Lighting Equipment

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Jay Abend Posted: Apr 01, 2004 0 comments

"Digital" is a word that has been thrown about a lot recently. MP3 players have given rise to "digital headphones," drugstore minilabs offer "digital prints," and now we're beginning to see the popularization of "digital lighting."
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Steve Bedell Posted: Oct 01, 2009 0 comments

Like many photographers, I am always looking for lighting devices that will improve the way my subject looks and also be very easy to use.

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Jack Neubart Posted: Oct 01, 2005 0 comments

I 'm always looking for new solutions to light small things. Change that. I'm always looking for easier and faster solutions to light small things. Let's face it: lighting tabletops is never easy, although you'd think it should be. And sometimes, formulaic lighting is exactly what's needed. Then along comes the Gem eBox, from MK Digital Direct.

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Jack Neubart Posted: Oct 01, 2009 0 comments

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Guide Number (Standard Illumination Pattern, ISO 100) At 35/200mm Zoom...

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Jack Neubart Posted: Oct 01, 2009 0 comments

Nikon’s Speedlight SB-900 takes over the reins from the SB-800 as the company’s flagship dedicated shoe-mount strobe.

Jack Neubart Posted: Oct 01, 2008 0 comments

I've had many opportunities to work with battery-operated studio strobe systems. My problem with them was that they were heavy and bulky, not powerful enough, or simply too costly. Then I came upon the Opus Pro OPL-L300 location kit. I immediately noted that the 300 ws monolights were compact. Then I hefted the battery pack. Hmm, not bad, I thought. I could actually carry...

Jay Abend Posted: Dec 01, 2002 Published: Sep 01, 2002 0 comments

When Quantum, the well-known innovators and manufacturers of workhorse Turbo battery packs and robust Quantum Qflash portable strobe equipment, announced that they were introducing a wireless...

Robert Harrington Posted: Oct 22, 2013 Published: Sep 01, 2013 0 comments
Whether you are new to Off-Camera Flash (OCF) or not, you might want to check out one of the most versatile systems on the market for OCF, Rogue FlashBenders, manufactured by ExpoImaging. The Rogue system is based on a pliable flat panel reflector that you bend as needed to modify your light when used in conjunction with speedlights. It is versatile, stores flat in your camera bag, and has a diffusion panel that installs over the modifier to turn it into a portable softbox.
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Stan Sholik Posted: Jan 01, 2008 0 comments

Whether it's ambient light or light we provide, light is always available for photography. Controlling that light to give the exposure level, quality, and mood we desire is the goal of every photographer. And tools that allow us to achieve that goal in the simplest, easiest, most cost-effective manner are the ones that last in the marketplace. That explains why the Scrim Jim...

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Steve Bedell Posted: Apr 19, 2013 Published: Mar 01, 2013 1 comments
Like most photographers, I’m always trying to see just how versatile I can make my dedicated speedlights. In my case that would be Nikon SB-800 Speedlights. And when I really want to create a unique look I’ll sometimes use off-camera flash so I can vary the exposure on my subject in relation to the overall scene. That usually involves me adding light to my subject to either match or overpower the ambient light. When I do that I like to have a little more control over the quantity and quality of the light than what I’d have if I just aimed my flash at my subject with no modification.
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Ron Eggers Posted: Oct 01, 2006 0 comments

The F.J. Westcott Co. recently expanded its Spiderlite line of lighting equipment with the introduction of a power pack as well as two self-contained strobe heads. Westcott has a wide selection of Spiderlite equipment, including various-sized softboxes, several different head types, stands, and both halogen and fluorescent bulb options.

The equipment is relatively...

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Jay Abend Posted: May 01, 2002 0 comments

In my quixotic search to find the perfect location strobe system I've used and owned practically everything--including dry-cell powered Matadors in the 1970s to Norman 200bs in the '80s to Lumedynes and Hensels in the '90s, I've tried everything.

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Steve Anchell Posted: Oct 01, 2009 0 comments

When I was operating a commercial studio in Hollywood, California, my prized possession was a Swiss-made Broncolor 2400 ws power pack and three lamp heads.

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Joe Farace Posted: Dec 21, 2011 Published: Nov 01, 2011 0 comments
Photographic umbrellas are the simplest and most inexpensive form of light modifier available and that makes them the most popular, too. Photographic umbrellas look and act just like rain umbrellas except they’re reflective and light is bounced into or shot through them, creating a big, soft light source that’s aimed at the subject. And size does matter. As photographers we live by a few important lighting rules: the closer and larger a light source is to a subject, the softer the lighting effect will be. Conversely, the smaller and further away a light source is from the subject, the harder the lighting becomes. That old lighting rule that “size matters” is important here because a large umbrella is going to produce broader, softer light for your portraits.
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Joe Farace Posted: Oct 01, 2008 0 comments

I have been using Westcott's light banks and umbrellas for glamour, fashion, and portraiture almost since the company entered the photographic business and have always been impressed by their quality and value. Previously I used their rugged and flexible Spiderlite family of hot and cold continuous lighting products and now they've introduced a line of monolights built...

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