There are several ways to trigger a camera wirelessly but up until recently none of them conveniently gave Nikon D600 shooters a large-screen remote live view. Enter the Nikon WU-1b Wireless Mobile Adapter that operates with “smart” devices—namely iOS and Android tablets and phones, in conjunction with the Nikon Wireless Mobile Adapter Utility app. The device is a tiny Wi-Fi 11b/g/n dongle about the size of the tip of your thumb and connects to the camera’s USB port. It even comes with a short lanyard and protective case, so you can keep it attached to the camera strap. I tested it with a third-generation Apple iPad with Retina display. Read on, as you’ll find important tips here that are not found in the instructions. (Note: WU-1b also works with the Nikon 1 V2; model WU-1a is currently available for the Nikon D3200.)
I was quite impressed with Nissin’s initial lineup of shoe-mount strobes. The Di866 Professional (now the Di866 Mark II) is quite innovative and versatile in its own right, sporting a full-color menu interface, while providing TTL wireless operation. There’s also the Di466 (for Nikon, Canon, and Four Thirds cameras). And the Di622 has been updated to the largely revamped Di622 Mark II, now the subject of this review.
The Nissin Di622 Mark II offered some notable improvements over the original Di622, but that flash didn’t offer the firepower of the Nissin flagship Di866 Professional. So I was curious and eager to see what the new Di866 Mark II Professional had in store.
The Olympus E-P3 is the follower of the E-P2 and E-P1, the first Olympus Micro Four Thirds cameras that were offered as “retro style cameras”. The E-P3 offers the same image sensor as the E-P2, with a nominal resolution of 12MP, but the E-P3 uses a newly developed image processor unit called “TruePic VI” plus offers some enhancements in the AF-speed. The automatic focusing system is really fast and showed a very good performance during our tests. In addition it has some special modes like “AF tracking mode”, which will help both photographers and videographers.
With the recent announcement of the third PEN in this series from Olympus, which is now in Shutterbug test, the not yet discontinued E-PL2 has dropped in price to $599 (from Olympus, with 14-42mm kit lens), about $200 less than when it was first introduced and to me a good deal for what you get while you can get it. The 12MP (effective pixels) Live CMOS sensor Olympus E-PL2 adds to the charms of the first in the “PEN” digital series, the P1. (See Joe Farace’s excellent review of that camera at http://www.shutterbug.com/content/olympus-e-p1in our Jan, 2010 issue) The PL2 adds a larger and higher resolution viewing screen, expanded accessories using the special plug-in adapter, an enhanced control setup and expanded Scene and Art filter modes.
The compact Olympus E-PL3 has a retro body design and is available in different colors. The camera has a large swivel LCD on the back which allows the user to flip the monitor up and down. This is handy but is not as flexible as a swivel monitor that allows side-to-side movement. The LCD screen is a standard TFT screen instead of the OLED system used by the Olympus E-P3.
Edited by Georg...
Jan 17, 2013
Published: Dec 01, 2012
The Olympus OM-D is a retro-style camera that harkens back to the OM System of the 1970s and 1980s. In the current Olympus lineup, this Micro Four Thirds system camera sits somewhere between the PEN cameras and the E-System cameras. Like the PEN, it offers a very compact design and many helpful features for beginners, yet the design is oriented toward a classic SLR.
Edited by Georg...
Jul 20, 2012
Published: Jun 01, 2012
The Panasonic FZ150 is a super-zoom bridge camera with a 12MP sensor and an integral 24x zoom lens.
The design of the body is similar to classic SLR systems, but the camera has no interchangeable lens system. It offers a zoom lens that ranges from a wide-angle setting (25mm) to an extreme tele setting (600mm, 35mm film equivalent). The FZ150 utilizes Panasonic’s newest version of the O.I.S. (Optical Image Stabilizer), dubbed “Power O.I.S.” It works very well and allows users to shoot images with long shutter speed settings as slow as 1/20 sec when using the maximum tele setting of 600mm.
Edited by Georg...
Mar 12, 2013
Published: Feb 01, 2013
The Panasonic G5 is a very compact mirrorless system camera that looks like a small SLR, yet has an electronic viewfinder. The EVF has a very high resolution of 1.4 million RGB dots and shows a very crisp and clear image.
The camera is designed for use with the new X lenses made by Panasonic. These lenses have an integrated motorized zoom and servo-controlled focusing system. To accommodate use of the lenses the G5 offers a zoom switch to change focal length rather than a lens ring, just like when using a compact camera.
Edited by Georg...
Sep 13, 2012
Published: Aug 01, 2012
The Panasonic GX1 is a very compact system, smaller than their G3 model, but slightly larger than the Panasonic GF3. It could be thought of as Panasonic’s competitor model to Olympus’s PEN cameras and to Fujifilm’s X100. The camera is based on the Micro Four Thirds system and has an MFT sensor with the highest resolution available today (16MP). We tested the kit version, which is bundled with the X Vario 14-42mm lens, a new pancake version of the standard zoom lens. It is a motorized zoom system that provides smooth zooming when recording videos. The camera is able to record Full HD video in AVCHD mode and uses a stereo microphone on the top to record sound.
The Panasonic GF5 is an extremely compact camera with interchangeable lenses and a large image sensor (Micro Four Thirds format). The sensor offers 12 MP resolution and is able to record Full HD videos. It also allows taking images with high ISO speed settings of 6400 (additional hi-mode up to ISO 12,800).
Edited by Georg...
Aug 10, 2012
Published: Jul 01, 2012
Like a standard compact camera, the Pentax Q system uses a very small sensor system, 1x2.33”. It offers an interchangeable lens system with the new Q mount. Pentax offers three lenses: a standard zoom (5-15mm f/2.8-4.5, equivalent to 27.5-83mm), a fisheye lens (3.2mm f/5.6, equivalent to 17.5mm), and a third, with which we did our tests, a fixed focal length of 8.5mm, equivalent to 47mm. Pentax brands this lens as the “Standard PRIME 8.5mm f/1.9 AL [IF].” Pentax also offers two additional “Toy” lenses with a fixed aperture size: the Toy Lens Wide 6.3mm f/7.1 and the Toy Lens Tele 18mm f/8.
Here’s another in our series of reports from photokina 2012. As you will have noticed we do not attempt to create a laundry list of new products and companies from the show, but prefer to report on what struck our eye and thought might be of special interest to Shutterbug readers. In this report Roger Hicks tells us about numerous instances of life in the film arena he found at the show, with special cameras, film, paper, and even processors part of the mix.—Editor
Roger Hicks’s “Pro Lighting Report” is part of our continuing series of reports from the photokina show. With a giant hall filled with lighting products, Roger reports here on what caught his eye and what he saw as the key trends at the show. We will continue with new lighting product reports in coming issues, with a special report coming out of the WPPI show held in March, and will catch up on more new products not mentioned here then. We consider lighting a key issue for all photographers and will have more tests ahead throughout the year.—Editor
Slik introduced the first pistol grip over 25 years ago, heralding an innovative adaptation of the ball socket head. Still in production, that head has not changed, but today there are numerous variations on this basic design. Several are fashioned along the lines of a video game joystick. Two other types included here are the collar lock ball head and what I call the “vice grip” head.