Lenses

Sort By: Post Date | Title | Publish Date
Filed under
Peter K. Burian Posted: Aug 01, 2007 0 comments

Because most consumers demand very compact, lightweight equipment, the majority of lenses are designed with a relatively small aperture: f/4 to f/5.6, for example. That makes sense because the same focal length with a wide aperture would be larger, heavier, and more expensive due to the oversized optical elements and barrel. Even so, many photo enthusiasts really appreciate an...

Filed under
Peter K. Burian Posted: Jun 01, 2007 Published: Jul 01, 2007 0 comments

Although most of the new products shown at PMA 2007 were digital, at least some of the new lenses are just as useful for anyone still shooting with a 35mm SLR system. While some of the new zooms were designed exclusively for use with D-SLRs with the APS-size sensor, the multi-platform lenses work perfectly with both analog and digital cameras. That's because they project...

Filed under
Steve Bedell Posted: Jun 01, 2007 0 comments

I 've been shooting most of my portrait work with a 28-75mm zoom, but always felt I could use something longer. And I'm about at the point where fixed focal length lenses just won't do; once you get used to the flexibility of a zoom, you're spoiled. I also like a fast lens with a relatively wide maximum aperture, as I like to get way out-of-focus...

Filed under
Steve Bedell Posted: Jun 01, 2007 1 comments

Technical Specifications

Lens Construction: 18 Elements in 14 Groups
Angle of View: 27.9 ° - 9.5 °
Number of Diaphragm Blades: 9 Blades
Minimum Aperture: F22
Minimum Focusing Distance: 100cm / 39.4 inches
Maximum Magnification:...

Filed under
Roger W. Hicks Posted: May 01, 2007 0 comments

Quality, according to the old saying, doesn't cost: it pays. These new manual-focus, Nikon-fit "ZF" lenses are a perfect illustration of that saying. Sure, they are built by Hirofumi Kobayashi in Japan, but they are built to Zeiss standards from Zeiss designs, and they feel like the Zeiss lenses of yesteryear: smooth, solid, beautifully finished, with a lot of...

Filed under
Peter K. Burian Posted: Jan 01, 2007 0 comments

With the incredible popularity of D-SLR cameras, all manufacturers are working aggressively to expand their line of suitable lenses and we found many new models at the photokina show. As expected, most of the new products are "digital only"--designed exclusively for digital cameras with APS or Four Thirds size sensor--some are multi-platform lenses. The...

Filed under
Steve Bedell Posted: Dec 01, 2006 0 comments

While searching for a new portrait lens I saw Sigma's APO MACRO 150mm f/2.8 on their website. But wait, you say, this is a macro lens, not a portrait lens! Here's my thinking: Any portrait photographer out there worth his light meter will gladly extol the virtues of a long, fast lens for portraiture. The reasons are simple--limited angle of view to get rid of...

Filed under
Peter K. Burian Posted: Dec 01, 2006 0 comments

Because of the increasing popularity of digital SLR cameras, Tamron has been upgrading their line of lenses to the "Digitally integrated" (Di) standard, employing methods discussed in our Technology sidebar. Some of the new products (Di II series) were designed exclusively for digital cameras with the typical APS-size sensor, while others (Di) are multi-platform...

Filed under
Peter K. Burian Posted: Nov 01, 2006 0 comments

One of the favorite lenses among news photographers, a 70-200mm f/2.8 or 80-200mm f/2.8 zoom also appeals to many serious photo enthusiasts. Although large and heavy, lenses of this type offer several benefits. Their very wide maximum aperture allows for faster shutter speeds than the more typical f/4.5-5.6 zooms, great for low-light or action photography at lower ISOs (film or...

Filed under
Jason Schneider Posted: Sep 01, 2006 1 comments

In the first noteworthy change to the Leica M mount since its introduction back in 1954, all Leica M lenses delivered to dealers starting on July 1, 2006, will have a 6-bit digital black and white code applied to the bayonet ring. The physical dimensions and mechanical specs of the venerable M mount will remain exactly the same, so both coded and non-coded lenses can be used on...

Filed under
Roger W. Hicks & Frances E. Schultz Posted: Aug 01, 2006 1 comments

As we said in the review of the new Zeiss Ikon (ZI) 35mm rangefinder (April 2006 issue of Shutterbug or online at www.shutterbug.com), we received six of the seven Zeiss ZM-mount lenses announced at photokina 2004: 15mm f/2.8, 21mm f/2.8, 25mm f/2.8, 28mm f/2.8, 35mm f/2, and 50mm f/2. The 85mm f/2 (listing at $2759, plus $127 for the lens shade) still wasn't available as we...

Filed under
Stan Trzoniec Posted: Aug 01, 2006 0 comments

My first macro lens was the popular Nikon 60mm Micro-Nikkor. Good move, I thought, as the 60mm focal length could double as an all-purpose lens for a variety of assignments. Trouble is, when I started to get into more and more 1:1 (life-size) work, I only had 21/2" of working space between the front of the lens and my subject. The 105mm was next, sharp as a tack but again...

Filed under
Jack Neubart Posted: Aug 01, 2006 0 comments

When I first heard about a 35mm focal length macro lens my mouth began to water. The $229 price tag was an immediate inducement, as were the compactness and lightweight of this glass. What threw me, though, was the focal length. Because this was in the new Four Thirds System for an Olympus digital SLR (the EVOLT E-300 was used for this test), focal length doubled to 70mm. A 70mm...

Filed under
Jason Schneider Posted: Aug 01, 2006 1 comments

This fairly large (6.5" long, 3.3" in diameter), reasonably lightweight (32.5 oz, including removable tripod collar) macro tele covers the 24x36mm format in film or digital as well as the smaller APS-C digital format. The Di (Digitally Integrated) designation indicates that it's "optically designed for digital SLR cameras." To translate the remainder...

Filed under
Joe Farace Posted: Aug 01, 2006 0 comments

For some time now my favorite portrait lens has been Canon's EF 85mm f/1.8 USM, but now my new favorite is the Canon EF 85mm f/1.2L II USM. It replaces the EF 85mm f/1.2L USM and offers the widest aperture of any lens in Canon's EF family. All in all it provides a useful combination of focal length, depth-of-field control, and low-light performance. The superb optics...

Pages

X
Enter your Shutterbug username.
Enter the password that accompanies your username.
Loading