Lighting Equipment

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Steve Bedell Posted: Aug 01, 2014 0 comments

We all know that dedicated flash units are amazing tools. They allow us to use not just one but several flashes with amazing control over the output and have the math figured out for us in the bargain. But unless we modify the light in some way we are left with a very small light source that can be very harsh, and while that may be fine in some cases, there are times when we need to modify the light to soften and shape it. With the Profoto RFi Speedlight Speedring, you now have the ability to do just that using the many modifiers available to you in the Profoto arsenal.

Cynthia Boylan Posted: Jul 28, 2014 0 comments

LEDGO has introduced a new line of professional LED light panels (models LG-600S, LG-600CS, LG-1200S and LG-1200CS) that feature a >95 CRI rating, an all metal housing and removable metal barn doors—in single and bi-color models—and Sony V-Lock battery adapter plates. Prices range from $439 to $799.

Joe Farace Posted: May 02, 2014 Published: Mar 01, 2014 0 comments
There is something quietly satisfying about working with finely crafted tools. It’s a feeling I remember having back in the film days when making photographs with my first Hasselblad 500C/M camera and one I had again while shooting with Broncolor’s Move 1200 L Outdoor Kit 2. It made creating all of the images that you see here easier and fun to shoot, and it’s in this spirit of play where creativity lives, inspiring a photographer to try new ways to make better photographs. Broncolor’s Move Kit is just that kind of lighting system.
Jack Neubart Posted: Apr 25, 2014 Published: Mar 01, 2014 1 comments
For the studio photographer on location or shooting environmental portraits, connecting a studio strobe to a battery pack, battery-driven power pack, or pure sine wave inverter frees one of the constraints of plugging into an AC outlet and worrying about tripping circuit breakers or blowing a fuse, and it removes wires that could prove hazardous (combined with wireless syncing of the flash, I might add). And wedding and event photographers who rely on portable strobes that run entirely on external battery power are well familiar with the benefits—power that lasts and keeps pace with the event. There are countless choices, whether you’re just starting out or looking to upgrade or expand your lighting system.
Jack Neubart Posted: Apr 29, 2014 Published: Mar 01, 2014 0 comments
A handheld meter is not just for studio work. Tricky lighting situations, high contrast, and unusual subject tonalities can often pose problems for camera metering systems, as advanced as they are. Beyond that, the camera meter can’t help with studio flash.
The first step toward taking tighter control with a broader range of lighting situations is to use a handheld meter. Enter the new Sekonic LiteMaster Pro L-478DR (PocketWizard version). Out of the box, it measures incident light. This exposure meter will also prove valuable when working with studio (or any manual) flash or a mix of ambient light and flash.
Joe Farace Posted: Apr 11, 2014 Published: Mar 01, 2014 1 comments
First impressions: the D-Lite RX ONE To Go Kit includes a pair of Elinchrom monolights so you know it’s going to contain quality products. Then you discover that the maximum output of each light is 100 watt seconds and you start to think you’ll need more power. That’s until you’re reminded that this fully loaded two-monolight Elinchrom kit sells for less than $700. Interested now?
Steve Bedell Posted: Apr 01, 2014 Published: Feb 01, 2014 0 comments
The digital camera revolution has brought about many changes, not the least being the ability to photograph in low-light levels that were only wishful thinking a few years ago. That ability has also spawned significant changes in lighting equipment. In many cases, high-powered flash equipment is no longer needed when you can simply turn the ISO dial on your camera to achieve the desired f/stop. And with small product photography, it makes more sense for many of us to use inexpensive constant light sources rather than high-powered strobe setups. There’s no doubt that the trend to more constant light options in both daylight and tungsten color balance will continue.
Joe Farace Posted: Mar 11, 2014 Published: Jan 01, 2014 0 comments
These days it seems that using LED lighting systems for studio portraiture is like puppies and kittens—everybody loves them, and why not? All you need to do is turn on an LED light panel and shoot, right? While there’s obviously more to it than that, the WYSIWYG nature of LED lighting is especially helpful for new or aspiring pros who want to get up and running quickly or in applications where the lighting needs to be consistent so lots of portraits can be made in a short amount of time, something event photographers will take to heart. With that in mind I recently tested Bowens’ Mosaic LED light panels (#1). Originally developed for film and video use, they are available in models designed for mounting on traditional light stands for portraiture, so I put them to work in my home studio.
Joe Farace Posted: Feb 04, 2014 Published: Dec 01, 2013 0 comments
Lester A. Dine invented the ringlight for making dental photos in 1952 but today people use them for all kinds of photography. A ringlight is a circular light source that surrounds the optical axis of a lens causing light to hit the subject from different angles, producing soft shadows in much the same manner as a light bank. When photographing people, the unique way that a ring flash renders light also produces a shadowy halo around the subject that’s much beloved by fashion photographers. I use a small ring flash to photograph butterflies, but if you want to photograph people, to paraphrase Jaws Chief Brody, “You’re gonna need a bigger light.”
Steve Bedell Posted: Feb 04, 2014 Published: Dec 01, 2013 0 comments
GamiLight has been in the business of making light-shaping accessories for small, dedicated flash units like the ones from Nikon, Canon, Metz, etc., and has recently broadened their lineup. I had heard about their products and thought I’d give them a try, so they responded by sending me just about every modifier they make. I received their Square 43 with the Soft Plus 43 adapter, the Box 60, the Spot 2, the Event Pro, and a few mounts. As we go through this review I’ll let you know what these are all about, but my tests were aimed at determining how effectively the units work, how well they are made, how convenient they prove out in the field, and, most importantly, whether I should consider buying them to solve some of my lighting issues.
Joe Farace Posted: Dec 03, 2013 Published: Oct 01, 2013 0 comments
When I first saw the battery-powered Photoflex TritonFlash at a pro show I was impressed as much by its power output and flexibility as its tiny size. Available in a kit that includes one of the company’s light banks along with everything—except a light stand—the setup can get you started making portraits in the studio or on location with nary an electrical outlet in sight.
Steve Bedell Posted: Nov 26, 2013 Published: Oct 01, 2013 1 comments
Portrait photographers are constantly looking for new lighting gear that will make their lives easier and produce great results. And while flash photography has been the studio standard for many years, it’s always been more difficult to previsualize the final effect since the image you see using the modeling lights is not always the same you see once the flash fires. The instant feedback of digital cameras has lessened that worry some, but you can still be in for some surprises. The new breed of LED lights eliminates most of these concerns with true WYSIWYG lighting, and with that in mind I was eager to check out F&V’s new K4000 LED Studio Panel to see how it could be used in my work.
Joe Farace Posted: Oct 18, 2013 Published: Sep 01, 2013 0 comments
In this test, Joe Farace tackles a higher-end LED light source that he adapted to still photography work. In it you will find technical sidebars outlining how we will test LEDs for the still photographer in the future. We offer this somewhat tech-heavy review as both a close look at this unit and a primer on LED output and LED lighting, which, as Joe states, will become increasing important, and prevalent, in studio and location work for the still shooter.—Editor
Steve Bedell Posted: Oct 11, 2013 Published: Sep 01, 2013 0 comments
“Look Ma, no cords!” That’s right; the Priolite does not have a power cord. It is run strictly off battery power. Each unit has its own interchangeable and removable battery, plus a built-in receiver to work with a Priolite transmitter. And, unlike most monolights, it has a usable modeling light even on battery power.
Robert Harrington Posted: Oct 22, 2013 Published: Sep 01, 2013 0 comments
Whether you are new to Off-Camera Flash (OCF) or not, you might want to check out one of the most versatile systems on the market for OCF, Rogue FlashBenders, manufactured by ExpoImaging. The Rogue system is based on a pliable flat panel reflector that you bend as needed to modify your light when used in conjunction with speedlights. It is versatile, stores flat in your camera bag, and has a diffusion panel that installs over the modifier to turn it into a portable softbox.

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