Lighting Equipment

Sort By: Post Date | Title | Publish Date
Robert E. Mayer Posted: Jun 01, 2010 0 comments

This year we’re seeing a surprising number of new ringlights plus lots of accessory light modifiers, dedicated cords, flash brackets, and continuous LED lights which are helpful when making videos with multipurpose D-SLR cameras.

Aputure’s Trigmaster makes controlling a studio strobe or Speedlight wirelessly easier at distances of up to 300 feet with 16 different...

Jack Neubart Posted: Jun 01, 2010 0 comments

This year saw few major product launches in studio lighting, although we did manage to uncover some interesting lights and accessories nonetheless.

Dot Line Corp./RPS Studio introduced the Complete 7-in-1 Reflector. This folding reflector comes with a translucent panel, white, silver, sunlight (a mix of gold and silver), and gold reflectors, plus an 18 percent gray target for...

Jack Neubart Posted: Apr 25, 2014 Published: Mar 01, 2014 1 comments
For the studio photographer on location or shooting environmental portraits, connecting a studio strobe to a battery pack, battery-driven power pack, or pure sine wave inverter frees one of the constraints of plugging into an AC outlet and worrying about tripping circuit breakers or blowing a fuse, and it removes wires that could prove hazardous (combined with wireless syncing of the flash, I might add). And wedding and event photographers who rely on portable strobes that run entirely on external battery power are well familiar with the benefits—power that lasts and keeps pace with the event. There are countless choices, whether you’re just starting out or looking to upgrade or expand your lighting system.
Filed under
Jack Neubart Posted: Oct 01, 2009 0 comments

When you need the power and versatility of a studio strobe for location shooting and environmental portraiture but don’t want to schlep around a large, heavy studio system, you can turn to a portable lighting kit.

Filed under
Joe Farace Posted: Mar 01, 2005 0 comments

Riddle me this: What's the hardest thing to find on any location shoot? If you said, "clients who were on time," that would be partially true, but the correct answer is--an AC power outlet. They're even more difficult to find if you're at the beach, in a park, or as I often find myself, on a racetrack somewhere. One of the niftiest solutions...

Steve Bedell Posted: Oct 11, 2013 Published: Sep 01, 2013 0 comments
“Look Ma, no cords!” That’s right; the Priolite does not have a power cord. It is run strictly off battery power. Each unit has its own interchangeable and removable battery, plus a built-in receiver to work with a Priolite transmitter. And, unlike most monolights, it has a usable modeling light even on battery power.
Steve Bedell Posted: Oct 18, 2012 Published: Sep 01, 2012 3 comments
Recently I had an opportunity to test Profoto’s D1 monolight and their HR Softbox 1.5x3. To check out the combo the company sent along a Profoto D1 Air Kit that includes two D1 monolights, stands, umbrellas, and a case. I did not have the Air Remote to control the units from camera position.
Joe Farace Posted: Dec 01, 2004 0 comments

All Photos © 2004, Joe Farace, All Rights Reserved

The Quantum Qflash T4d Digital is a serious flash unit that combines the form factor and user interface of the kind of high-end flash units that camera manufacturers charge big bucks for with the kind of power normally found in small monobloc studio strobes. Then there's that removable reflector that...

Filed under
Joe Farace Posted: Oct 01, 2007 0 comments

More than 20 years ago, photographer and photographic genius Gary Regester showed us all how to create a lighting system that used two shoe-mounted flash units and would indeed fit inside a shoebox. Over the years I've tried to create something similar--a set of small electronic flash units and all the required ephemera that would fit inside a small carrying case. But I...

Filed under
Robert E. Mayer Posted: Nov 01, 2000 0 comments

Like the Monty Python bunch used to say, "And now for something completely different!" That's the only way to describe this new piece of lighting equipment. This incandescent light has three spiral screw-in fluorescent lamp tubes that produce a...

Filed under
Steve Bedell Posted: Sep 19, 2011 Published: Aug 01, 2011 0 comments
One of the biggest advancements in recent years in flash photography has been the ability to use your camera-compatible flash off-camera and wirelessly. Canon, Nikon, and others have developed their own systems where you can control multiple units that not only fire at the same time but also can be put into groups with their own settings.
Filed under
Joe Farace Posted: Dec 20, 2011 Published: Nov 01, 2011 0 comments
Rime Lite (www.rimeliteusa.com) monolights are manufactured by Hyundae Photonics Co., Ltd., a company that’s been building high-quality studio lighting gear in Korea since 1981. They’re now being distributed in the U.S.A. by Dynalite (www.dynalite.com). The Fame Monolights are available in three different models that deliver 200, 400, and 600 watt-second output. (To see technical specifications on the three Fame monolights, go to the Instant Links section of our website, www.shutterbug.com, for this issue.) The monolights feature a circular Xenon flash tube and a modeling light that’s protected by a hard vented glass cover that easily screws on or off. Two knobs on the back of each light allow you to continuously vary the output for either the flash or the modeling light. A cluster of four LED-illuminated buttons let you turn on (or off) sound, the modeling light, the built-in slave, or the ubiquitous “test.”
Filed under
Jack Neubart Posted: Aug 29, 2011 Published: Jul 01, 2011 0 comments
Many of us use the speedlight’s built-in kicker panel to add catchlights to the eyes and thereby give the subject a more animated look. Regrettably, this built-in device plays a marginal role in filling in shadows. So we turn to much larger, more functional bounce panels, and although they offer distinct advantages, these third-party panels may not be as flexible as we’d like. Enter Rogue FlashBenders from ExpoImaging (www.expoimaging.com). These panels quite literally lend a unique twist to speedlight photography.
Joe Farace Posted: Oct 18, 2013 Published: Sep 01, 2013 0 comments
In this test, Joe Farace tackles a higher-end LED light source that he adapted to still photography work. In it you will find technical sidebars outlining how we will test LEDs for the still photographer in the future. We offer this somewhat tech-heavy review as both a close look at this unit and a primer on LED output and LED lighting, which, as Joe states, will become increasing important, and prevalent, in studio and location work for the still shooter.—Editor
Filed under
Joe Farace Posted: Oct 15, 2012 Published: Sep 01, 2012 2 comments
One trend much in evidence for lighting these days is the use of LED as a light source. Rotolight, distributed in the US by R.T.S. Inc. (www.rtsphoto.com), has several new products in this space, beginning with their RL48-B RingLight. As a continuous light source, the Rotolight is useful for video or still photography. The basic RL48-B includes a filter holder and a Lee Filters Calibration Filter Kit (CTO: 205, 223, and 285; ND/Diffusion: 298, 209, and 216).

Pages

X
Enter your Shutterbug username.
Enter the password that accompanies your username.
Loading