Software & Computers

Sort By: Post Date | Title | Publish Date
Filed under
Dan Havlik Posted: Sep 16, 2014 2 comments

Phase One released Version 8 of its Capture One Pro at photokina this morning and the updated imaging software features a host of new tools designed to better process and edit Raw photo files. Phase One also said there’s a new subscription plan available for Capture One Pro 8 though, unlike the latest version of Adobe’s Photoshop, you can still buy the software outright.

Filed under
Howard Millard Posted: Aug 19, 2014 0 comments

Whether you need to add special effects and edges, perfect a portrait, enlarge a small file for a big print, erase an unsightly sign, pump up detail, add lens blur, or simply make basic color and tonal corrections quickly, Perfect Photo Suite 8 (PPS8) from onOne Software has an incredible number of tricks up its sleeve. What’s more, it works as a stand-alone with layers and masks if you seek these more advanced options. With eight modules and hundreds of one-click presets, the tools in PPS8 for automated and manual enhancements help you to correct, stylize, and retouch images in a layered workflow.

Filed under
Jack Neubart Posted: Aug 08, 2014 0 comments

The goal in HDR (High Dynamic Range) imaging is to recapture the full tonal range that you saw in the scene, despite dynamic range limitations of the camera sensor. Previously, HDR technique generally involved use of a tripod: now, while it is still advisable, it may become an option. It also required a static scene totally devoid of movement. Any movement resulted in misalignment and ghosting, or secondary images, caused by a shift in camera position or of moving objects from frame to frame.

Filed under
Dan Havlik Posted: Aug 01, 2014 0 comments

There are lots of apps out there for converting your images into classic looking black-and-white shots but few with the pedigree of Macphun’s new Tonality program. Created, in part, by several former members of Nik Software, who were behind the popular Silver Efex Pro black-and-white app, Tonality aims to to take monochrome conversion one step further.

Dan Havlik Posted: Jul 31, 2014 0 comments

Adobe announced this morning that final release versions of Lightroom 5.6 and Adobe Camera Raw (ACR) 8.6 are now available.

Adobe customers can can get the apps through the update mechanism in Photoshop CC and Photoshop CS6, or through the download links at the bottom of this page. Adobe says these updates correct "issues reported in earlier versions of Lightroom 5 and Camera Raw 8," without being specific about what those issues were.

C.A. Boylan Posted: Jul 18, 2014 0 comments
Tamron recently added the SP 150-600mm f/5-6.3 Di VC USD (A011 for Nikon mount) and the 16-300mm f/3.5-6.3 Di II VC PZD macro (B016 for Canon and Nikon mount) to the lens profile for aberration correction offered for Adobe’s Photoshop CC, Camera Raw and Lightroom 5. The lens profile will be bundled with the Camera Raw 8.5 update and Lightroom 5.5. Customers who use these lenses will be able to utilize the software for easy correction of lens distortion, chromatic aberration and peripheral light fall-off based on design data.
Anthony L. Celeste Posted: Jun 03, 2014 Published: May 01, 2014 0 comments
I first looked at Auto FX Software’s DreamSuite Series One in the January, 2006, issue of Shutterbug. Since then, Auto FX has gone on to create DreamSuite Series Two and DreamSuite Gel. Now, Auto FX has released upgraded versions of all of these filter sets, plus an additional 12 new filters in a collection it calls DreamSuite Ultimate.
Jack Neubart Posted: May 30, 2014 Published: May 01, 2014 0 comments
DxO Optics Pro is a Raw converter that keeps pace with the ever-growing, ever-changing world of digital photography. The newest version—DxO Optics Pro 9 (for Mac or Windows)—focuses on one of digital imaging’s most troubling artifacts: digital noise. Whether you’re shooting at high ISOs or bringing out blocked shadow detail in a seriously underexposed image or an HDR photo, digital noise (luminance and chrominance) can rear its ugly head. And now we can finally deliver a knockout punch to this culprit. But before you get in the ring, there are a few things you should know.
Tom Harms Posted: May 27, 2014 Published: Apr 01, 2014 0 comments
As image resolution keeps getting bigger and better, photographers are challenged storing their images. One cost-effective solution that’s gaining in popularity and offers good protection is a Network-Attached Storage (NAS) server. However, they are a relatively unfamiliar option for most photographers who aren’t IT-oriented, so we thought it would be a good idea to get guidance on them from an expert.—Editor
George Schaub Posted: Feb 27, 2014 Published: Jan 01, 2014 0 comments
There are many ways to share images these days, from social networks to clouds to full-fledged e-commerce platforms. For some, simple online albuming will do, but for others it can become an involving project that puts your images on the Internet in a very engaging way. It’s not only in the personalization of the look and feel of the wrapper around your image content that can separate your site from the crowd. It’s also the ability to work cross-platform, include an e-commerce component, and allow for a “translator” that can make your site accessible to folks and even clients around the world that can add to its attractiveness and functionality.
Jon Sienkiewicz Posted: Feb 07, 2014 Published: Jan 01, 2014 0 comments
It all began back in 1990 with a shareware program called Paint Shop. Debuting the same year as Adobe PhotoShop 1.0, comparison to that legendary product has been inescapable. Paint Shop, known as PaintShop Pro X6 Ultimate in its current incarnation, has always been associated with three characteristics: extreme affordability, sufficient power for most photo enthusiasts, and Windows-only compatibility. PaintShop Pro has continued to evolve and improve, and today offers many significant enhancements, including the ability to run smoothly on Macs using a Windows emulation program.
Filed under
George Schaub Posted: Feb 24, 2014 Published: Jan 01, 2014 0 comments
I have always had mixed feelings about so-called “film simulation” software, programs that offer one-click presets that add effects and options for manipulating digital images. On one side, I am unsure why the designers use visual references to types of film for their preset IDs. It strikes me that an increasingly small proportion of folks relate to them. On the other side, I admire their offering programs that open up a raft of image expressions in easy to attain fashion. I will not revisit that discussion here, although the near concomitant release of two such programs, Alien Skin’s Exposure 5 and DxO’s FilmPack 4, makes it tempting to do so.
David B. Brooks Posted: Jan 21, 2014 Published: Dec 01, 2013 2 comments
“Over the last few years seeking monitor/display units that serve to perform with adjustment and color management to resolve the problems of too bright LCD displays causing too dark prints, my reaction has usually been mixed. I have to report that this was less so with this display than with even more sophisticated and expensive displays.”
David B. Brooks Posted: Dec 27, 2013 Published: Nov 01, 2013 0 comments
LG Electronics is the first to offer a new pro-graphics LCD display with LED backlighting. It also has the wide Adobe RGB color width, and will adjust to the lower 80.0 CD/m2 white luminance to provide color-managed printing brightness. The new display is optimized for Microsoft Windows with WQHD 2560x1440 resolution and multitasking windows, “dependent on content, device, interface and/or graphics card,” according to LG. The 27” diagonal size has a base physical resolution of 1920x1080 pixel resolution that may be doubled by the software driver with some PC systems running Windows.
Steve Bedell Posted: Dec 31, 2013 Published: Nov 01, 2013 1 comments
This is the third edition of Portrait Professional I have reviewed so I’ll focus this review on three areas of investigation in Version 11: what can it do, how quickly can it do it, and what’s new. I should note that I am reviewing the Studio 64 version that can handle Raw files and utilize 64-bit versions of Windows 7 or Vista. The Standard version works with JPEG files or 24-bit TIFF files; the Studio version can also work with Raw files but is limited to 48-bit color. The program can be used with Windows XP and up and also Intel Mac OS X 10.5 or later. It acts as both a stand-alone product and as a Photoshop, Photoshop Elements, Lightroom, and Aperture plug-in.

Pages

X
Enter your Shutterbug username.
Enter the password that accompanies your username.
Loading