Perhaps the most versatile of all moderate tele zoom focal lengths, the 70-200mm or thereabouts range is a hallmark and standard-bearer for many optical companies. Being a constant aperture (fast) zoom, this lens opens up numerous focusing, depth of field and perhaps as important low light shooting possibilities that make it a lens most Canon photographers aspire to own. Introduced last year, we got a chance to work with one and were so impressed we thought we’d revisit it with a quick review.
I don’t think there’s much doubt that, all things being equal, larger sensors are capable of delivering superior image quality. The very fact that more sensor sites are available means that there’s better performance in low light, less noise in shadow areas, and that cropping does not mean making compromises in the image’s integrity. Now that the megapixel race has settled down, somewhat, and compact system cameras allow for lens interchangeability without requiring large packs to accommodate gear, a new trend is emerging where the classic D-SLR form is seeing more and more full-frame models aimed at attracting the enthusiast photographer.
The EOS Rebel SL1 is an ultra-small SLR system; in fact it is smaller than many bridge cameras and even lighter than many other digital cameras.
Nevertheless it’s a real SLR system with Canon’s APS-C-sized image sensor, which is a little smaller than other APS-C-sized sensors made by Nikon, Sony and other manufacturers. Due to itsvery small body the grip on the right hand side is also is a bit smaller than usual and the handling of the camera is a bit tricky for photographers withlarge hands. The small body doesn’t allow for a status LCD on the top, so all information on image parameters and menu settings are shown on the LCD screen on the back.
Edited by Georg...
Jan 09, 2013
Published: Dec 01, 2012
The Canon EOS Rebel T4i offers the same sensor resolution of 18MP as its forerunner EOS T3i, but shows a lot of improvements in handling and functionality due to a new image sensor and a new image processor. The camera is Canon’s first D-SLR with a touchscreen. This screen is very large (3”) and has a very high resolution of 1,040,000 RGB dots. It is a swivel monitor that can be flipped up- and downward and tilted to the front (for self-portraits). Even though it is a touchscreen, the whole handling of the camera (menu structure, parameter setup) is still oriented on Canon’s SLR handling scenario. In contrast to many compact cameras with touchscreen-oriented operation, the touchscreen isn’t mandatory, but it’s still helpful.
The Canon EOS-1D X is a professional camera system that could be considered ideal for sports photography and photojournalism. It offers extremely high speed and is fully customizable to fit the needs of every photographer. It has a massive and robust body, with many functional elements available in a type of “dual version control” that allows for comfortable shooting in landscape or portrait orientation. Small joysticks and a lot of setup dials will help users navigate through the very comprehensive menus and to set up all parameters in a fast and intuitive manner.
Our initial report on the Canon EOS-1D X appeared in the Image Tech section of our homepage at www.shutterbug.com and was based on a preproduction model. This is our final report based on a factory-ship model.
Edited by Georg...
Nov 12, 2013
Published: Oct 01, 2013
The Canon M is Canon’s first mirrorless system camera. It uses an APS-C-sized sensor (slightly smaller than APS-C, just like all Canon “APS-C” cameras) with 18MP resolution. The camera doesn’t offer an optical or electronic viewfinder; the photographer has to use the large (3”) LCD screen on the back that offers a remarkably high resolution of 1,040,000 RGB dots. While it offers a very crisp and clear image, an additional viewfinder, for shooting under bright light conditions, would have been welcome. The monitor is “fixed” and does not offer swiveling, or articulation. It is, however, a “touchscreen” type, which is fully integrated into the operational concept of the camera.
Canon’s 13x19”-sized printers, the PIXMA Pro9500 Mark II and PIXMA Pro9000 Mark II, have had a longer life than most, but have been replaced with two new models that are similar to the PIXMA PRO-1, introduced over a year ago. New features on both the pigment-ink PRO-10 and dye-ink PRO-100 include Wi-Fi and AirPrint compatibility, a new plug-in to make printing easier, and a refined inkset.
The new Canon PIXMA PRO-1 is a 13x19” pigment-ink printer that makes fine quality prints in a price range that could be considered quite fair for what you get ($999). Aimed at avid photographers and enthusiast printmakers, as well as pros choosing to do their own mid-size prints, the PIXMA PRO-1 fills a void left by HP’s abandonment of the category and directly challenges Epson. The printer offers ease of use, solid performance, 12 ink cartridges, and all in all seems to improve upon 13” printers of the past. Our tests were aimed at determining if the PIXMA PRO-1 could be a solid contender in its class and if there were upgrades or new workflow techniques that would differentiate it from the competition.
Edited by Georg...
Jul 16, 2013
Published: Jun 01, 2013
The Canon G15 follows the G12. The new model has a massive, robust, and heavy body and has major changes from its predecessor.
The G15 is Canon’s newest high-end compact system with a 12MP sensor (1/1.7”), a large LCD screen, and a lot of manually controlled image parameters. It allows the user to shoot Full HD video.
Edited by Georg...
Nov 07, 2012
Published: Oct 01, 2012
The Canon SX40 HS is a compact bridge camera with an extreme zoom lens. It offers focal length settings between 24mm and 840mm (35mm film camera equivalent), which allows users to shoot nice wide-angle shots to extreme telephoto images. Adjusting the zoom lens between 24mm and 300mm is easy and allows a nearly continuous setup of the desired field of view. However, zooming between 500mm and 840mm requires more work.
Capture One Pro stands as the Raw converter and digital asset manager of choice among many pro photographers, notably those using Phase One backs. But this software also supports many, many other cameras, with profiles for over 250 models plus a wide range of lenses. Version 7 (V7) has some new features of note, so I checked it out to see if an upgrade from 6 is advisable, and if it might tempt users of Adobe Lightroom/ACR. For this test I ran Capture One Pro 7 on a 27” iMac under OS X 10.8 Mountain Lion, with 8GB of RAM.
In an attempt to connect everything electronic, this year’s CES/PMA show in Las Vegas was awash in “smart” TVs, tablets, and various and sundry devices that can link to your device—be it phone, tablet, or camera—and allow you to access “image content” anywhere, anytime. There was also a rash of rough cameras, a 3D lens for still and video, new ways to customize your camera, and a major boost in USB storage and memory card speed. Following are some photo tech highlights.
A trio of new battery grips is on offer. The Pixel Vertax series (Argraph) gives you a firm handle on your camera while providing a power boost. Features include a vertical shutter release, shutter and aperture control wheels (Nikon models or a single wheel for Canon), exposure lock, multifunction control buttons, and more. The grips accept AA batteries (alkaline or rechargeable) or camera batteries for added shooting capacity. The grips offer excellent dust and moisture seals and a rubber handgrip for slip-free control. They are made for use on current and newer model Nikon and Canon cameras. Prices start at $79.
Hoodman Custom Finder Kit
Hoodman’s Custom Finder Kit for up to 3.2” viewfinders includes a H32 HoodLoupe with German glass optics, a +/- 3 diopter adjustment, and a 1/4”-20 mount. Designed to fit all D-SLR cameras, the milled black anodized aluminum base plate is made in the U.S.A. (by Custom Brackets) and allows you to mount the HoodLoupe to your camera for video capture and live view. The base plate also features anti-twist bars, two 1/4”-20 tripod mount holes, a hand strap slot, and a camera sling strap attachment point. Hoodman’s Custom Finder Kit has a retail value of $199.99; the base plate may be purchased separately for $99.99.