Lighting Equipment

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Cynthia Boylan Posted: Nov 17, 2014 1 comments

The new Lume Cube is a portable, versatile 1,500-lumen external flash and video light made for use with the GoPro Hero (or any digital camera), iPhone and Android smartphones. Featuring a simple mobile interface, the Lume Cube allows you to capture better images in low light situations, allowing for more creative opportunities for photographers of all skill levels.

Cynthia Boylan Posted: Aug 20, 2014 0 comments

Metz has just launched the latest addition to its flash system lineup: the new Mecablitz 64 AF-1. Offering an impressive guide number of 64 (210 feet) at ISO 100/21˚, it has a large color touch display, an Automatic Flash mode with 12 f/stops, a Manual Flash mode with 25 partial light levels and a Remote TTL mode.

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Joe Farace Posted: Oct 24, 2012 Published: Sep 01, 2012 21 comments
If you’re looking for European build quality at a reasonable price, Multiblitz’s series of Profilux monolights are a good place to start. Built in Germany, the two Profilux models—250 and 500 watt second versions—are the perfect tool for the serious amateur or established professional and feature fast recycling times, short flash durations, and consistent color temperatures. The Profilux 250 has a five-stop power range that’s adjustable in 1/10-stop increments with a modeling lamp that delivers an expected service life of 2000 hours. The Profilux 500 delivers all of the same features as the 250 but with twice the output power.
Cynthia Boylan Posted: Sep 25, 2014 0 comments

A great tool to have in your gear bag or pocket when shooting at night or in dark areas in the rugged outdoors, the Pelican ProGear 3310PL LED flashlight flashlight was created to be tough, reliable and practical.

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Jack Neubart Posted: Jul 01, 2007 0 comments

While no clear trends emerged, I was struck by the presence of many sleeker styled, more compact units. These lights are designed for portability and user-friendliness, with a special emphasis on affordability. I had expected to see a snowball effect in strobes with digital control, but that was not the case.

I have split this report into Studio and Mobile Strobe...

Peter K. Burian Posted: Aug 01, 2002 0 comments

Like many manufacturers, Pentax is constantly striving to upgrade their SLR cameras. At this year's PMA show, Pentax released the new ZX-L, called MZ-6 in other countries. This mid-range model benefits from some of the technology developed for the...

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Cynthia Boylan Posted: Nov 25, 2014 0 comments

OmegaBrandess recently introduced the Phottix Mitros and Mitros+ TTL flashes (with proprietary Sony multi-interface hotshoe). The two new Phottix flash units were designed to fit the multi-interface hotshoe that is found on newer Sony cameras and the flash units communicate with the camera in order to operate as a system.

Jack Neubart Posted: Jun 18, 2012 Published: May 01, 2012 1 comments
Every year manufacturers and distributors unveil new products at trade show events. They see these shows as the best venues to garner the attention of the gathered members of their industries and to show them their latest wares. In the photo industry this has traditionally been the annual Photo Marketing Association (PMA) Show, which we have always covered. This year that event was subsumed into the larger Consumer Electronics Show (CES) in Las Vegas.
Jack Neubart Posted: Jun 21, 2012 Published: May 01, 2012 0 comments
Among the latest trends in lighting are the increasingly popular LED lights. While these lights were initially aimed at video, they serve a purpose in still photography as well, notably as accent or fill lights. In studio lighting, we have new monolight kits; and in speedlights, we have a new TTL ringflash along with a wireless TTL remote. We’ll also look at some interesting lighting accessories as well.
Peter K. Burian Posted: Nov 01, 2001 0 comments

Still the only independent lens maker to design and produce 35mm SLR cameras, Sigma continues developing and upgrading their line. Replacing the previous SA-5, two new models were recently introduced. The SA-9 and the SA-7 are very similar in...

Jack Neubart Posted: Feb 07, 2013 Published: Jan 01, 2013 1 comments
The Nissin Di622 Mark II offered some notable improvements over the original Di622, but that flash didn’t offer the firepower of the Nissin flagship Di866 Professional. So I was curious and eager to see what the new Di866 Mark II Professional had in store.
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Jack Neubart Posted: Nov 01, 2009 0 comments

Wow! That’s all I need to say about the new Nissin Di866 shoe-mount flash. This baby has to be experienced to be believed. I was impressed with the other flash units Nissin first sent me, but this new flash sets new standards in technology and user-friendliness. For starters, the Di866 features wireless TTL that lets me take advantage of the latest camera/flash exposure advances. Second, it...

Jack Neubart Posted: Aug 30, 2013 Published: Jul 01, 2013 0 comments
The Nissin MF18 fully supports Nikon’s i-TTL autoexposure as well as Canon’s E-TTL system. I tested with the Nikon 60mm Micro, but also had success with a zoom, namely the Tamron 70-300mm with a Marumi DHG Achromat Macro (plus-diopter) lens attached, both on my Nikon D300. Much of my close-up work with the MF18 involved Manual shooting mode set on the camera for tighter exposure control, and manual focus.
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Jay Abend Posted: Nov 01, 2001 0 comments

Macro photography seems to be in a golden age. Maybe it's the proliferation of digital point-and-shoot cameras with incredible macro focusing capabilities. Maybe it's the new breed of inexpensive macro zoom lenses, or maybe...

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Steve Bedell Posted: Aug 25, 2011 Published: Jul 01, 2011 0 comments
Photography is all about light and photographers are always looking at ways to modify it. Visit any studio of a working pro and you’re bound to see softboxes, umbrellas, cones, snoots, grids, beauty dishes, parabolic reflectors, etc. Each has their purpose in changing the shape and/or character of the light. Using the same light source, you can modify it from a sharp, harsh, point light source with distinct shadows to a soft, even light source with very little or no shadows. With that in mind I decided to give one of these modifiers a test, the Paul C. Buff PLM v.2.

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