Software & Computers

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Jerry Courvoisier Posted: Feb 01, 2009 0 comments

This is an excerpt from the chapter on “Global Develop Corrections” found in “Lessons in DSLR Workflow for Lightroom and Photoshop” by Jerry Courvoisier, published by Peachpit Press.

Because of the non-destructive nature of the adjustments in Lightroom, experiment is the key word here. You will learn more without the fear that you are degrading the image. Not every...

George Schaub Posted: Jan 01, 2009 1 comments

The photokina trade fair held in Cologne, Germany, every two years has a solid reputation for previews and announcements meant to shake up the practices and worldviews of photographers, be they amateur or pro. This can come in the form of products real and imagined, with some making it to shelves and others just a wistful dream of designers and engineers who hope what they propose will become the...

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Jack Neubart Posted: Jan 01, 2009 0 comments

The biggest news at photokina this year was perhaps the unveiling of Photoshop CS4, advancing this imaging application’s reputation as the leader in its field. But if you’re more interested in using other apps for raw conversion and workflow management alone (with some editing thrown in), then you’ll be happy to learn that there are also new iterations of Bibble, ACDSee Pro, and...

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Jon Canfield Posted: Dec 01, 2007 Published: Dec 01, 2008 0 comments

In a world of oversaturated color, I’m always surprised at the popularity of black and white images. There is something magical about a well-crafted image in monochrome that is more expressive than any color image could ever be. In fact, it was black and white that first interested me in photography. So, with digital photography, I’ve often done black and white conversions with a...

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Anthony L. Celeste Posted: Dec 01, 2008 0 comments

Given the fact that Macs have always been popular among photographers, and that there are now more Mac users than ever, I felt it was high time for an article focusing on affordable Photoshop alternatives for Mac OS X.

ArcSoft’s PhotoStudio 4
PhotoStudio 4 is a graphic editor with a good selection of features and a focus on photo editing. The interface is...

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Jon Canfield Posted: Dec 01, 2008 0 comments

Now on Version 11, it’s hard to imagine that Photoshop can continue to make large changes. It seems that just about everything but the kitchen sink is already in the application, but once again Adobe has found ways to take a mature application and improve it. In this overview, I’ll give you a first look at the new features you’ll find in CS4.

First up, and a...

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Jon Sienkiewicz Posted: Nov 01, 2008 0 comments

Someday an innovative manufacturer will market a memory card that changes color as it fills with images, then changes back again when it’s downloaded. Such a feature would make it easier to determine which cards are ready for formatting. That wouldn’t stop us from accidentally deleting a keeper now and again, but it might help us steer clear of total calamity. However, until...

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Jack Neubart Posted: Nov 01, 2008 1 comments

The original Nikon Capture NX could be compared to a four-cylinder vehicle: it would take you where you wanted to go when it came to raw conversion of Nikon NEF files, but it wasn’t the best ride for image editing. Compared to that, the newly released Capture NX 2 can be described as a six-cylinder roadster—sleek, yet powerful enough for a long drive. The additions and changes add...

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Anthony L. Celeste Posted: Nov 01, 2008 0 comments

In just about any discussion of photo editors for Windows, Corel’s PHOTO-PAINT is widely considered to be the high-end competition to Adobe’s Photoshop. Earlier this year, Corel released Version X4 (Version 14) of PHOTO-PAINT. This version ships with numerous new features. The most obvious change to PHOTO-PAINT is the addition of the Welcome Screen that displays when opening the...

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Steve Anchell Posted: Sep 01, 2008 0 comments

By the time you are reading this it will be almost a year and a half since Adobe Systems introduced Photoshop Lightroom (LR) 1.0. The introduction of the original version of LR took place after an extensive period of online beta testing by photographers from all over the world. The full release was followed by a series of updates which steadily improved the functionality of the...

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Jack Neubart Posted: Sep 01, 2008 2 comments

Sending out a CD/DVD to a duplicating service can cost hundreds of dollars--and requires a minimum order, usually in the neighborhood of several hundred copies, which is not a practical solution for most of us. Yes, there are inkjets capable of printing on pre-labeled discs, but one thing they can't do is duplicate CDs and DVDs--and the process is limited to one...

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David B. Brooks Posted: Sep 01, 2008 0 comments

When it comes to choosing a display for your computer to do photographic image editing and color correction there is an old saying, "You can't control what you can't see." This should be your primary guide as to what to buy. ViewSonic has been a brand name associated with monitors and displays from the earliest days of personal computers and the company...

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John Brandon Posted: Sep 01, 2008 0 comments

In a perfect world, photos would magically transport themselves from your camera to a safe location, fully metatagged and color corrected. Alas, the professional's workflow is not that simple. In a digital age, a streamlined workflow hinges on two factors: photo viewing speed and editing agility.

Apple's Aperture 2.1 addresses both...

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Jon Canfield Posted: Sep 01, 2008 0 comments

In midwinter I had a sneak peek of a new color management product. I was lucky enough to get a beta unit then and have been using it for the past couple of months. But, I don't review beta products, so I've been holding out for the release version of the product, dubbed ColorMunki Photo (#1). The ColorMunki combines high-end technology with easy-to-use features and a...

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Philip Andrews Posted: Aug 01, 2008 0 comments

Remember the Polaroid? You push the button and the print is ejected and developed right before your eyes. But rather than settle for these "straight" prints, for many years professional image-makers used the unique features of this technology to create wonderfully textured images as well. The process involved transferring the image from the original to damp watercolor...

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