Our most popular story of 2017 thus far is a video from NBC’s “Rosen Reports” we posted in April, warning about the potentially fatal practice of shooting photographs near railroad tracks. What the report revealed, is that trains approach far more rapidly than most people realize, and it’s often difficult to hear them and get out of the way in time.
Back in 2005, before Sony launched their Alpha line of interchangeable-lens digital cameras, they introduced the very unusual DSC-R1 “bridge” camera, which offered a highly regarded zoom lens, a wide ISO range of 160-3200, and an APS-C 10.3 MP CMOS sensor. The camera even featured a two-inch swiveling and rotating LCD, which was a pretty big deal in 2005.
Back in the “old days,” photographers determined winning images from losers by examining transparencies on a light table, or spreading out prints on a desk. In the digital age, this culling process is equally tedious, but it’s accomplished on a computer. In the video below you’ll see one pro’s unique approach to the task.
In the last of our videos from the PhotoPlus Expo 2017 show, we hooked up with Fujifilm to get a look at their new, ultra-compact 24.3MP X-E3 mirrorless camera and two new lenses.
We’ve all had the unfortunate experience of traveling to an awesome location for landscape photography, only to discover that Mother Nature threw us a curve, with bland, gray skies and boring, dull light. That’s what happened to professional nature photographer Thomas Heaton on a recent trip to Northern Ireland.
One key task when reviewing a new camera is to answer the important question “Who’s it for?” This challenge is a bit more difficult than usual with Nikon’s new Nikon D850 DSLR, because this powerful camera is one that defies classification.
Q. In the July 2017 issue, one of the questions dealt with processing black-and-white images in Lightroom as opposed to shooting black and white in camera. One of your suggestions was using add-on programs in Lightroom such as Nik’s Silver Efex Pro to “open up a whole new world of black-and-white possibilities.” How much more benefit or advantage do you get from using an add-on program versus just learning the advanced features of Lightroom and creating the effects yourself? Is it worth spending the extra money on the add-ons or should you just learn to use Lightroom more efficiently?
When he graduated with a BFA from Kendall College of Art and Design, Scott Hoyle would have been very happy purely pursuing a career in graphic design and illustration. But along the way, something happened. In his senior year, he’d borrowed a camera from a classmate, entered a photo contest—and won a Mamiya Sekor SLR.
Adobe recently updated Lightroom CC, their older non-cloud version of the popular desktop app, now called Lightroom Classic CC. Apart from speed improvements, the latest version offers a number of new capabilities. In the video below, you’ll learn how to save time by using the powerful new masking features,
Autumn is our favorite time of year for nature photography, and scenes of colorful reflections on a lake, stream, or pond offer abundant opportunities for capturing spectacular landscape photos.
There’s a lot going on at Macphun these days: The company’s name is changing to Skylum, indicating they’re no longer a Mac-only software developer, and they just announced their first cross-platform product, in the form of Luminar 2018—a major update to their popular image-editing program for both Mac and Windows computers.
The task of editing portrait photos presents a number of challenges, not the least of which is blurring a busy background in an image of a model with complicated strands of hair. But fear not, because image-editing pro Unmesh Dinda is back with this Photoshop tutorial, demonstrating how to get the job done.
One of the frustrations with Lightroom has been the software’s lack of speed, at least until Adobe’s recent introduction of the new cloud-based Lightroom CC, and an update to the older non-cloud version of Lightroom CC (now called Lightroom Classic CC).
Max Vadukul has come a long way since growing up in Africa. Known for his creative black-and-white portraits and innovative fashion photography, he was born in Nairobi, Kenya, to Indian parents in 1961. “The Sixties were the golden years for the National Geographic,” Vadukul recalls. “They were spending a lot of money to educate the public and the photographers were the best of the lot.”
Sigma’s 100-400mm f/5-6.3 DG OS HSM lens ($799) is part of their Contemporary series that the company says blends “refined optical design” with “compact and lightweight construction.” The lens is available for Canon, Nikon, or Sony DSLRs. Although as a DG lens it is designed for full-frame DSLRs, it can also be used with APS-C sensor cameras, where it produces an equivalent field of view of 150-600mm.