Classic Camera Reviews

In the days before digital it wasn’t uncommon for photographers to go out shooting with two or more types of film at the same time. For some, it was to give a choice between color or black and white. For others, it was the need for different film speeds. Short of rewinding a film midway through a roll, removing it and reloading, there were two options: carry more than one camera; or, if your camera took interchangeable lenses, carry a single range of lenses with two or more compatible bodies.

In the days before the 35mm Single Lens Reflex (SLR) rose to prominence, the 35mm viewfinder camera reigned supreme. Unlike the reflex viewing system of the SLR, this camera type used a separate optical viewfinder with a slightly different view to that of the lens. Some featured built-in coupled rangefinders to aid accurate focusing, and many stood at the center of versatile systems of lenses and accessories.

Never before have I bought a camera on the strength of its lens cap, but I could not resist the magnificently moustachio’d Gaul on the lens cap of the Gallus Derby Lux.

The history of the Kardon camera is a story of forgotten American genius. The Kardon camera, manufactured in several variations from 1945-'54 represents an important American contribution to the then-state-of-the-art "miniature" camera. And it represents Peter Kardon's patriotic effort to answer to the US military's need for a high-quality 35mm camera...

All Photos © 2004, Roger W. Hicks, All Rights Reserved

The Leica MP is the greatest Leica for years--maybe decades. If you want a classic all-mechanical Leica, and you can afford a new one, this is the one to buy. That's all there is to it.

So much for the short review: how about a longer one? Well, it is best summed up in three words:...

When Leitz launched the Leica in 1925, they did more than start the 35mm revolution. They also influenced the way some rollfilm manufacturers began to consider smaller formats. One result was small rollfilm cameras that took their own unique sizes of extra-small film. The Ensign Midget was one of the best.

You’ve seen it in films and on television: the spy breaks into the villain’s office, removes a tiny camera from his jacket pocket and begins shooting pictures of secret plans.