Pro-Quality Digital SLRs

Sort By: Post Date | Title | Publish Date
Dan Havlik Posted: Nov 26, 2014 0 comments

Let say you have 50 Canon EOS-1D X professional digital SLRs lying around, and are looking for something to do with them. Here’s a fun idea: create a stunning bullet-time shot that appears to freeze the action, and then somersaults 360 degrees over your subject for an out-of-this-world effect.

Dan Havlik Posted: Nov 13, 2014 0 comments

Technically speaking, the Nikon D750 is the follow-up to the Nikon D700, which was released six years ago. That’s a lifetime between digital camera models, and to say that the D750 is not nearly as groundbreaking as its predecessor from way back in 2008 is not a put-down of this new full-framer from Nikon. It just shows how far imaging technology has come and how much the D700 was ahead of its time.

Jack Neubart Posted: Sep 14, 2014 0 comments

(Editor’s Note: Shutterbug contributor Jack Neubart has been testing the new Nikon D810 pro digital SLR. Here’s his hands-on “first look” at the camera. His full review of the D810 will appear in an upcoming issue of Shutterbug magazine.)

I became a Nikon convert back when the D300 was first introduced in 2007. I appreciated the camera’s handling, but mostly they got me with the Creative Lighting System, or CLS. Specifically, on the D300 it was the fully integrated wireless Commander mode via the built-in flash that grabbed my attention.

Steve Sint Posted: Feb 07, 2013 Published: Jan 01, 2013 1 comments
The Nikon D4 is a large sized, 16MP, lightning fast D-SLR, with high-definition video capability good enough to satisfy an independent film producer. At first, my thought was to see how the D4 worked when used for the more mundane subjects I shoot than what it was designed for, and to see how it compared to the APS-C sized cameras I prefer. But, by the time my experience with the camera ended, I had shot a tutorial video with it (www.setshoptutorials.com and then click on “Anatomy of a Still Life”), found its fast framing rate more helpful than I expected, and decided I especially liked Nikon’s D4, an FX camera, when shot in the DX (APS-C) mode. Although the primary difference between the D4 and the D3 is the D4’s increased resolution and its advanced video capability, I found the whole package that represents the D4’s feature set just as important, so let’s look at those.
Joe Farace Posted: Jan 11, 2013 Published: Dec 01, 2012 4 comments
Just when you thought the megapixel wars were over—or at least subsided—along comes the Nikon D800 with a whopping 36.3-megapixel (7360x4912) full-frame CMOS sensor. It’s wrapped up in a pro-quality magnesium alloy body that’s sealed and gasketed for dirt and moisture resistance. That rugged body weighs almost 2 lbs and when attached to the 24-120mm f/4G ED-IF AF-S VR II Nikkor lens (23.6 oz) that I tested, the package tips the scales at 3.46 lbs. It’s big.
Edited by George Schaub Posted: Sep 18, 2012 Published: Aug 01, 2012 10 comments
Every year the Technical Image Press Association (TIPA), a worldwide association of photo and imaging magazine editors, meets to pick the Best of Class in a wide range of photo categories. As the sole US member of the association, Shutterbug joins editors from Europe, Asia, and Africa in the nominating, judging, and selection process. One of the most exciting aspects of photography today is the constant advancement of technology and design, and this year’s Top Products reflect that spirit and those accomplishments, including new categories of Video D-SLR and Mobile App. Editor George Schaub joins all fellow TIPA members in congratulating those selected to receive the prestigious TIPA award. (To learn more about TIPA, please visit the website at: www.tipa.com.)
George Schaub Posted: May 11, 2012 Published: Apr 01, 2012 1 comments
In this and a continuing series of articles in the coming months we’ll bring you the news and innovations from the recent Consumer Electronics Show (CES) held earlier this year in Las Vegas. While the show floor was dominated by “smart” this and that, from phones to TVs and tablets, we’ll concentrate on those items of most interest to photographers. This report is on the new and recently introduced D-SLRs and interchangeable lens mirrorless cameras.
Joe Farace Posted: Feb 09, 2012 Published: Jan 01, 2012 15 comments
“We’ve got to consider the pros and cons, make a list, get advice…” —Jim Backus in Rebel Without a Cause

I don’t blame you for being confused. I just tested the EOS Rebel T3i, which I really, really liked, and along comes this review of the EOS Rebel T3. What’s the difference? In practical terms the Rebel T3 is somewhat smaller in size, lower in resolution (12.2 vs. 18 megapixel), and lacks the T3i’s swiveling LCD screen. Oh yeah, and it’s cheaper, too. But is it any good?

Joe Farace Posted: Jan 11, 2012 Published: Dec 01, 2011 31 comments
Rebels have always delivered good value wrapped up in a compact package and it’s why I personally own two—a Rebel XT and a Rebel XTi—both of them converted to infrared-only capture. The 18-megapixel EOS Rebel T3i is clearly an evolutionary model in the line, but owners of older Rebels should take a hard look at this new model because it clearly represents Canon’s new face as reflected in the previously released EOS 60D—the flip-out screen, in-camera filters, and all that jazz.
Joe Farace Posted: Nov 08, 2011 Published: Oct 01, 2011 15 comments
The generation of Canon EOS digital SLRs beginning with the 10D have been evolutionary, with each camera adding resolution and new features. The 60D continues in that vein but also takes a slightly different tack, adding some features from Canon’s own PowerShot series, bringing in functionality like a 3” flip-out LCD screen, and adding some creative effects that show how software is becoming an increasingly important part of any hardware offering. Each of these creative filters, including Soft Focus, Grainy Black and White, Toy Camera, and Miniature Effect, can be applied to a captured image creating a second “filtered” version, leaving the original file unaffected.
Joe Farace Posted: Nov 11, 2011 Published: Oct 01, 2011 7 comments
Pentax has a long history of innovation as well as a rabid fan base that loves the company’s tradition of optical excellence and originality. In fact, this fan base is the reason I’m writing this review. If you’re not already a Pentaxian you probably didn’t know that Pentax (derived from PENTAprism refleX) built the first camera to incorporate a penta-prism viewfinder and reflex mirror system in 1957 and went on to introduce the first TTL metering system in 1964. While late to the digital SLR game, when they finally arrived it was with a series of entry-level cameras that delivered impressive image quality at affordable prices. Over time they’ve dipped their toes into the semipro market and the K-5 is the latest model with professional aspirations yet it retains all the quirky uniqueness that all Pentax cameras have and that endears them to so many photographers.
George Schaub Posted: Jul 11, 2011 Published: Jun 01, 2011 17 comments
Feeling very much in hand like a pro camera, with magnesium alloy top and rear body construction, the Nikon D7000 (list: $1199, body only) has all the bells and whistles of a modern D-SLR, including a high megapixel count CMOS sensor, a new image processor to handle all the data it can capture, including 14-bit NEF, a high ISO 6400 “normal” (expandable two stops), and the currently requisite 1080p HD movie capability. This DX (APS-C) format camera also features dual SD card slots, with spillover or format sort capability, a nice and speedy 6 frames-per-second (fps) shooting capability for up to a 100 frame burst (JPEG), and full-time AF with video and Live View. The monitor is bright and highly readable in just about every lighting condition. Unfortunately, it is fixed and does not articulate, but the penta-prism finder makes one pray that Nikon will never go EVF (electronic viewfinder), yielding 100 percent coverage and being a pleasure to view through, especially after suffering some recent EVF obscuring experiences.
George Schaub Posted: Feb 01, 2011 3 comments

No, that’s not a typo—the “T” in the acronym refers to the new mirror system in the Sony alpha a55 and stands for “translucent.”...

Joe Farace Posted: Feb 01, 2011 10 comments

When it was launched in October 2007, the E-3 broke new ground. It wasn’t a me-too SLR; it carried the Four Thirds format into new directions that were uniquely Olympus.

Roger W. Hicks & Frances E. Schultz Posted: Jan 01, 2011 1 comments

The weirdest camera at the show, the GFAE, wasn’t even recognizable as a camera, not least because it was a view camera with the bellows left out in order to show its construction more clearly. We’ll come back to it later, but first, let’s look at some more conventional offerings.

Pages

X
Enter your Shutterbug username.
Enter the password that accompanies your username.
Loading