Paper & Ink
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Paper & Ink, Test Reports
Frances E. Schultz Sep 01, 2003 0 comments

It's always fun to try out a new photographic printing paper, especially when it turns out to be as versatile as the new Paterson Acugrade Warmtone. It is a medium weight, Variable Contrast (VC), Resin-Coated (RC) paper with a semimatte, pearl...

Paper & Ink
Jack Neubart Mar 01, 2002 0 comments

Everyone involved in digital printing cannot stress strongly enough the importance of using good-quality inks and media, especially when it comes to printing pictures of true photographic quality. In the case of ink jet printers, we begin, where a choice for our printer indeed exists, by choosing the...

Paper & Ink, Show Reports
Roger W. Hicks ... Feb 01, 2011 0 comments

In our recent photokina reports (January, 2011, issue) we covered products and trends at the show. Here’s a brief follow-up on some film and paper processing items and information on friends old and new, present and gone.

In our photokina reports we mentioned Kodak’s new film, of course, and Harman’s Direct Positive paper, and...

Paper & Ink
George Schaub Jan 01, 2007 0 comments

A number of companies showed new inkjet papers, and we may be seeing the beginning of some debate about the best coatings for the best quality images. Photographic papers have been using a baryta base since the 19th century. This coating creates a bright white paper with a smooth surface, and is now used for inkjet papers as well. The folks at Innova disagree, claiming that...

Frances E. Schultz Jan 01, 2007 0 comments

Walking through some of the halls at photokina, you could be forgiven for thinking digital photography has taken over. But look again and you can find plenty of silver halide waiting to be discovered: new films, chemicals and papers, updated enlargers, a new cold light source, and a new archival washer. Old friends, companies like Paterson Photographic, Condor, Tetenal, and...

Paper & Ink, Test Reports
Joe Farace Nov 01, 2000 0 comments

The simplest and easiest way to change or improve the output from your ink jet printer is to change the kind of paper or media you're using. That's it! You don't have to worry about swapping cartridges or getting your hands dirty with messy ink...

Robert E. Mayer Jun 01, 2008 1 comments

As would be anticipated in this ever more dominant digital world, there were very few new offerings from silver-based film and paper firms, and even less for the conventional darkroom. Here are the few items I did locate:

Fuji has the new Fujicolor Crystal Archive Preferred color reversal RA-4 process paper that's said to offer vivid color reproduction, brilliant...

Paper & Ink, Show Reports
Jon Canfield Jun 01, 2008 0 comments

There may not have been many new printer announcements at PMA this year, but that certainly didn't affect the paper vendors from going all out with new products. It's clear that old is new again, as many of the surfaces shown mimic those of traditional darkroom days. If you're a lover of fiber-based papers, this is a great year for you with plenty of new options...

Jon Canfield Jun 01, 2010 0 comments

There are a couple of new printers aimed at the event photographer market, and there are plenty of media options as well for snapshot to fine art printers. And, the photo book industry is taking off—there were more book printing options available than ever before, both for the portrait/wedding photographer with companies like Fujifilm, HP, Kodak, and Lucidiom all having offerings in both...

Paper & Ink
George Schaub Sep 01, 2008 2 comments

Like most everything else these days the cost of "art" inkjet printing paper seems to be going through the roof, so printmakers are seeking alternatives without sacrificing quality. The perceived issue with some so-called "third-party" papers (those that do not carry the printer maker's brand, thus lack a profile installed with the original start up...

Paper & Ink
George Schaub Dec 12, 2012 1 comments
While weight is just one measure of a paper’s resilience and usefulness for fine art printing, it can also have an effect on how that paper is handled, depending on the printer. In the case of Red River’s Polar Matte Magna, which is a 96 lb (320 gsm) stock, it means working with individual sheet feeding rather than with a stack loader in almost every printer you might have. This feed-through also limits the printers that can make use of this nice surface—those without a single feed option need not apply, as well as, according to Red River’s notes, HP printers with front feed paper trays (which have also proven problematic with other heavyweight surfaces).
Paper & Ink
George Schaub Dec 19, 2011 Published: Nov 01, 2011 1 comments
There’s no question that glossy and satin or pearl-type surfaces give an image more “pop,” but on the other hand you might want to use a matte surface to enhance the look and feel of certain images that rely less on pop than a quieter mood. It could be boiled down to a simple rule of thumb: for rich, high-saturation images you might use a glossy or semigloss; for more subtle colors it might be better to use a matte or satin. In the black-and-white realm it’s more of a toss-up but I think the same general rule applies. For example, for architectural images of adobe or stucco wall buildings I use matte; for glass and steel skyscrapers I choose glossy. Notice that I always modify the recommendations with “might”: if you really get into papers for printing you’ll make your own judgments. But there’s no denying that surface decisions play a role in overall effectiveness of the image.

Paper & Ink, Test Reports
Frances E. Schultz Dec 01, 2003 1 comments

Several years ago Luminos Photo had to cease production of their silver paper: the paper stock they had been coating became unavailable. Since then they have been searching for a replacement. Now they have it, and it is very nice.

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Paper & Ink, Test Reports
Joe Farace Dec 01, 2000 0 comments

The final step in the digital darkroom process is outputting your photographs on an ink jet printer and having the "right" paper can have as much impact on the quality of that output as choosing the correct paper and developer combination in a...

Paper & Ink
David B. Brooks Sep 01, 2007 0 comments

In the decade or so since I purchased my first inkjet photo printer, and in all the years I have been writing about digital photography, the one topic I have seen the least written about, and received the fewest questions about, is inkjet paper. I often wonder why photographers are so incurious about the one item that has now very likely replaced film as the one, true hard copy of...