Lighting Equipment

Sort By: Post Date | Title | Publish Date
Filed under
Robert E. Mayer Posted: Nov 01, 2001 0 comments

The recently introduced Photographer's Warehouse PerforMax AK4001 MLC AC/DC electronic flash is similar in appearance to this firm's previous monolight models, but includes one major difference. This new model can operate on...

Steve Bedell Posted: Aug 01, 2014 1 comments

We all know that dedicated flash units are amazing tools. They allow us to use not just one but several flashes with amazing control over the output and have the math figured out for us in the bargain. But unless we modify the light in some way we are left with a very small light source that can be very harsh, and while that may be fine in some cases, there are times when we need to modify the light to soften and shape it. With the Profoto RFi Speedlight Speedring, you now have the ability to do just that using the many modifiers available to you in the Profoto arsenal.

Filed under
Joe Farace Posted: Nov 02, 2011 Published: Sep 01, 2011 0 comments
If Dustin Hoffman’s character in The Graduate were graduating from photo school this year, the advice he would be getting instead of “plastics” would be “speedlights,” and why not? When compared to a monolight, the biggest advantage of using a shoe-mount flash is that they’re small and portable, which means you can take them anywhere. Today’s shoe-mount flashes—or speedlights as camera manufacturers like to call them—are sophisticated, seamlessly blending natural light and flash as well as having the ability to group several flashes together, trip them wirelessly, all the while calculating the correct exposure.
Joe Farace Posted: Dec 03, 2013 Published: Oct 01, 2013 0 comments
When I first saw the battery-powered Photoflex TritonFlash at a pro show I was impressed as much by its power output and flexibility as its tiny size. Available in a kit that includes one of the company’s light banks along with everything—except a light stand—the setup can get you started making portraits in the studio or on location with nary an electrical outlet in sight.
Filed under
Ron Eggers Posted: Apr 01, 2007 0 comments

Photoflex's newest lighting series are the LiteDome Kits, versatile softboxes that have been designed for strobe lights using the proprietary Photoflex Strobe Connector. There are a number of things that the LiteDome Kit has going for it, including portability, power, and outstanding performance. Even though it's being targeted at all levels of photographers...

Filed under
Ron Eggers Posted: Dec 01, 2006 0 comments

One of the difficulties of getting involved in studio work is trying to figure out where to begin. There are so many different lighting systems and so many equipment options available that it's not easy to figure out what's essential, what might be nice to have, and what really isn't necessary, at least when you first begin. Just what type of lighting do you need...

Filed under
Jay Abend Posted: Dec 01, 2001 0 comments

When a photographer hears the name "Photogenic Machine Company," he or she immediately thinks of small rugged AC-powered flash units used primarily by portrait photographers. Photogenic Powerlights have been around for decades, and have...

Filed under
Steve Bedell Posted: Jan 25, 2013 Published: Dec 01, 2012 46 comments
Fresnel lenses are used to focus light. Many of the Hollywood glamour photographers of the 1930s and ’40s used them, most notably George Hurrell for his portraits of many of the screen legends of that era. Hurrell used 8x10 cameras, uncoated lenses, and bulky Mole-Richardson hot lights. You don’t have to go that route, but you can now replicate some of the lighting effects with this new offering from Photogenic.
Filed under
Joe Farace Posted: Dec 01, 2003 0 comments

Photogenic's StudioMax II is the kind of monolight I've been trying to find for a long time. It's lightweight, powerful, and accepts battery power so it can be used on locations where the nearest AC outlet is a city block or county away.

Filed under
Ron Eggers Posted: Jan 01, 2007 0 comments

Wireless flash control is really big right now. For a long time, wireless systems primarily used slave triggering or infrared technology to fire strobes remotely. Increasingly, though, RF (Radio Frequency) systems are becoming the norm. RF systems, which generally provide multiple frequencies, make it possible to have a number of different photographers shooting with their own...

Roger W. Hicks Posted: Apr 05, 2013 Published: Mar 01, 2013 0 comments
Roger Hicks’s “Pro Lighting Report” is part of our continuing series of reports from the photokina show. With a giant hall filled with lighting products, Roger reports here on what caught his eye and what he saw as the key trends at the show. We will continue with new lighting product reports in coming issues, with a special report coming out of the WPPI show held in March, and will catch up on more new products not mentioned here then. We consider lighting a key issue for all photographers and will have more tests ahead throughout the year.—Editor
Jack Neubart Posted: Sep 27, 2013 Published: Aug 01, 2013 0 comments
The Phottix Odin is a radio frequency-controlled system, or simply radio remote. The basic package includes two units: a transmitter and a receiver. Additional receivers are optional. You only need one transmitter to sit in the camera’s hot shoe and trigger compatible i-TTL strobes, but you need a receiver for each off-camera flash. And recently, Phottix introduced a new combo pack that includes one additional receiver—perfect for my two-speedlight setups. The unit tested here is for Nikon and I worked with my Nikon SB-900 speedlights.
Shutterbug Staff Posted: Jun 01, 2008 0 comments

As part of our annual Photo Marketing Association (PMA) coverage we ask our reporters to deliver a "Best of Show" award. While each contributor had their own beat, we also asked them to go beyond their respective area of coverage to find what, for them, signified a breakthrough product, technology, or new trend that they felt would affect all photographers in the...

Jack Neubart Posted: Jun 01, 2008 0 comments

It appears someone hit the dimmer switch when it came to lighting this year: the number of entries was sporadic, at best. But the good news is that there were a few shining lights. In strobe lighting the focus was entirely on self-contained monopacs, notably in lighting designed with digital control, smaller and easier-to-use lights, and one super-lightweight battery...

Robert E. Mayer Posted: Jun 01, 2010 0 comments

This year we’re seeing a surprising number of new ringlights plus lots of accessory light modifiers, dedicated cords, flash brackets, and continuous LED lights which are helpful when making videos with multipurpose D-SLR cameras.

Aputure’s Trigmaster makes controlling a studio strobe or Speedlight wirelessly easier at distances of up to 300 feet with 16 different...

Pages

X
Enter your Shutterbug username.
Enter the password that accompanies your username.
Loading