![]() |
|||
| |
|||
| This ENewsletter
Brought To You By: |
|
|
|
|
|
|||
| |
|||
We have gotten
some letters from readers asking why we don’t normally review integral
lens digital cameras, or what we call digicams. One reason is that they
come and go so quickly. It’s not unusual for a digicam to be on
the market for four to six months, tops. Another is that there are hundreds
of them, with perhaps 15 or more in every manufacturers lineup. Frankly,
we feel that we want to dedicate our magazine pages to techniques to help
improve image quality and tools that will stay in circulation more than
a few months, rather than those that are around until the next blip in
megapixel count or the latest wrinkle in face recognition software. But
the main culprit is in a not so attractive attribute of the vast majority
of these cameras—shutter lag. |
|||
|
|||||||||||||||||||||||
| While all
Shutterbug readers are serious about imaging, some consider photography
a career while others shoot for the pure pleasure of the creative process.
We regularly hear from a third type of photographer: photo enthusiasts
who don’t want to give up their day jobs, but would still like to
supplement their incomes by selling their imagery. |
||||||||||||||||||||||||
|
||||||||||||||||||||||||
|
|||||
Every
photographer sees in different ways. The sense of what makes a picture,
however, often comes from shared cultural influences, an innate sense
of balance and the way shadow, color and highlight interplay in the
scene. It’s what makes you snap the shutter at a certain moment,
or makes you pick up the camera and start working, that is perhaps
the most fascinating aspect of photography. The way you frame your
images, and the subjects you choose to include in the frame is something
that you might be hesitant to analyze, fearing that too much rationalization
will lead to formulaic approaches to your work. But visual introspection
can have its rewards, leading to further picture possibilities and
a way to hone your compositional skills. It’s not forcing pictures—it’s
taking the way you see “seriously”, and respecting the
fact that your photography is anything but accidental. |
|
|
|
•
Newsletter Feedback Let us know what you think about our Newsletter. Please send your comments to: editorial@shutterbug.com |
| Subscribe • Unsubscribe |
| Shutterbug Home Page |
| Print & Web Media Kit • Privacy • Contact Us |
| Copyright © Primedia Magazines, Inc. All rights reserved. |