One of the reasons you might consider a “third-party” shoe mount for your camera is simple—it’s usually less expensive, sometimes considerably so. Saving a few bucks is good, but perhaps some features are missing, or the construction isn’t as robust, or the resale value will be lower. But sometimes it just may be a smart choice, as I found when testing the Phottix Mitros flash for my Nikon.
The Phottix Odin is a radio frequency-controlled system, or simply radio remote. The basic package includes two units: a transmitter and a receiver. Additional receivers are optional. You only need one transmitter to sit in the camera’s hot shoe and trigger compatible i-TTL strobes, but you need a receiver for each off-camera flash. And recently, Phottix introduced a new combo pack that includes one additional receiver—perfect for my two-speedlight setups. The unit tested here is for Nikon and I worked with my Nikon SB-900 speedlights.
Slik introduced the first pistol grip over 25 years ago, heralding an innovative adaptation of the ball socket head. Still in production, that head has not changed, but today there are numerous variations on this basic design. Several are fashioned along the lines of a video game joystick. Two other types included here are the collar lock ball head and what I call the “vice grip” head.
Designed for professionals, enthusiasts, schools, and clubs, the OpticFilm 120 scanner from Plustek ($1999) can handle negative and positive film, including 35mm filmstrips, individual 35mm slides, and medium format film up to 6x12cm format. The scanner contains an eight-element glass lens and can deliver up to 10,600dpi optical resolution, with a claimed 4.01 dynamic range using the supplied SilverFast software’s Multi-Exposure function. The tabletop scanner is about the size of a six-slice restaurant toaster (about 8x14.5x7.5”) and is supplied with a complete set of very well-constructed film holders, an IT8 calibration target, and a full version (not a trial) of SilverFast Ai Studio 8 software.
This is the third edition of Portrait Professional I have reviewed so I’ll focus this review on three areas of investigation in Version 11: what can it do, how quickly can it do it, and what’s new. I should note that I am reviewing the Studio 64 version that can handle Raw files and utilize 64-bit versions of Windows 7 or Vista. The Standard version works with JPEG files or 24-bit TIFF files; the Studio version can also work with Raw files but is limited to 48-bit color. The program can be used with Windows XP and up and also Intel Mac OS X 10.5 or later. It acts as both a stand-alone product and as a Photoshop, Photoshop Elements, Lightroom, and Aperture plug-in.
In this and a continuing series of articles in the coming months we’ll bring you the news and innovations from the recent Consumer Electronics Show (CES) held earlier this year in Las Vegas. While the show floor was dominated by “smart” this and that, from phones to TVs and tablets, we’ll concentrate on those items of most interest to photographers. This report is on the new and recently introduced D-SLRs and interchangeable lens mirrorless cameras.
“Look Ma, no cords!” That’s right; the Priolite does not have a power cord. It is run strictly off battery power. Each unit has its own interchangeable and removable battery, plus a built-in receiver to work with a Priolite transmitter. And, unlike most monolights, it has a usable modeling light even on battery power.
Recently I had an opportunity to test Profoto’s D1 monolight and their HR Softbox 1.5x3. To check out the combo the company sent along a Profoto D1 Air Kit that includes two D1 monolights, stands, umbrellas, and a case. I did not have the Air Remote to control the units from camera position.
This is a test report on the new Panasonic FZ48 integral lens camera. The camera looks like a compact SLR. It has a big grip on the right hand side of the body, which allows for comfortable handling for shooting, important for a long-range zoom such as this.
On-board image processors have become more powerful and diverse in their functions, and cameras like the Ricoh GR Digital IV ($649) offer more than just point and shoot still and video recording. Indeed, the Ricoh seems designed to appeal to those who would rather have their special effects in hand than take the time to apply them later. But the camera offers more than just tricks, though there are plenty of those, and its portability, ease of use and flexibility might appeal to those who want to go beyond cell phone snapshots and effects. Its fast, fixed focus lens, aperture- and shutter-priority exposure modes and a host of Scene modes that go beyond the norm make it a fascinating study in the state of photography today.
In this test, Joe Farace tackles a higher-end LED light source that he adapted to still photography work. In it you will find technical sidebars outlining how we will test LEDs for the still photographer in the future. We offer this somewhat tech-heavy review as both a close look at this unit and a primer on LED output and LED lighting, which, as Joe states, will become increasing important, and prevalent, in studio and location work for the still shooter.—Editor
Hoya PROND Neutral Density Filters
Created with still photography and HD-SLR video in mind, the new line of Hoya PROND filters (2 to 6, 6 2/3, 7 2/3, 9, and 10 stops) use ACCU-ND technology to provide a true neutral color balance that does not add any noticeable color cast to your images while effectively reducing the amount of light entering the lens. The filters feature a low-profile one-piece aluminum frame and clear optical glass with a metallic ACCU-ND coating on the front and back. The filter rests securely over the lens, parallel to the sensor, and can also be used with super-wide-angle lenses.
The Samsung NX200 is a Compact System Camera (CSC) with an interchangeable lens system. It is based on an APS-C-sized sensor and Samsung’s NX-mount system, which currently comprises nine Samsung lenses. The range of lenses will be expanded this year, with the latest being the Samsung 85mm f/1.4 ED SSA, which is a fast portrait lens that supports Samsung’s i-Function technology. The lens ring—which is normally used for manual focusing—can be used for i-Function settings, a very handy feature that can be programmed by the photographer to change various settings right from the lens.
Edited by Georg...
Mar 22, 2013
Published: Feb 01, 2013
The Samsung NX20 is a mirrorless system camera with very high sensor resolution. Just like the Samsung NX200 it uses an APS-C-sized sensor and offers a resolution of 20MP. In contrast to the NX200 it uses an SLR-like body design and an electronic viewfinder with very high resolution. The EVF has 1.44 million RGB dots and offers a very brilliant and sharp image, which makes manual focusing very comfortable. In addition, the NX20 has a large AMOLED swivel screen on the back with a resolution of 614,000 RGB dots.
Edited by Georg...
Jan 31, 2014
Published: Dec 01, 2013
The NX300 follows the company’s NX210 and updates many features. Its new WLAN system, for example, now supports 2.4GHz and 5GHz systems for better data transfer. (Note: 5GHz systems eliminate interference better than the older 2.4GHz standard.) The free Wi-Fi connection can be used with remote control software on Android or Apple iOS smartphones, for auto backup on the PC, and for various mobile link functions, like sharing images by e-mail or in social networks.