Equipment Reviews

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Edited by George Schaub Posted: Jul 22, 2014 Published: Jun 01, 2014 0 comments

The Nikon Df is a retro-style SLR camera with a 16MP full-frame sensor. While other Nikon SLRs, such as the D4, are clearly aimed at the professional and enthusiast markets, with all the attendant features of modern D-SLRs, the Df is clearly a “classic” camera approach, intended for “purists.” That may be the reason why the Df offers no video capabilities, for example.

Jack Neubart Posted: May 03, 2013 Published: Apr 01, 2013 1 comments
There are several ways to trigger a camera wirelessly but up until recently none of them conveniently gave Nikon D600 shooters a large-screen remote live view. Enter the Nikon WU-1b Wireless Mobile Adapter that operates with “smart” devices—namely iOS and Android tablets and phones, in conjunction with the Nikon Wireless Mobile Adapter Utility app. The device is a tiny Wi-Fi 11b/g/n dongle about the size of the tip of your thumb and connects to the camera’s USB port. It even comes with a short lanyard and protective case, so you can keep it attached to the camera strap. I tested it with a third-generation Apple iPad with Retina display. Read on, as you’ll find important tips here that are not found in the instructions. (Note: WU-1b also works with the Nikon 1 V2; model WU-1a is currently available for the Nikon D3200.)
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Jack Neubart Posted: Dec 13, 2011 Published: Nov 01, 2011 0 comments
I was quite impressed with Nissin’s initial lineup of shoe-mount strobes. The Di866 Professional (now the Di866 Mark II) is quite innovative and versatile in its own right, sporting a full-color menu interface, while providing TTL wireless operation. There’s also the Di466 (for Nikon, Canon, and Four Thirds cameras). And the Di622 has been updated to the largely revamped Di622 Mark II, now the subject of this review.
Jack Neubart Posted: Feb 07, 2013 Published: Jan 01, 2013 1 comments
The Nissin Di622 Mark II offered some notable improvements over the original Di622, but that flash didn’t offer the firepower of the Nissin flagship Di866 Professional. So I was curious and eager to see what the new Di866 Mark II Professional had in store.
Jack Neubart Posted: Aug 30, 2013 Published: Jul 01, 2013 0 comments
The Nissin MF18 fully supports Nikon’s i-TTL autoexposure as well as Canon’s E-TTL system. I tested with the Nikon 60mm Micro, but also had success with a zoom, namely the Tamron 70-300mm with a Marumi DHG Achromat Macro (plus-diopter) lens attached, both on my Nikon D300. Much of my close-up work with the MF18 involved Manual shooting mode set on the camera for tighter exposure control, and manual focus.
Roger W. Hicks Posted: May 30, 2013 Published: May 01, 2013 0 comments
The world of photography is a very wide one, and in this report Roger Hicks takes us to the fringes of photographic accessories. While you might well wonder how you might use some of these items, well, you never know!—Editor

It’s a bird! It’s a plane! No, um… it’s um… a camera-carrying helicopter drone. Honest! Though our other favorite in this meandering survey is probably a lot more use to a lot more people. It’s a changing room! It’s a hide for photographing wildlife! It’s a monopod! It’s a light modifier! It keeps the rain off! Or the sun! It’s… um, it’s an unusually versatile umbrella.

Edited by George Schaub Posted: Jul 29, 2014 Published: Jun 01, 2014 0 comments

Even though the new Pentax K-3 offers a very robust and massive body, it is quite compact; it’s only slightly larger than the ultra-compact Canon EOS Rebel SL1, although it’s almost double the weight. Using 92 O-rings and seals, the camera is splashproof and the covers that protect the card slots, interfaces, and battery look very robust and inspire confidence. The sealing doesn’t allow for use of the Pentax as an underwater camera, but it is certainly well protected for use even in a very hard rain.

Joe Farace Posted: Jan 14, 2014 Published: Dec 01, 2013 0 comments

The Pentax MX was a 35mm Single Lens Reflex (SLR) camera produced from 1976 to 1985 and, for a time, was the company’s flagship SLR. It was solidly built featuring all-mechanical construction, including the shutter, and only the metering system was battery dependent. The new all-digital, all-electronic Pentax MX-1 couldn’t be more different. For openers, the MX-1 is not an SLR but an advanced digital compact camera with the kind of retro styling that’s all the rage these days with camera designers and, apparently, camera buyers, too. So, how does the MX-1 stack up?

George Schaub Posted: Jan 07, 2014 Published: Nov 01, 2013 0 comments
One such path is onOne Software’s Perfect B&W, nestled within their Perfect Photo Suite or available as a stand-alone or plug-in for Photoshop, Lightroom, and Aperture. The advantage of using it within the Suite is that you also get access to the other excellent modules within that program. The advantage of the stand-alone is that you get an amazing array of controls for a rather incredible price. The Suite, by the way, offers onOne’s Layers, Mask, Effects, Focus, and Resize programs, all highly regarded, making the options virtually endless. For this review I accessed Perfect B&W from within the Suite.
Steve Bedell Posted: Aug 01, 2014 0 comments

We all know that dedicated flash units are amazing tools. They allow us to use not just one but several flashes with amazing control over the output and have the math figured out for us in the bargain. But unless we modify the light in some way we are left with a very small light source that can be very harsh, and while that may be fine in some cases, there are times when we need to modify the light to soften and shape it. With the Profoto RFi Speedlight Speedring, you now have the ability to do just that using the many modifiers available to you in the Profoto arsenal.

Joe Farace Posted: Dec 03, 2013 Published: Oct 01, 2013 0 comments
When I first saw the battery-powered Photoflex TritonFlash at a pro show I was impressed as much by its power output and flexibility as its tiny size. Available in a kit that includes one of the company’s light banks along with everything—except a light stand—the setup can get you started making portraits in the studio or on location with nary an electrical outlet in sight.
Roger W. Hicks Posted: May 28, 2013 Published: Apr 01, 2013 1 comments
As part of our continuing coverage of photokina, the worldwide gathering of the imaging industry, we present Roger Hicks’s fascinating report on unique studio accessories. As is his wont, Roger has turned up the arcane and unusual found in the main and hinterland booths of the massive show.—Editor
Roger W. Hicks Posted: May 21, 2013 Published: Apr 01, 2013 1 comments
Here’s another in our series of reports from photokina 2012. As you will have noticed we do not attempt to create a laundry list of new products and companies from the show, but prefer to report on what struck our eye and thought might be of special interest to Shutterbug readers. In this report Roger Hicks tells us about numerous instances of life in the film arena he found at the show, with special cameras, film, paper, and even processors part of the mix.—Editor
Roger W. Hicks Posted: Apr 05, 2013 Published: Mar 01, 2013 0 comments
Roger Hicks’s “Pro Lighting Report” is part of our continuing series of reports from the photokina show. With a giant hall filled with lighting products, Roger reports here on what caught his eye and what he saw as the key trends at the show. We will continue with new lighting product reports in coming issues, with a special report coming out of the WPPI show held in March, and will catch up on more new products not mentioned here then. We consider lighting a key issue for all photographers and will have more tests ahead throughout the year.—Editor
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Steve Bedell Posted: Mar 28, 2014 Published: May 01, 2014 0 comments
One of the reasons you might consider a “third-party” shoe mount for your camera is simple—it’s usually less expensive, sometimes considerably so. Saving a few bucks is good, but perhaps some features are missing, or the construction isn’t as robust, or the resale value will be lower. But sometimes it just may be a smart choice, as I found when testing the Phottix Mitros flash for my Nikon.

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