Lighting Equipment

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Joseph A. Dickerson Posted: Oct 01, 2004 0 comments

Photos © 2004, Joseph A. Dickerson, All Rights Reserved

Anyone who knows me recognizes that I have a thing for light meters. I own, and regularly use, several and have collected a number of antiques that decorate the shelves of my office. This obsession started when I...

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Jack Neubart Posted: Nov 01, 2010 0 comments

Interfit Photographic has introduced Strobies, a system approach to shoe-mount flash accessories. Strobies are designed to take many popular shoe-mount flashes and turn them into versatile lighting tools for studio and location use.

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Joe Farace Posted: Oct 25, 2012 Published: Sep 01, 2012 8 comments
Studio lighting equipment is available in either continuous or electronic flash configurations. Continuous lighting is “on” continuously, much like a light bulb or the sun for that matter, enabling you to use your in camera light meter to measure and see how the light falls on your subject. Continuous lighting sources use photoflood, quartz, or HMI (Hydrargyrum Medium-Arc Iodide) bulbs, which can be hot, leading to the use of the term “hot lights.” An increasing number of continuous lighting tools use Compact Fluorescent Lamps (CFL) or LEDs, producing what are, in effect, “cool” hot lights.
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Jay Abend Posted: Feb 01, 1999 9 comments

Many of you may have seen my review last April of the Sun Star Strobo Mini-1200 flash system. At the time Sun Star Strobo was an all but unheard of flash manufacturer, producing a full line of impressive looking studio flash equipment. The Mini Series...

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Steve Bedell Posted: Apr 02, 2013 Published: Mar 01, 2013 0 comments
I am a dyed-in-the-wool natural light shooter. Outdoor portraits are my specialty and 95 percent of my outdoor portraits are taken with nothing but daylight. Yet, unlike other photographers I know, I actually prefer shooting on sunny days, and my studio schedules all day, so there is no waiting for the “golden hour” to get soft, directional light.
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Chuck Gloman Posted: Nov 01, 2010 0 comments

Light Emitting Diodes (LEDs) are a highly efficient way to provide additional illumination to your shot. Not only are they small and portable, but LEDs consume far less power than tungsten units, can last over 100,000 hours, and give off little or no heat. If you are looking for studio lights that are easily metered (because they can stay on all day), cool to the touch, color temperature...

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Dave Howard Posted: Jun 01, 1999 0 comments

It doesn't take long to tell whether most photo-related equipment was designed by a "design team," or by a photographer. The "team" product usually looks slick, but five minutes into an in-depth examination you've most...

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Jay Abend Posted: Jun 01, 1999 0 comments

In the quest for the perfect digital image I have learned an awful lot. Besides learning more than I ever hoped to know about ROM, RAM, Cache, and SCSI, I have learned way too much about continuous lighting. Continuous lighting, as the name suggests, is...

Joe Farace Posted: Apr 10, 2012 Published: Mar 01, 2012 0 comments
“Lighting is really common sense and personal observation. This is applied to a few rules of photography which cannot be broken and to others which I tend to bend a little.”—Paul Beeson

A monolight or monobloc to our European friends is a self-contained studio flash that is typically, but not always, powered by an AC power source and allows for different light modification devices, including reflectors, light banks, or umbrellas. The key phrase in that last sentence is self-contained. To my way of thinking the biggest advantage monolights possess is just that—if you’re shooting on location or for that matter anywhere and the power pack in a pack and head system stops working, so do you. If you have a couple of monolights and one of them fails, you can still shoot.

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George Schaub Posted: May 01, 2007 0 comments

Today's digital photographers have more ways to control color than you can shake a stick at, with programmed White Balance (WB) options, custom color temperature bracketing, and even color maps through which you can toggle to attain any color bias you want, and that's just in the camera. It's almost as if all the designers thought everyone needed a color...

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Steve Bedell Posted: Oct 01, 2008 0 comments

Monolights are a handy and portable way to work and I am always interested in testing out new models. When I tested these new lights from Adorama I received an added bonus, some of their new Belle Drape Muslin backgrounds. This was going to be fun--it was like getting a new studio setup in one box. When I opened the box I found two of the Flashpoint II 2420 monolights, a...

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Joe Farace Posted: Nov 01, 2010 0 comments

As studio lights have gotten bigger and shoe-mount flashes more sophisticated, on-location photographers increasingly have reached for speedlights to solve lighting problems.

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Jack Neubart Posted: Nov 01, 2010 0 comments

Every manufacturer has a slightly different take on how to do it and David Honl has come up with his own original solutions in the form of some nifty and very portable light shapers that fit practically any shoe-mount flash without recourse to special adapters.

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Jay Abend Posted: Apr 01, 2004 0 comments

"Digital" is a word that has been thrown about a lot recently. MP3 players have given rise to "digital headphones," drugstore minilabs offer "digital prints," and now we're beginning to see the popularization of "digital lighting."
...

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Steve Bedell Posted: Oct 01, 2009 0 comments

Like many photographers, I am always looking for lighting devices that will improve the way my subject looks and also be very easy to use.

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