Imagine yourself walking into a room where there are numerous objects covered with small mirrors. The mirrors follow the form and shape of the objects. The walls of the room have a slot that goes continuously around the entire room. Behind the slot is a light that shines into the room and that travels the entire distance, from wall to wall. As the light travels it passes through numerous color filters built into the slot. The light reflects off the mirror facets on the objects. You can also move throughout the room and observe the objects and the light by standing with the light coming in over your shoulder, from the side or even standing behind the objects as the light hits them.
It's clear that having a backup strategy when on the road can often make
the difference in image insurance. While downloading to your laptop to clear
your memory cards is now standard operating procedure, you should also consider
Once solely the purview of those engaged in espionage, tiny wearable cameras have gone mainstream in the digital age and are now attracting attention by extreme sports enthusiasts, law enforcement professionals, soccer moms, medical practitioners and thegen...
Scene modes are pre-programmed "suggestions" for setting up your digital camera for specific subjects. Many digital cameras have Scene modes located in their screen menus, while others have them on the command dial of the camera itself. Scene modes include Sports (also known as Action, for making pictures with as fast a shutter...
I am not sure if it's happened to you, but it's happened to me.
After having spent an afternoon shooting with my digital camera everything suddenly
stopped. While the counter in my camera LED showed that I hadple...
Many photographers use the term white light without knowing its precise definition in photography. After all, there are many types of lighting that we could be talking about, such as the sun, the lamps in our living room, fluorescent fixtures, open shade on an overcast day, late afternoon sunlight, a mercury vapor street lamp, or flash. Which one of these should set the standard by which we judge all other light?
As film cameras go down in sales and digital camera sales soar, many photographers
wonder just what their film, and indeed older digital cameras are worth. We
get emails almost every day with such queries, and while we do not or cannot
set the market price for any goods...
The Future of Photography Museum Amsterdam (FOAM) recently celebrated its 10th anniversary with an exhibit and series of activities reflecting upon the future of our craft. The organization’s mission is to enable people throughout the world to experience and enjoy photography—whether it's at their museum in Amsterdam, on their website (www.foam.org), or via their internationally distributed magazine.
For those who have been working with the latest digital cameras--both
integral and interchangeable lens types--you've probably seen an
option called Raw among your file formats. Unlike JPEG and TIFF, Raw is not
an acronym and therefore we don't capitalize it, and is just what it states--the
"raw" image date received by the sensor and digitized within the
microprocessor of the camera. It is not "raw" in the sense that
it is unfettered or unrecognizable, but it does take image processing software
other than what's in the plain version of some image processing programs
to see it. That Raw software converts the Raw image file format to an image
on the screen and allows you to save it to a format other than Raw--such
as TIFF or JPEG.
The promise of digital imaging is that you can get one-touch corrections on
your photographs, making it easy to create the best images you can from every
picture you take. The phrase: "I won't worry about white balance,
exposure or contrast, etc....I'll fix it in Photoshop" is commonly
heard, but it isn't always the best course. If you shoot in Raw mode you
can fix anything, even exposure compensation, later, but not everyone wants
to go through the steps of working with Raw converters and all those sliders
and options. That's where the supposed magic of "auto" fixes
come into play, and yes, there are times when it can do wonders. Today, cameras
even have auto red-eye fix and amazing adjustments for backlighting problems.
Too often, we photographers are forced to take pictures with what seems like one hand tied behind our backs. By this I mean we can’t use a tripod in low light situations. Sometimes this prohibition is reasonable, such as in museums.No...
Having edited articles about or done tests myself on the latest round of digital
single-lens reflex cameras I continue to be impressed with the strides made
in technology, image quality and innovation these camera represent. They offer
two modes of operation--an almost...
One of my favorite color combinations is white on white and I want to introduce this approach to using color because the results can be so beautiful.
There is something ethereal and captivating about images that are devoid of the colors that we associate with the spectrum. Images that are primarily white seem pristine, intriguing, and they will complement virtually any type of home or office décor if you are looking to frame some of your photography.
I have already defined what wide angle lenses are and discussed the tremendous depth of field they offer. There are other characteristics they have that are worth noting as well. Wide angle lenses are invaluable tools that give you tremendous creative potential...
A word that is often associated with wide angle lenses is “distortion.” It is true that wide angles distort what we see, but that’s not necessarily bad. In fact, it can work to our advantage. Photographers who like to capture what they see—or as close to it as possible—shy away from wide angle lens particularly those that are extreme—say wider than 20mm. This is especially true for portraiture, where exaggerated and distorted faces and bodies may not go over very well with the subject. However, as an artist you should have all the tools and techniques at your disposal to create dynamic images, and I would like to suggest that if you have not explored the creative potential for shooting people with wide angle lenses, it’s time you try it.