that’s adjustable in 1/10-stop increments with a modeling lamp that delivers an expected service life of 2000 hours. The Profilux 500 delivers all of the same features as the 250 but with twice the output power.
Jack Neubart Posted: Aug 24, 2012 Published: Jul 01, 2012 5 comments
You have lots of stuff ready for sale or that needs to be catalogued, such as jewelry, watches, pottery, tableware, glassware, figurines, coins, or maybe even an old camera. So how do you photograph these items quickly and affordably, while making them look their best?

For starters, we often need soft, largely even, and, for the most part, shadowless illumination to bring out all the salient features in the item. While a light tent or other diffusion enclosure can be used, getting lighting ratios just right can prove time-consuming. Using household lighting is often unsatisfactory if you want to make the item sparkle so that it beats out any competitive offerings online, and especially if you want the pictures to reflect an air of professionalism. Besides, color balance is often an issue, made even more difficult when available fluorescent lighting is used. And if you use flash, you’ll need more than one strobe, which becomes a costly and often time-consuming proposition.

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Steve Bedell Posted: Jul 10, 2012 Published: Jun 01, 2012 0 comments
The Litepanels MicroPro Hybrid does double duty as both a constant light source and a flash. The light itself is made of black plastic and is fairly small, at 5.5x3.75x1.5”, and weighs only about a pound when you include the mounting bracket and six AA batteries (standard or rechargeable, and there is an optional AC adapter available). The top has a knurled knob to turn things on and acts as a dimmer so you can control output in stepless fashion. Vents are located around all sides. The battery door, flash ready light, flash sync, and input for the optional power adapter are all located on the back. The bottom is threaded so you can attach it to a light stand or to the (included) nicely made aluminum ball joint with a bottom end that slides into your camera’s shoe mount. Also included is a very short PC cord to be used when using the flash mode, plus there are warming, diffusion, and tungsten conversion filters that snap in easily over the front panel. All this fits into a nicely padded zippered bag.
Jack Neubart Posted: Jun 21, 2012 Published: May 01, 2012 0 comments
Among the latest trends in lighting are the increasingly popular LED lights. While these lights were initially aimed at video, they serve a purpose in still photography as well, notably as accent or fill lights. In studio lighting, we have new monolight kits; and in speedlights, we have a new TTL ringflash along with a wireless TTL remote. We’ll also look at some interesting lighting accessories as well.
Jack Neubart Posted: Jun 18, 2012 Published: May 01, 2012 1 comments
Every year manufacturers and distributors unveil new products at trade show events. They see these shows as the best venues to garner the attention of the gathered members of their industries and to show them their latest wares. In the photo industry this has traditionally been the annual Photo Marketing Association (PMA) Show, which we have always covered. This year that event was subsumed into the larger Consumer Electronics Show (CES) in Las Vegas.
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Steve Bedell Posted: Apr 12, 2012 Published: May 01, 2012 20 comments
Photographers all have their favorite light modifiers. Some like umbrellas, some softboxes, others parabolics, and then there’s the beauty dish, which seems to be a combination of a softbox and a parabolic. For those not familiar with the beauty dish, it’s a round but narrow modifier that you attach to your light. Think of it as a parabolic reflector painted white inside and flattened. If you stopped there, and you could, you’d have a pretty harsh light that makes a well-defined circular pattern with distinct shadows. But there is another little modification that makes a very big difference and also softens the light considerably while still maintaining that circular pattern. There is a bulb cover or center bounce dish that blocks the direct light from the flash and bounces it back into the dish. When used this way, the light output sits midway between a softbox and a parabolic.
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Joe Farace Posted: May 14, 2012 Published: Apr 01, 2012 1 comments
A monolight is a self-contained studio flash that consists of a power supply, flash head, and modeling light wrapped up inside a single housing. Monolights are typically powered by AC current but there are times on location when an electrical outlet may not be so conveniently located and long extension cords can create safety hazards, even when securely fastened down. I’ve had people trip over taped cords and believe me, it can ruin your day. That’s why a new breed of monolights, such as Adorama’s Flashpoint II monolights, offer a DC option with a battery pack when you might be out standing in a field or, at one time during my tests, in a big parking lot. A switch lets you choose between AC or DC power provided by a dedicated Ni-MH battery pack that measures 7x7x3” and weighs 2.65 lbs.
Steve Bedell Posted: Apr 18, 2012 Published: Mar 01, 2012 0 comments
The Aurora Orion light kit arrived on my doorstep at the busiest time of the year for me. At the end of the summer I take hundreds of high school seniors and thousands of “one shot” photos of the underclass students at high schools. So while it has taken me a while to get around to writing the report, I have used these lights to take thousands of pictures, and I was really glad to have a light kit that I could just pick up and walk out the door with and have all I needed in one really nice travel bag.
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Steve Bedell Posted: Mar 07, 2012 Published: Mar 01, 2012 0 comments
Let me tell you about my first experience with a Vagabond Mini. I was teaching one of my lighting workshops, using a flash unit with its battery pack. The light and battery pack were a kit I’d purchased as a combo. We’d been shooting a while and the battery pack was almost dead when one of the other photographers there told me he had a Vagabond Mini in the car. We unhooked my dead battery, and using the AC power cord from the flash unit, proceeded to just plug in to the Mini and keep on shooting! And shooting, and shooting… You see, this thing really supplies a lot of flashes and can be used with many flash units. But let’s start at the beginning…
Joe Farace Posted: Apr 10, 2012 Published: Mar 01, 2012 0 comments
“Lighting is really common sense and personal observation. This is applied to a few rules of photography which cannot be broken and to others which I tend to bend a little.”—Paul Beeson

A monolight or monobloc to our European friends is a self-contained studio flash that is typically, but not always, powered by an AC power source and allows for different light modification devices, including reflectors, light banks, or umbrellas. The key phrase in that last sentence is self-contained. To my way of thinking the biggest advantage monolights possess is just that—if you’re shooting on location or for that matter anywhere and the power pack in a pack and head system stops working, so do you. If you have a couple of monolights and one of them fails, you can still shoot.

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Joe Farace Posted: Jan 10, 2012 Published: Dec 01, 2011 1 comments
The monolights that I’ve recently tested for Shutterbug combine power supply and flash head into a single unit. Handy, but an alternative approach is using power pack and flash head systems, such as those made by Broncolor (www.bronimaging.com), who offer these components as individual units that can be mixed and matched to produce different lighting setups.

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