January 28, 2014 Please visit Shutterbug's Facebook page to read about what's coming up in the magazine, share your images, and interact with other readers. And be sure to "like" our page while you're there so you don't miss any exciting news! This eNewsletter Brought To You By: Flash Basics Power And Position by Jim Zuckerman To fully understand your flash, there are some basic principles and definitions I need to explain. When I start discussing how to be creative with your flash, you will know what I’m talking about with this information under your belt. Flash is not difficult once you understand some fundamental principles. I will start from the beginning and take you step by step to the point where it will seem like no big deal to get excellent flash pictures. Get The Full Story Treasure-Trove of Century-Old Negatives Found in Antarctica by Ron Leach, Publisher The New Zealand Antarctic Heritage Trust recently discovered and restored a treasure-trove of century-old cellulose nitrate negatives left behind by the ill-fated Ross Sea party when they were rescued after spending three years struggling to survive on Ross Island after their ship broke loose from it’s moorings and blew out to sea. The small box of 22 unprocessed negatives were part of more than 10,000 objects conserved at Captain Robert Falcon Scott’s hut and brought back to New Zealand by the Trust and painstakingly restored. Get The Full Story Tenba Classic Bags Diffusion Techniques Softening Accessories by Jim Zuckerman I have made the point that on-camera flash is not the most attractive artificial light for photography. In fact, I’d say it’s at or near the bottom of my list for choosing artificial light sources to illuminate the subjects I photograph. If I can’t take the flash off the camera and I’m forced to use on-camera flash, then the best approach is to diffuse the light. There are various ways to do this. Some diffusion techniques require a modest expenditure while others don’t cost anything. Get The Full Story Image Processing Find The Potential In Your Images by George Schaub Dedicated black and white photographers have always processed their images and made their own prints. Negatives were carefully developed according to exposure and contrast needs; prints were made with extensive “handwork” and archival processing procedures. Processing was and is a key element in black and white photography—digital does not change that element of the craft. Get The Full Story Interpretation & Black & White Exploring The Potential, Using The Tools by George Schaub One of the most exciting aspects of black and white photography is your ability to interpret your images, that is, joining your way of seeing with the application of techniques. For example, when shooting landscapes, the aim is generally to communicate your “sense of place.” The techniques you apply define both the objective place (the record of that scene) and your perceptions and feelings about it. Depending on your decisions, you can create an image of the same scene pervaded by light and contrast, or set in deep, dark tones. The objective image does not change; what can change is your interpretation, the way the scene is altered by journeying through your mind’s eye. Get The Full Story Vote! More and more new cameras no longer have low pass filters. AdoramaTV Watch, Learn , Create We’d like you to know that our friends at Adorama have an exciting new resource that’s a key part of their photographic education initiative. See host, Mark Wallace, present how-to videos for everyone from snapshooters to enthusiasts to professional photographers, plus product reviews, interviews with today’s top professional photographers, and reviews of iPad apps. AdoramaTV is the newest part of the Adorama Learning Center, which has thousands of photo-related how-to articles, product reviews and buying guides. New videos are added daily. Visit us today and ignite your passion… Adorama Photography Workshops Various courses offered each month. Contact: Adorama, 800-223-2500.
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