Pro-Quality Digital SLRs
Sort By: Post Date | Title | Publish Date
George Schaub Nov 01, 2006 0 comments

When Nikon refines a camera but does not substantially change its attributes the company often designates the change by adding a lowercase "s" to the model name. It did so with the revamped D70 (the D70s) and now has done the same with their latest flagship pro digital SLR, the D2Xs. (As we went to press the D70s has been replaced with the D80, so interim status is...

George Schaub Mar 01, 2008 0 comments

The new flagship model of the Nikon advanced amateur (or semi-pro, if you will) line-up, the 12.3-megapixel DX-sensor (1.5x multiplication factor) D300 incorporates all the latest features in the D-SLR realm, and then some. Sporting a new digital image processor, dubbed EXPEED, and a 3" monitor, the D300 can create 12-bit or 14-bit NEF images and capture up to 8 frames per...

Joe Farace Jan 01, 2010 2 comments

When Nikon launched the all-new entry-level D3000, they took the time to freshen the D300 with—what else—video capability, adding the “s” suffix, as is their naming habit.

Steve Anchell May 01, 2008 0 comments

The D3 is positioned as a pro camera, priced and marketed to those whose livelihood depends on consistently creating the best possible images, be they photojournalists, sports or fashion photographers. The two things that someone who makes a living in photography looks for in any new camera is quality and "what can this camera do for me?"

Don't let...

George Schaub May 01, 2010 5 comments

If you want to test the mettle of a camera intended to satisfy a craven need for speed, take that camera to a hockey game, one of the world’s fastest sports. That’s one of the tests to which I put the Nikon D3S, a brute of a camera that seems to adapt to any shooting or lighting conditions with ease. The D3S is the latest in Nikon’s pro line of D-SLRs, priced for pros (list:...

Joe Farace Apr 01, 2009 0 comments

Right now it’s all about megapixels and Nikon’s latest entry in the super D-SLR race is the 24.5-megapixel D3X.

George Schaub Oct 01, 2007 0 comments

If you run down the specs of the Nikon D40x D-SLR and compare them with the D40 you'll not find many differences. This is essentially the D40 with 4.1 more megapixels on the same size sensor and the ability to use ISO 100, rather than the ISO 200 lower limit on the D40. (To see the D40 review and specs visit www.shutterbug.com and type Nikon D40 into the Search box.) The...

George Schaub Nov 01, 2008 0 comments

The Nikon D700 is the latest in what is clearly a continuing trend in so-called “full-frame” D-SLRs. Unless a radical departure from the classic 35mm form factor takes place, this class of camera cannot accommodate a larger sensor, at least in terms of area. The D700 does offer an (effective) 12.1-megapixel resolution, modest in terms of some of the competition, but also priced to...

Joe Farace Feb 01, 2009 0 comments

The Nikon N90s was the first autofocus 35mm SLR that I owned and I have many fond memories of using and capturing film images with that camera.

George Schaub Mar 01, 2002 Published: Mar 01, 2001 0 comments

The Olympus Camedia E-20N is the latest in their series of high-end digital cameras that straddle the line between consumer and professional markets. Although the E-20N does not offer interchangeable lenses, it stretches the envelope on the consumer side by offering features and abilities that outstrip...

Joe Farace Apr 01, 2009 0 comments

Olympus decided to build an impressive camera that goes where none has gone before, the Olympus E-30.

Jon Canfield Sep 01, 2008 0 comments

The Epson Stylus Photo R1800 has been a popular choice for digital photographers needing a 13x19 format but not willing or able to spend the additional money for the R2400. Add to that exceptional gloss printing thanks to a special Gloss Optimizer, and you have an excellent option for high-quality printing at an attractive price.

But, as usual, the market...

Peter K. Burian Apr 01, 2009 0 comments

Panasonic has developed an Interchangeable Lens Digital Camera (ILDC) that’s not a single lens reflex model.

Peter K. Burian Apr 01, 2008 0 comments

The second D-SLR from Panasonic, this 10-megapixel model is quite different than the original 7-megapixel Lumix DMC-L1. The latter--built like a tank, and still available--is an unusually traditional model in many respects. It resembles a large/heavy 35mm rangefinder camera and features "retro"-style controls, including a mechanical aperture ring on the...

Peter K. Burian Feb 01, 2007 0 comments

The first Panasonic D-SLR, the Lumix DMC-L1 is a product of an alliance with Olympus, since it employs, according to the company, some "jointly developed technologies and components." In fact, this camera shares many attributes with the Olympus EVOLT E-330, including the lens mount, Supersonic Wave sensor dust removal system, and Panasonic's Four Thirds format...