Photographer Profiles

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Jack Neubart  |  Dec 01, 2015  |  0 comments

For a sports photographer, the thrill of the game is superseded only by the thrill of capturing that peak moment of action. For the uninitiated, photographing a sport—especially football—can be intimidating and certainly challenging. Hit-or-miss, in fact. But not to a seasoned pro like Peter Read Miller. This illustrious Sports Illustrated photographer, who now largely shoots for commercial clients, shares with us his experience and knowledge of how to shoot the game of football.

Ron Leach  |  Feb 03, 2017  |  0 comments

Anup Shah considers himself a fine art photographer, and his amazing B&W images of wild beasts in Africa definitely take wildlife photography to a whole new level. Now based in the UK, Shah grew up in Kenya, where he says, “Wildlife was just outside the door in abundance.”

Barry Tanenbaum  |  Dec 30, 2014  |  1 comments

The kinds of commercial images Ann Elliott Cutting is likely to be called on to create for her clients are interpretive, fanciful, or elaborate illustrations of ideas and concepts. Or, in some cases, they’re all of those adjectives combined into one image. In other words, “create” is exactly the right word for what she does.

Ron Leach  |  Jan 13, 2017  |  0 comments

Finland’s dark winter months are when nature photographer Hannu Huhtamo is most active, using the nearly two-month polar night as his background for some exceptional light paintings. He employs nothing more than flashlights, his camera and some simple tools to capture these otherworldly images.

Jack Neubart  |  Nov 02, 2017  |  0 comments

When he graduated with a BFA from Kendall College of Art and Design, Scott Hoyle would have been very happy purely pursuing a career in graphic design and illustration. But along the way, something happened. In his senior year, he’d borrowed a camera from a classmate, entered a photo contest—and won a Mamiya Sekor SLR. 

Jack Neubart  |  Nov 22, 2016  |  0 comments

Tyler Stableford had always been passionate about storytelling, dating back to his college days. It began with the written word but soon metamorphosed into still photography. Before long, Stableford was working as an editor on two outdoor adventure publications, first Climbing Magazine, followed by Rock and Ice Magazine, where he was also able to pursue photography combined with his passion for adventure sports, which had had a hold on him since his teen years.

Barry Tanenbaum  |  Mar 11, 2017  |  0 comments

So while many wedding photographers react to a situation to capture the beauty they might see, Scott Robert, as he’s known in the industry, feels that as a photographer who’s charging $10,000 or more, he’s got to knock it out of the park every single time, no matter what. So he became a director of brides, grooms, and situations.

Steve Meltzer  |  Jan 16, 2018  |  0 comments

Arthur Tress is a master storyteller who first gained recognition with his hauntingly beautiful book of images: The Dream Collector (Richmond, Westover 1972). The book was a challenge to the photographic ethos of its time.

Suzanne Driscoll  |  Oct 14, 2016  |  0 comments

There is no better time to look back at the work of Ansel Adams than this year’s 100th anniversary of the U.S. National Park Service. Adams was deeply committed to preserving the wilderness, and his black-and-white photographs of the West became one of the most important records of what many of the national parks were like before tourism greatly expanded.

Barry Tanenbaum  |  Jun 02, 2015  |  0 comments

We assumed the first thing Jim Graham does in order to create his elegant landscape images is decide how to isolate his subjects from distracting backgrounds to achieve the always-desired single subject, clearly defined.

We were wrong. The first thing he does is ask himself: What do I see? Then he asks: How do I use the camera to communicate the feeling I have about what I see?

 

Cynthia Boylan  |  Jun 15, 2015  |  0 comments

A few months ago I had the great pleasure of interviewing talented photographer Edy Hardj, the creative powerhouse who become a red hot Internet sensation shortly after our story on him.

Chris Maher and Larry Berman  |  Apr 06, 2022  |  First Published: Sep 01, 2007  |  1 comments

An educator since the early 1960s, Jerry Uelsmann began assembling his photographs from multiple negatives decades before digital tools like Photoshop were available. Using as many as seven enlargers to expose a single print, his darkroom skills allowed him to create evocative images that combined the realism of photography and the fluidity of our dreams.

 

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Lou Jacobs Jr.  |  Oct 14, 2014  |  0 comments

When I first saw this series of images of the little girl, I realized the photographer had carefully posed and lit the images in a delightful manner. The child portrayed in numerous styles is actually quite contemporary and lives with her parents in Melbourne, Australia. Her dad, Bill Gekas, is a professional photographer, self-taught and very adept at portraiture, though his main occupation is managing a family manufacturing business.

Lorin R. Robinson  |  Feb 06, 2013  |  First Published: Jan 01, 2013  |  0 comments

The Ojibways, inhabitants of the Lake Superior Region for some five centuries, had a name for tribal bands that lived on the south and north shores of the lake they called Keche Gumme. They were called Keche-gumme-wi-ne-wug—Men of the Great Water. If there is one non-Native American who deserves to be an honorary member of those lake dwellers, it’s nature photographer Craig Blacklock.

Jack Neubart  |  Jul 09, 2013  |  First Published: Jun 01, 2013  |  0 comments

“Whether the client is advertising a travel destination or a product, such as clothing or sports apparel, I strive to set up the shoot with talent that’s the best fit for the ad,” lifestyle photographer Dennis Welsh proclaims. “That’s what makes the shot and the client’s message believable. That’s what sells it to potential customers. For instance, if I’m shooting for a ski company or a ski resort, I want to find skiers who can easily do what I want them to do. That conveys a sense of truth and honesty. If you start with skiers who are not convincing, you start with a deficit. In that case, you have to do the best you can with what you’ve got. If I’ve got great talent and a great location, a lot of things are already working in my favor.”

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