Lenses

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Steve Bedell Posted: Jun 01, 2007 0 comments

I 've been shooting most of my portrait work with a 28-75mm zoom, but always felt I could use something longer. And I'm about at the point where fixed focal length lenses just won't do; once you get used to the flexibility of a zoom, you're spoiled. I also like a fast lens with a relatively wide maximum aperture, as I like to get way out-of-focus...

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Steve Bedell Posted: Jun 01, 2007 2 comments

Technical Specifications

Lens Construction: 18 Elements in 14 Groups
Angle of View: 27.9 ° - 9.5 °
Number of Diaphragm Blades: 9 Blades
Minimum Aperture: F22
Minimum Focusing Distance: 100cm / 39.4 inches
Maximum Magnification:...

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Peter K. Burian Posted: Nov 01, 2006 0 comments

One of the favorite lenses among news photographers, a 70-200mm f/2.8 or 80-200mm f/2.8 zoom also appeals to many serious photo enthusiasts. Although large and heavy, lenses of this type offer several benefits. Their very wide maximum aperture allows for faster shutter speeds than the more typical f/4.5-5.6 zooms, great for low-light or action photography at lower ISOs (film or...

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Steve Bedell Posted: Dec 01, 2006 0 comments

While searching for a new portrait lens I saw Sigma's APO MACRO 150mm f/2.8 on their website. But wait, you say, this is a macro lens, not a portrait lens! Here's my thinking: Any portrait photographer out there worth his light meter will gladly extol the virtues of a long, fast lens for portraiture. The reasons are simple--limited angle of view to get rid of...

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George Schaub Posted: Aug 01, 2008 0 comments

If you ever want a unique point of view try a "fisheye" lens. Like looking through a door peephole (which in fact is a "fisheye" type) this order of lens sacrifices linear correction in favor of a very wide angle of view. Originally made for creating "full sky" images when pointed straight up, they had long ago been adopted by photographers for...

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Dan Havlik Posted: Aug 18, 2014 0 comments

The news last week that Canon’s rare, 1200mm super telephoto lens was on sale again reminded us of another giant piece of glass that generated tons of buzz when it was introduced in 2008: the Sigma 200-500mm F2.8 APO EX DG.

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David B. Brooks Posted: Jan 01, 2006 0 comments

There's one lens that's part of my 35mm/digital SLR system that I have used longest, continuously now for about 40 years. It is a homemade single-element soft-focus lens inspired by the Rodenstock Imagon lens for large format cameras. There are more images in my library of photographs made with this lens than any other. But why in this modern, high-tech world of...

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Robert E. Mayer Posted: Mar 01, 2010 0 comments

If, like many Shutterbug readers, you have a film SLR camera plus several interchangeable lenses, you might be wondering if you can use those lenses with your new D-SLR camera of the same, or even different, brand.

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Peter K. Burian Posted: Jun 01, 2001 0 comments

Best known for selling over a million of the various versions of their 28-200mm zoom, Tamron makes a broad variety of lenses. In zooms, these range from highly affordable models to those intended to satisfy the professional photographer. Most...

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Joseph A. Dickerson Posted: Aug 01, 1999 0 comments

You read a lot today about extreme sports. Extreme kayakers paddle previously unexplored rivers with class VI (considered impassable) rapids, extreme mountain bikers make 70mph descents of world class downhill ski courses, and even the relatively sedate...

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George Schaub Posted: Nov 01, 2002 0 comments

If you go way back you remember the first telephoto zoom lenses as heavy, ungainly things that were often more trouble than they were worth. Travel a bit ahead in time and check out the wide-to-tele zooms, and you get the same thing, with...

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Peter K. Burian Posted: Dec 01, 2001 0 comments

The best-selling zoom lens in history, Tamron's 28-200mm debuted in 1992. Since then, it has been redesigned and upgraded in 1996, in 1999, and again in 2001. This most recent (fourth-generation) model benefits from significant downsizing...

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Joe Farace Posted: Jun 01, 2011 44 comments
Tamron has always been a pioneer in the do-everything zoom lens category and their new AF18-270mm F/3.5-6.3 Di II VC PZD lens is no exception. Don’t be intimidated by those initials—it’s all good stuff—and I’ll get to them shortly. The 18-270mm F/3.5-6.3 is part of Tamron’s Di II family of lenses that are engineered specifically for digital SLRs with image sensors measuring 24x16mm, typically referred to as APS-C. The sensor size of the Canon EOS 50D I tested the lens with measures 22.3x14.9mm so I guess that’s close enough. The 15x zoom range of the lens provides a 35mm focal length equivalency of 28.8-432mm with the Canon EOS 50D’s 1.6x multiplication factor, but that will be slightly different for the Nikon and Sony versions that are also available. Shooting full frame? Check out Tamron’s Di lens series for 35mm film cameras or digital SLRs featuring larger (24x36mm) sensors.

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Peter K. Burian Posted: Nov 01, 2003 0 comments

Tamron's New SP AF 28-75mm F/2.8 XR Di LD Aspherical [IF] Macro And SP AF 180mm F/3.5 Di LD (IF) 1:1 Macro Lenses

First announced at the photokina show in October 2002...

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