Test Reports
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Jack Neubart Apr 01, 2004 1 comments

Minolta made its name years back with 35mm SLR autofocus cameras and has since gone on to bring their expertise to digital cameras as well. So, when the Minolta DiMAGE A1 digital camera was introduced I was curious to test its various focusing modes and features. This report concentrates on...

David B. Brooks Apr 01, 2002 0 comments

Most photographers want to use the best tools available and hope they can afford the best. When it comes to film scanners, Minolta's latest DiMAGE Scan Multi PRO sets the standard for a reasonably affordable scanner. This new Minolta scanner...

George Schaub Aug 01, 2002 0 comments

Although we don't ordinarily review point-and-shoot 35s in Shutterbug, we were tempted to check out the new Minolta Freedom Zoom because of its autofocusing system. Minolta, as you might know, was a pioneer of AF technology with the Maxxum SLRs.

35mm Cameras, Test Reports
George Schaub Jan 01, 2002 1 comments

Weighing in at just under 12 oz with a size of 5x3.4x2.4", the compact Minolta Maxxum 5 could be considered a downsized 35mm SLR, at least when compared to some of the bulkier pro models. But this size and weight belies the...

35mm Cameras, Test Reports
Robert E. Mayer May 01, 2000 0 comments

Minolta Maxxum QTsi

Anybody seeking to graduate from simple compact cameras with their notoriously inaccurate viewfinders and limited close focusing capability and expand their photographic horizons usually accomplish this by...

35mm Cameras, Test Reports
Robert E. Mayer May 01, 1999 0 comments

The Minolta AF SLR cameras are aimed toward the entry photographer just purchasing their first SLR as well as more experienced individuals already owning some Maxxum equipment who need an additional camera body. Actually there are two practically identical...

Joe Farace Nov 01, 2002 0 comments

The best thing a point-and-shoot digital camera can do is be ready when you want to make a picture and Minolta's DiMAGE X (www.minoltausa.com) delivers the goods in style with a tiny...

Howard Millard Sep 01, 2004 0 comments

Say the words "color management" and some digital photographers and printers break into a sweat. Others swear that what they don't know can't hurt them. But most believe that taking control of color management is essential to a...

Chris Maher and... Jan 01, 2004 0 comments

The web is a wonderful resource, in part because it is so easy for people to share what they know by simply putting up a web page. Of course, if you have to learn HTML before you can begin, it's not so simple. But many web-authoring packages are on the market, each striving to combine ease of use...

David B. Brooks Nov 01, 1999 0 comments

Times they are a changing; especially when it comes to what people are doing with images in response to the rapid development of new communications technologies like the web. More and more business, now called "e-commerce," has shifted to the Internet...

Peter K. Burian Nov 01, 2003 0 comments

Agfa manufactures a full line of 35mm films of all types, with the Vista series being their most popular consumer-grade product. In 2001, Vista was chosen as "European Color Print Film of the Year," by EISA, a group composed of some 50 magazines. Since that time, Vista 100, 200...

David B. Brooks Dec 01, 1999 0 comments

Canon's announcement of their new CanoScan FS 2710 35mm and APS film scanner covers every edge of a very broad target of potential users.

CanoScan FS 2710 Features. The physical specifications in all parameters for...

David B. Brooks Sep 01, 1999 0 comments

A complete, ideal digital darkroom includes three basic elements: input from a scanner or digital camera, a personal computer with image-editing software, and output in the form of a photo-realistic printer. From my perspective the output is "the...

Peter K. Burian Mar 01, 2000 0 comments

Although Fujichrome Provia 100 Professional is a top-rated transparency film, the engineers at Fuji have not been resting on their laurels. Aggressively continuing their Research and Development activity, they achieved a breakthrough: an ISO 100 film with...

Peter K. Burian Jul 01, 2001 0 comments

Until about five years ago, any color print film with an ISO over 200 was considered to be in the "high-speed" category. Then, the many ISO 1000 and 800 films hit the market, and eventually, the ISO 400 products were defined as medium...